Equine Art For Sale (176)

Page 7 of 7
Browse 176 Equine artworks for sale. Contemporary artists: Daniel Janssens, Tom Lund-lack, Hyacinthe Kuller-baron, Andrea Mackey, Marc Awodey, Colette Theriault, Paula Durbin, David Works, Eleanor Hartwell, Sonja Tellison-foster, Nini Larranaga, Judith Angell Meyer offering Equine artworks. Links to more artworks by these contemporary artists and 7 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


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Tom Lund-lack: 'Close Finish', 2005 Oil Painting, Equine. Artist Description: Close finish is in my opinion one of the best pieces I have completed to date. It was executed rapidly to enhance the drama at the end of a close fought race.  The lack of detail and the bright highlights emphasise everthing I think is the essence of ...
Equine - Painting
30 x 24 inches (76.2 x 61.0 cm)
Tom Lund-lack: 'White Horses', 2005 Oil Painting, Equine. Artist Description: I painted this with the idea that of capturing wild horses in romatic landscape.  The work has dreamlike quality about it, a feature which is deliberate. I hope you like it....
Equine - Painting
40 x 16 inches (101.6 x 40.6 cm)
Hyacinthe Kuller-baron: 'DARKWIND STALLION', 2008 Giclee - Open Edition, Equine. Artist Description: 2X3signed on canas or paper with hand touches. Original painting in oil on canvas 4x4 in the Whitney Collection. ...
Equine - Giclee - Open Edition
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'ARABIAN DREAMER', 2008 Reproduction Artwork, Equine. Artist Description: ARABIAN DREAMER is a limited edition of 30 reproductions 2' x3' on quality paper or canvas and signed by Hyacinthe and numbered with hand painted touches by the artist. The Original is in a famous Arizona Arabian breeder' s collection...
Equine - Reproduction Artwork
24 x 36 inches (61.0 x 91.4 cm)
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Andrea Mackey: 'Friend', 2005 Pastel, Equine.
, 2005
Equine - Pastel
22 x 16 inches (55.9 x 40.6 cm)
Marc Awodey: 'child on a horse', 2005 Oil Painting, Equine.
Equine - Painting
28 x 22 inches (71.1 x 55.9 cm)
Colette Theriault: 'Trinity', 2003 Pencil Drawing, Equine. Artist Description: Trinity, a 10 year old bay Irish Sport mare, competed in the discipline of
, 2003
Equine - Drawing
18 x 14 inches (45.7 x 35.6 cm)
Tom Lund-lack: 'Tranquillity2', 2004 Oil Painting, Equine. Artist Description: Perhaps because most of my equestrian pieces are based on The Thoroughbred, I was challenged to paint Arabians well here they are 4 of them, enjoying paddling on the beach!  The work also has a thoroughbred and rider, who are connected with the main figures yet are apparently ...
Equine - Painting
102 x 76 cm (40.2 x 29.9 inches)
Paula Durbin: 'Brown Horse', 2003 Color Photograph, Equine. Artist Description: Fresson Print. May be printed inn other sizes and processes....
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Horse Profile', 2003 Color Photograph, Equine. Artist Description: A Fresson print. May be printed in other sizes and processes....
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'I See You', 2003 Color Photograph, Equine. Artist Description: A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Nose', 2003 Color Photograph, Equine. Artist Description: A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Tail', 2003 Color Photograph, Equine. Artist Description: A Fresson print.May be printed in other sizes and processes. ...
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Sascha', 2003 Color Photograph, Equine. Artist Description: An Ilfachrome print.May be printed in other sizes and processes. ...
, 2003
Equine - Photograph
15 x 20 inches (38.1 x 50.8 cm)
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Paula Durbin: 'Nose', 2003 Color Photograph, Equine. Artist Description: A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Tony Boy', 2003 Color Photograph, Equine. Artist Description: A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Tom Lund-lack: 'Trading Up', 2004 Oil Painting, Equine. Artist Description: Money, share dealing and betting are risks, the intention of this work is to combine these thoughts into an abstract....
, 2004
Equine - Painting
36 x 24 inches (91.4 x 61.0 cm)
David Works: 'Race 1', 2002 Other Photography, Equine. Artist Description: Race Horse and Jockey in the race.  Derived from original photograph.  Printed with archival inks on 13x19 inch watercolor paper....
, 2002
Equine - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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Eleanor Hartwell: 'White Horses', 2003 Watercolor, Equine.
Equine - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
Tom Lund-lack: 'Close Competition', 2003 Reproduction Artwork, Equine. Artist Description: The contrast between abstract and figurative is intended to lend drama and excitement to this piece. Horse racing is a colourful and dramatic experience and I have aimed to capture these emotions with a bold and striking image.  Buy a fine art Giclee reproduction of this popular image....
Equine - Reproduction Artwork
45 x 32 cm (17.7 x 12.6 inches)
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Tom Lund-lack: '2Alone', 2003 Oil Painting, Equine. Artist Description: Paintings sometimes seem to take on a life of their own and the finished product does not reflect the artist' s original intentions. 2Alone evolved out of a contest between me and the paint and we came to an understanding that gave a sense of aloneness yet with ...
, 2003
Equine - Painting
80 x 70 cm (31.5 x 27.6 inches)
Tom Lund-lack: 'Chanson d elegance', 2003 Oil Painting, Equine. Artist Description: This painting, which I have just retouched, was inspired by imagination, a feel of summer heat, light, retro elegance and above all beautiful horses. This painting as an original is for sale at US$2300. Fine art limited edition ( 500) signed prints on canvas will be available to ...
Equine - Painting
90 x 70 cm (35.4 x 27.6 inches)
Sonja Tellison-foster: 'Red Horse ', 2002 Other Photography, Equine.
, 2002
Equine - Photograph
16 x 16 inches (40.6 x 40.6 cm)
Tom Lund-lack: 'White Turf 2000', 2002 Giclee, Equine. Artist Description: One of my own personal favourites White Turf is all about the power, drama and action of horse racing in an unusual setting - the frozen lake at St Moritz. ...
Equine - Giclee
45 x 32 cm (17.7 x 12.6 inches)
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Nini Larranaga: 'Caballos de Cristal', 2002 Oil Painting, Equine.
Equine - Painting
120 x 105 cm (47.2 x 41.3 inches)
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Nini Larranaga: 'Caballo Rojo Caballo Verde', 2002 Oil Painting, Equine.
Equine - Painting
105 x 110 cm (41.3 x 43.3 inches)
Nini Larranaga: 'Caballos Metalicos', 2002 Oil Painting, Equine.
Equine - Painting
110 x 105 cm (43.3 x 41.3 inches)
Nini Larranaga: 'Estampida', 2002 Oil Painting, Equine.
, 2002
Equine - Painting
130 x 130 cm (51.2 x 51.2 inches)
Judith Angell Meyer: 'Heading Out', 1992 Watercolor, Equine. Artist Description: This new mother is taking her foal out for his first walk- about. ...
Equine - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
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Ghassan Rached: 'Racing Horses', 2002 Watercolor, Equine. Artist Description: Painting by Ghassan Rached, 2002...
Equine - Watercolor
40 x 58 cm (15.7 x 22.8 inches)
(Page 7 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Tom Lund-Lack - Tom Lund-Lack is a self-taught painter whose work uses the power of imagination to seek out the core elements of the subjects he paints. His work is grounded in the need to celebrate life, and to express our sense of existence through the recognition of the transforming power of colour and light. Arrangements of shape, line, pattern and colour conjure up powerful expressions, sometimes dreamlike and at peace sometimes exciting and dramatic. The pieces do not always represent an actual moment in time, but are rather the result of a process of reflection, recollection and reinvention, a distillation of his experiences. ...

Tom Lund-Lack - Andrea Mackey - I draw and paint because I must. I am passionate about drawing and painting. Being able to look at a subject and sketch it accurately, as I see it, is a major factor in building the structure for each of my paintings. Executing a well-planned drawing is what keeps me motivated. The media and subject matter may vary, but the structure beneath is what I consider my true medium....

Marc Awodey - "My statement IS the work." Awodey received his MFA from Cranbrook Academy of Art in 1984. Hundreds of his works are in private collections around the USA. Awodey lives in Burlington, Vermont- one of the most active arts enclaves in in North America. He teaches fine arts at Burlington College and The Community College of Vermont, is an award winning art critic, and has published 3 books of poetry. Resume and slides are available on request. Awodey's vision is unique, and his work may be considered investment quality. Click on "send the artist an email" for further information. "I do not try to be profound. My only concern is to make pictures that work - I can't worry about critical relevance, or what a viewer might discover in a piece. Such are not for me to know. I am a figurative painter who is, nevertheless, more focused on formal issues than narrative content. Narratives are egocentric, and I am an artist of the Id. Textures, color, and line are the Id. I establish a dialog with each canvas, and let it develop on its own terms - so my pictures are very simple and direct. The anatomy of the picture...

Colette Theriault - New Website: visit www.colettetheriault.com for complete portfolio gallery! Growing up surrounded by the rugged wilderness of Northern Ontario, my love of nature began at an early age. I was inspired by my family who's love of the outdoors manifested itself by countless days of fishing, hunting and camping. Drawn by the beauty and mystery of nature, I was always on the lookout for wildlife, exploring every inch of the forest floor or tree canopy. As a result, I had a need to express this beauty through my drawings and paintings. This undying urge to learn as much as I could about the living world around us later led me to an Honors Bachelor of Science Degree specializing in Biology while I continued to paint and draw part time. My favorite mediums include graphite pencil and watercolor but I also work with acrylic, oil and pastel. I am a self-taught artist and enjoy very much experimenting with different forms of art. My other interests include photography, furniture designing, small mammal husbandry and gardening. To learn how to build your own custom wood frames, visit my woodworking site at:

Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...

David Works - Our perception of the world is inherently creative. We are continuously assembling the world we experience by giving attention to events and appearances that have meaning. Out of the ever changing and infinite perceptual field, only a small subset of potential perceptions surfaces in our stream of consciousness. Doing art is my way of exploring this perceptual process, discovering new things, images and meaning. I am interested in the immensely complex and rich "perceptual field" from which we "abstract" meaningful shapes and events. The process is subtle, with order emerging out of chaos, with feedback loops involving the interaction between what is seen and what is "looked for", and a hierarchy of physical structures and culturally learned "realities". These works are more like discoveries where intention and chance interact in unexplainable ways (to me) -- a dialogue that teases order out of chaos. A number of my works involve the integration of traditional techniques with digital processes. For example, I paint over digital prints and then bring them back into the computer for additional work and final printing. Conceptually, I see much of my work in terms of traditional printmaking, but I'm working with a "digital plate" rather than traditional ...

Eleanor Hartwell - I am a self taught artist. I like to explore in all types of media, and try out a variety of style and type of work. I have a lot of fun doing what I do. I have done a series of drawings for a book on Harehunting, which will be published in the spring of 2002. "One Day at a Time" In October of 2002, New Hampshire Public Radio will be offering a "gift" of a mug to thier fall fund drive donaters, featuring my painting done specially for this project. ...

Sonja Tellison-Foster - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are it's soul. They are what's left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, "Myth must be kept alive. The people who can (do this) are artists . . . . The function of the artist is the mythologization of the environment and the world." At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious? Here, take a new pill! Are kids more violent? Must be the video games! The adage "There's nothing new under the sun." is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our...

Nini Larranaga - I'm Nini and lets talk about art... I can't remember when was the first time art jumped inside me. Maybe when I was still in my mother's womb. All of my sences are related to art. I breath art, that is the air that maintains me alive. I really think that art is inside of every single being, you only have to be perseptive just to know it exists in everything. You can make it happen, just like magic. I always have drawn and paint, but life gave me the stone I stepped through to realize that there were other artists and that I had to study. I did enjoy reading their lives at first, and then study them. The more I knew, the more I feel that I really don't know enough. So... Study, study, study. Never ends. Life to me is a whole study in every way. Trial and error. The thing is to stand up again and doing it better trying to improve yourself. My painting is most of all authobiographical. That is what everyone who knows me say. I have to thank so many people that in one way or the other ...

Judith Angell Meyer - Judith grew up in spacious, rolling Iowa farm country, learning at an early age to appreciate the beauty of animals, both in the wild and as patient servants and companions of man; the pride of the men who worked the land; and the land itself. Her interest in art parallels her interest in animals. Her watercolors and pencil paintings show a mastery of the medium and attention to detail. However, she respects the need for more than just photographic realism. She has a need to convey the spirit or mood; feeling that each individual painting must have its own life. She loves the stories that the American West has to tell in the reflections of its old buildings, weathered wood and hidden corners. She tries to share scenes of wildlife that might not be witnessed firsthand. Judith is primarily a self-taught artist with the exception of the two years she worked at Hallmark Cards. She considers that job, and a couple of private classes to be her primary educational period, with each painting adding an ongoing new knowledge and perspective. "Lost is our heritage but for our visions". ...