Culture Art For Sale

Page 1 of 23
Browse 663 Culture artworks for sale. Contemporary artists: Wendy Lippincott, Edem Elesh, Asbjorn Lonvig, Michael Garr, Harry Weisburd, Wayne Quilliam, Vincenzo Montella, Robert H. Stockton, Kichung Lizee, Hans-ruedi Kammermann, Ron Ogle, Storm Hammond, Richard Lazzara, George Oommen, Shoshannah Brombacher, Adam Adamou offering Culture artworks. Links to more artworks by these contemporary artists and 23 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Culture art simply click on the image to go to a more detailed page about this work of art.


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Wendy Lippincott: 'carpe diem', 2023 Oil Painting, Culture. Famous times in History...
, 2023
Culture - Painting
24 x 30 inches (61.0 x 76.2 cm)
Edem Elesh: 'earthling', 2016 Mixed Media, Culture. Examing the concept of  foreign  cultures, and it s effect on perception. ...
, 2016
Culture - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
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Asbjorn Lonvig: 'Sacre Coeur Basilica Color II', 2016 Other Printmaking, Culture.  Sacre Coeur Basilica Color - II signed...
Culture - Other Printmaking
84 x 112 cm (33.1 x 44.1 inches)
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Asbjorn Lonvig: 'Alhambra', 2016 Other Printmaking, Culture.  Alhambra Granada Spain signed...
, 2016
Culture - Other Printmaking
86 x 85 cm (33.9 x 33.5 inches)
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Michael Garr: 'outhouse', 2004 Pen Drawing, Culture.
, 2004
Culture - Drawing
11 x 8 inches (27.9 x 20.3 cm)
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Harry Weisburd: 'Woman in Red Shutters Window  3D', 2011 Watercolor, Culture.  Realism, Figurative, Erotic, Senual, woman, female, Window  3D Image         ...
Culture - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'Art Patron ', 2011 Watercolor, Culture.   Realism, Figurative, male, man , Art Gallery, Museum Wall, culture , erotic, female, woman sensual             ...
Culture - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Wayne Quilliam: 'Garma ', 2008 Black and White Photograph, Culture.  Wayne Quilliam from Garma ...
, 2008
Culture - Photograph
0.2 x 30 cm (0.1 x 11.8 inches)
Vincenzo Montella: 'Fruit market', 2007 Other Photography, Culture.  laser print ...
Culture - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Robert H. Stockton: 'The Things That We Depend On', 2007 Mixed Media, Culture.  This mixed media piece incorporates a variety of found, and appropriated materials, as well as acrylic paint.  It is matted with white museum board, and framed in black metal, under glass, to a finished size of 13 x 13.  The actual size of the artwork is 8 x 8.  ...
Culture - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Kichung Lizee: 'Chrysanthemum', 2001 Other, Culture.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush and water color.  presented as a traditional Asian scroll....
Culture - Other
34 x 22 inches (86.4 x 55.9 cm)
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Kichung Lizee: 'Bamboo III', 2001 Calligraphy, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented as a traditional Asian scroll. ...
, 2001
Culture - Calligraphy
20 x 56 inches (50.8 x 142.2 cm)
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Kichung Lizee: 'Bamboo II', 2001 Calligraphy, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented as a traditional Asian scroll....
, 2001
Culture - Calligraphy
18 x 78 inches (45.7 x 198.1 cm)
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Kichung Lizee: 'Bamboo Forest', 2004 Calligraphy, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented as a traditional Asian scroll. ...
Culture - Calligraphy
30 x 69 inches (76.2 x 175.3 cm)
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Wendy Lippincott: 'Millenium I', 2000 Oil Painting, Culture. This painting celebrates the turn of the Millenium.  The figure in the lower left represents History turning the page to open the new Millenium.  It also has a companion piece, Millenium II....
Culture - Painting
50 x 58 inches (127.0 x 147.3 cm)
Hans-ruedi Kammermann: 'morning land', 2005 Oil Painting, Culture.
Culture - Painting
90 x 95 cm (35.4 x 37.4 inches)
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Ron Ogle: 'In the Box', 2005 Color Photograph, Culture.  Is love pleasure ? . . . that is what we are pursuing, consciously or unconsciously. Our gods are the result of our pleasure. Our beliefs, our social structure, the morality of our society - which is essentially immoral - is the result of our pursuit of pleasure. And when you say,' I love somebody' , is...
, 2005
Culture - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Ron Ogle: 'Ent', 1999 Assemblage, Culture. ThisASSEMBLAGE isthe most complex grouping of FOUND ITEMS I have ever assembled, nailed down, and titled. Note the FURLED flag. [ let your hair unfurl, andyour heart ] ENT: in Tolkien' s books about Middle Earth; an ENT was an individual and self consciousOLD- GROWTH TREE, vital and self aware and ...
, 1999
Culture - Assemblage
36 x 24 inches (91.4 x 61.0 cm)
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Ron Ogle: 'Balanced Rock Number  389', 2005 Color Photograph, Culture.  Zoom in. All I can figure is that my practice at balancing stones found along side that creek has resulted in me being able to balance them. Unless it is raining. ...
Culture - Photograph
12 x 18 inches (30.5 x 45.7 cm)
Storm Hammond: 'Mona Lisa Study', 2018 Oil Painting, Culture.
Culture - Painting
12 x 16 inches (30.5 x 40.6 cm)
Ron Ogle: 'Number One', 1996 Assemblage, Culture. My first assemblage.  It is framed. You sure can zoom in on this one. ...
, 1996
Culture - Assemblage
24 x 18 inches (61.0 x 45.7 cm)
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Richard Lazzara: 'Venetia Lazzara Salute Grande Canal Estuary', 2004 Other Painting, Culture. Venetia Lazzara Salute Grande Canal Estuary 2004 from the folio
Culture - Painting
22 x 10 inches (55.9 x 25.4 cm)
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Richard Lazzara: 'Venetia Lazzara Regalia San Vidal', 2004 Other Painting, Culture. Venetia Lazzara Regalia San Vidal 2004 from the folio
Culture - Painting
10 x 18 inches (25.4 x 45.7 cm)
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Richard Lazzara: 'Venetia Lazzara Doges Palazzo Column', 2004 Other Painting, Culture. Venetia Lazzara Doges Palazzo Column 2004 from the folio
Culture - Painting
8 x 14 inches (20.3 x 35.6 cm)
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Richard Lazzara: 'Venetia Lazzara San Marco Piazza toward  Cathedral', 2004 Other Painting, Culture. Venetia Lazzara San Marco Piazza toward Cathedral 2004 from the folio
Culture - Painting
23 x 19 inches (58.4 x 48.3 cm)
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George Oommen: 'kanjeevaram 6', 2004 Oil Painting, Culture. kanjeevaram is inspired from the sarees that are woven from the town of Kanjeevaram ...
Culture - Painting
24 x 36 inches (61.0 x 91.4 cm)
Wayne Quilliam: 'Uncle Max Redfern', 2004 Black and White Photograph, Culture.
Culture - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Shoshannah Brombacher: 'Literaturkrays', 1997 Pencil Drawing, Culture. This is a Jewish group in East Berlin in the nineties which came together to discuss lietrature in an old appartment with a tile stove. ...
Culture - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Adam Adamou: 'NO 34', 2004 Acrylic Painting, Culture.
, 2004
Culture - Painting
0 x 0 mm ( x )
Philip Hallawell: 'The Mystery of Creation', 1979 Pen Drawing, Culture. The nature of creativity and the creative process have always been of greta interest to me. This drawing, in pen and ink and onk washes was one of my first to address the theme. It also includes a self- portrait. ...
Culture - Drawing
25 x 35 cm (9.8 x 13.8 inches)
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(Page 1 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Vincenzo Montella - Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Hans-Ruedi Kammermann - Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Shoshannah Brombacher -