Ethereal Art For Sale

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Browse 114 Ethereal artworks for sale. Contemporary artists: Kathy Slamen, Christa Skoff Oglan, Susan Moore, Georgia Papamichail, Audri Phillips, Dana Zivanovits, Pamela Henry, Alan Soffer, Glen Sweeney, Ronnie Greenspan, Cindy Kornet, Jae Pseudae, Gill Bustamante, Rafal Mruszczak, Jian Yu Jhuang, Qinghe Yang, Leslie Abraham, Sarah Longlands offering Ethereal artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Ethereal art simply click on the image to go to a more detailed page about this work of art.


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Christa Skoff Oglan: 'Aurora', 2006 Acrylic Painting, Ethereal.
, 2006
Ethereal - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Christa Skoff Oglan: 'Gaia 1', 2002 Giclee - Open Edition, Ethereal.  decorative/ fantasy/ portrait ...
, 2002
Ethereal - Giclee - Open Edition
22 x 30 inches (55.9 x 76.2 cm)
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Susan Moore: 'Human Spirit Moonscape', 2007 Giclee, Ethereal.  This Human Spirit has no race, religion, creed, colour, gender or age. It sheds a tear for Mother Earth.Giclee prints available in various sizes from $27. 00 US$ and up. ````````````
Ethereal - Giclee
30 x 21 inches (76.2 x 53.3 cm)
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Georgia Papamichail: 'The dream of unity', 2007 Acrylic Painting, Ethereal.  The mystic of the unity is reverberating under the dream. . .  ...
Ethereal - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Georgia Papamichail: 'breath', 2007 Acrylic Painting, Ethereal.  Ethereal breath from the heart to the heart. . . The mind is the road. . . The intention is the purity. . . ...
, 2007
Ethereal - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Audri Phillips: 'Whenj', 2007 Oil Painting, Ethereal.  Landscape oil painting on masonite-print also available. ...
, 2007
Ethereal - Painting
7 x 3 feet (2.13 x 0.91 m)
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Dana Zivanovits: 'STILL WATERS', 1985 Watercolor, Ethereal.   Watercolor on all cotton acid free paper- A signed and dated Zivanovits original....
Ethereal - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Pamela Henry: 'Moth to a Flame', 2004 Other Photography, Ethereal. Color photo, collage. Signed, archival photo lustre giclee print....
Ethereal - Photograph
20 x 14 inches (50.8 x 35.6 cm)
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Alan Soffer: 'origins i', 2014 Encaustic Painting, Ethereal. These aritistic discoveries are as much a surprise to me as to the viewer.  Frankly, it seems to be the only reliable way to uncover who I am at my core. ...
, 2014
Ethereal - Painting
46 x 46 inches (116.8 x 116.8 cm)
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Glen Sweeney: 'veil of tears', 2018 Color Photograph, Ethereal. Hiding behind a veil of tears. Fountain statue in Berlin, Germany. ...
Ethereal - Photograph
80 x 53 cm (31.5 x 20.9 inches)
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Ronnie Greenspan: 'ether', 2005 Mixed Media, Ethereal. Collage featuring mysterious, ghostlike figures and Victorian dolls. Detailed- orientedcollage, old- fashioned, ghosts, ethereal...
, 2005
Ethereal - Mixed Media
30 x 36 inches (76.2 x 91.4 cm)
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Cindy Kornet: 'angel and cherub', 2016 Acrylic Painting, Ethereal. angel, cherub, ethereal abstract...
Ethereal - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jae Pseudae: 'collages', 2015 Collage, Ethereal.
, 2015
Ethereal - Collage
22 x 28 inches (55.9 x 71.1 cm)
Gill Bustamante: 'renewal of springtime', 2024 Oil Painting, Ethereal. Renewal of Springtime is a large joyful semi- abstract painting of a bluebell wood with a river winding through it. It is 60x36x1. 5 inches. A white fallow deer buck stands on the left looking across the river to two female deer on the right. There are strong vertical lines ...
Ethereal - Painting
60 x 36 inches (152.4 x 91.4 cm)
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Rafal Mruszczak: 'archangel', 2017 Oil Painting, Ethereal. Keywords: sword, wings, celestial, angel, faces, feathers, halo, heaven ...
, 2017
Ethereal - Painting
50 x 120 cm (19.7 x 47.2 inches)
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Rafal Mruszczak: 'angel', 2017 Oil Painting, Ethereal. Keywords: wings, woman, celestial, angel, feathers, heaven...
, 2017
Ethereal - Painting
50 x 120 cm (19.7 x 47.2 inches)
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Rafal Mruszczak: 'archangel', 2017 Oil Painting, Ethereal. Keywords: blue, sword, wings, woman, celestial, angel, feathers, heaven...
, 2017
Ethereal - Painting
50 x 120 cm (19.7 x 47.2 inches)
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 Jian Yu Jhuang: 'ghost possession', 2016 Oil Painting, Ethereal. She was acting so strangely.She seems to be possessed by an evil spirit.Oh, my beautiful How can I  freed your soul from prison  ...
Ethereal - Painting
91 x 107 cm (35.8 x 42.1 inches)
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Qinghe Yang: 'fan painting poeny', 2022 Crafts, Ethereal. This is a real silkfan and has a beautiful painting that made by hand- drawing.  It can put on the desk for decorate the house or hold in your hand that will get you full classical quility. ...
Ethereal - Crafts
20 x 32 cm (7.9 x 12.6 inches)
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Leslie Abraham: 'afterimage', 2023 Acrylic Painting, Ethereal. Dream State is an ongoing series that extends past my other architectural study series  Secret Life of Places  in such that the focus is not only on the physical spaces, but the connection that these spaces have to memory. The paintings of places in this series juxtapose recognizable structures with ...
, 2023
Ethereal - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Sarah Longlands: 'undecided tulip', 2018 Giclee, Ethereal. Which way do I go A parrot tulip in a greenhouse in the tulip fields near Leiden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign ...
Ethereal - Giclee
297 x 420 mm ( x )
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Sarah Longlands: 'railroad sunrise', 2017 Watercolor, Ethereal. A painting made from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This picture is now available as an SA3 archival print see separate ...
Ethereal - Watercolor
28 x 21 inches (71.1 x 53.3 cm)
Sarah Longlands: 'Italian Forest', 2015 Watercolor, Ethereal.  Watercolour in mainly Daniel Smith Primatek colours on rough Arches 850gsm paper. The textures of the Primatek colours work exceptionally well on the heavy, rough paper. ...
Ethereal - Watercolor
75 x 53 cm (29.5 x 20.9 inches)
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Sarah Longlands: 'Tryst', 2016 Watercolor, Ethereal. Watercolour in mainly Daniel Smith Primatek colours on rough Arches 850gsm paper. The textures of the Primatek colours work exceptionally well on the heavy, rough paper. ...
, 2016
Ethereal - Watercolor
75 x 53 cm (29.5 x 20.9 inches)
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Sarah Longlands: 'Dove or Seraph', 2011 Watercolor, Ethereal.  painted on 850gsm Arches paper ...
Ethereal - Watercolor
73 x 53 cm (28.7 x 20.9 inches)
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Sarah Longlands: 'Hawk 0r Dove', 2011 Watercolor, Ethereal. painted on 850gsm Arches paper ...
Ethereal - Watercolor
53 x 73 cm (20.9 x 28.7 inches)
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Sarah Longlands: 'Red Tide', 2011 Watercolor, Ethereal.  painted on 850gsm Arches paper ...
, 2011
Ethereal - Watercolor
53 x 73 cm (20.9 x 28.7 inches)
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Sarah Longlands: 'After the Storm', 2011 Watercolor, Ethereal. painted on 850gsm Arches paper ...
Ethereal - Watercolor
110 x 80 cm (43.3 x 31.5 inches)
Sarah Longlands: 'Colliding Galaxies', 2011 Watercolor, Ethereal. painted on 850gsm Arches paper. ...
Ethereal - Watercolor
120 x 70 cm (47.2 x 27.6 inches)
Sarah Longlands: 'Sur la Crevasse', 2010 Watercolor, Ethereal. painted on 850gsm Arches paper ...
Ethereal - Watercolor
73 x 53 cm (28.7 x 20.9 inches)
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(Page 2 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Christa Skoff Oglan - The muse, the madonna and the goddess captured in an endless dream is a recurrent theme of the figurative paintings. I strive to provide a feeling of mystery and opulence that act as points of departure into personal inward journeys for the viewer. ...

Susan Moore - I like to create realistic,fantasy,fairytale images using watercolour,oil,pen &ink,coloured pencil or acrylic. I use very fine detail so quite often mix media(adding tiny ink lines to eyelashes etc. on watercolour or coloured pencil)and using very fine brushes with oil or acrylic. My themes are varied and I am able to work in any style. My personal favorites are fantasy images with a great deal of contrast and depth to make them appear as if they are real. ...

Georgia Papamichail - Where peace around herself big circles makes Where soul,in closed eyes,funds love in mind.... The fantasy is enough to make the form... Looks like fream the state of my thought... Sleeping and awake I am... In silence I'm touching the memory... Images for the longing of the heart... Tiny words I make for eyes... Don't you hear the echo ot my eyes? ...

Audri Phillips - The paintings are done slowly, thought and dreamed about until the images seem correct to me. I apply layers of thin glazes and pay attention to the way thin paint runs and drips. This combination of chance and control hopefully leads to a better painting than I alone am capable of painting....

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Pamela Henry - I am a Photography Artist. My process crosses analog and digital borders. Initially my images are captured on film, slides or digitally. I use a range of techniques from cross-process development and polaroid manipulation to digital painting, collage and layering to create what you see here. If I were to condense my thoughts on photographic expression into a single phrase it would be "in the moment". The moment begins at first sight and is complete when I release the shutter, lift my stylo from the polaroid, or remove my hand from the mouse. I know I will relive that feeling each time I look at the image, like a song or a smell that transports you to another place and time. This photographic expression translates beyond verbal expression and rests in your being, invoking a subjective reaction based on your experiences. Herein lies a collection of such moments. ...

Alan Soffer - Alan Soffer began studying sculpture and clay in 1973 transitioning to abstract painting in 1985, through a breakthrough program at Bennington College with Sandy Stone. His abstractions have been in the pursuit of the unknown, unique, and personal depths of the unconscious. Rather than confining his energies to a single medium, he sensitively chooses materials that accommodate the concepts at hand. Early constructions were in clay and found objects, then discovering printmaking and photography, which he learned on his own. Finally, focusing on painting with acrylic, oil, and wax. Encaustics allowed him to marry a sculptural component to his painterly approach, following his studies at Ringling School in 1998. The hot, pigmented wax's inherent translucency perfectly supports his vocabulary for expressing space from the microscopic to the galactic. Whatever the direction, the work is always influenced by Joseph Campbell, the noted mythologist, who Soffer considers his mentor. He organized the first national encaustic conference in the US in 2005 and continues teaching encaustic technique as well as abstract painting primarily through workshops. Major one person shows have been presented at: DCCA, Wilmington DE; Borowsky Gallery, Phila.; Rosenfeld Gallery, Phila.; Widener U., Chester PA; Atlantic City Art Center; Robert Roman ...

Gill Bustamante - My name is Gill Bustamante and I paint large colourful semi-abstract magical landscape and wildlife paintings in oil on canvas. Whilst my paintings are mostly inspired by the Sussex landscapes I see around me, I reflect any landscape or seascape I have ever visited. My painting style fuses magical, colourful and ethereal elements along with Impressionist, semi-abstract, Art Nouveau and something I term aEUR~Memory ImpressionismaEURtm. This is where I go walking somewhere rural, look at and absorb the things I see and experience, and then come home and try to capture an echo of the place from memory, including any wildlife I may have seen. My paintings reflect, for me, the spiritual echoes of beautiful places such as those in Sussex and the English countryside generally and it always fascinates me what emerges on to a canvas from a simple memory. All of them have a story attached and are named once I have completed the painting and can see more clearly what the story is I completed a fine art degree in Brighton in 1983 and I have painted since I was three. I love what I do and consider myself very fortunate to have found a ...

Jian Yu Jhuang - The early ancestors of Taiwan lived hard, and in order to seek the coexistence of nature, they used religious spiritual activities to appease the people. Combined with the local natural environment to create a unique general art show. Through temple festivals , without losing traditional norms, it is perfectly created with art. It broadly reflects social phenomena, customs, human values, internal contradictions and deep desires....

Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...