Artists Describing Their Art:
Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...
Sandra Golbert - My work is in Fiber, mostly hand-made paper, wood, or hand-dyed silk with surface design. I began working in fibers more than 50 years ago as a child, when I designed and made dolls' clothes! Then I went on to design costumes and clothing for "real people", and my designs appeared in Vogue magazine. When I no longer lived in the US, I could not work as a "seamstress/designer" since I was considered an alien, so I began to put my fibers on the wall instead of the body, making intricately embroidered wall hangings and sculptures. Urged by my friends, I entered juried exhibits and to my surprise, was accepted in a great many of them. Since then, I have worked steadily on my art, "supporting my habit" by working as a free-lance costumer, jewelry maker, designer, office clerk, theatre producer, computer-er, puppet-dresser, photo stylist, baby-sitter and anything else available to me. Through the years, I have received many grants, two residencies and much help from my children so that I might continue my work. Two of my pieces were chosen to be in an exhibit called "9x9x3" at the American Craft Museum ...
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Christine Lytwynczuk - Christine's paintings are about the human experience: relationships, emotions and introspection. She strives to evoke the feelings of empathy, hope, serenity and comfort through her work. Her paintings have a commanding presence, yet are quiet and exude a sense of intimacy. To be in a room with one of her paintings is like being in the presence of a close friend. Christine often paints children from different cultures, for children experience the same thoughts, fears, hopes and aspirations as adults, but they do not have emotional masks to hide behind. She paints from different cultures to highlight our inner similarities and because she is enthralled with the diverse ornamentation and design found throughout all lands. She feels that cultural decoration adds richness and beauty to life, especially when harmonized with the native landscape. Christine Lytwynczuk was born in Tucson, AZ in 1974. She spent most of her formative years, and as much time as possible now, in the Sonoran Desert. Her love of the desert and nature is revealed in many of her paintings. For twelve years she attended an open-classroom school where she had unlimited access to art materials. During high school she spent a summer in ...
Christine Lytwynczuk -