Artists Describing Their Art:
Maria Teresa Fernandes -
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...
Christine Lytwynczuk - Christine's paintings are about the human experience: relationships, emotions and introspection. She strives to evoke the feelings of empathy, hope, serenity and comfort through her work. Her paintings have a commanding presence, yet are quiet and exude a sense of intimacy. To be in a room with one of her paintings is like being in the presence of a close friend. Christine often paints children from different cultures, for children experience the same thoughts, fears, hopes and aspirations as adults, but they do not have emotional masks to hide behind. She paints from different cultures to highlight our inner similarities and because she is enthralled with the diverse ornamentation and design found throughout all lands. She feels that cultural decoration adds richness and beauty to life, especially when harmonized with the native landscape. Christine Lytwynczuk was born in Tucson, AZ in 1974. She spent most of her formative years, and as much time as possible now, in the Sonoran Desert. Her love of the desert and nature is revealed in many of her paintings. For twelve years she attended an open-classroom school where she had unlimited access to art materials. During high school she spent a summer in ...
Luisa Cleaves Luisa F. V. Cleaves Gallery - Fine portraiture is a sacred tool for me since it reflects and honor the subject in deeper ways. Every portrait that I have painted has generated strong emotional responses. In their testimonials, people speak of how looking at themselves,their children,or family members in their portraits has empowered them and made them feel more beautiful. About The Artist... South American artist Luisa F. V. Cleaves is a native of Argentina. She studied at The Superior School of Fine Arts majoring in Sculpture and Painting. Luisa exhibited her artwork in galleries, hotels, libraries, and art associations in Argentina as well as the U.S. Her work has been praised by such well known Argentinian art critics Cesar Magrini from "El Cronista Comercial" and E.R. from "Clarin." Luisa illustrated the title page of the book "Imagine", an homage to Frida Kahlo by international women poets. She has been interviewed by local newspapers, radio, and T.V. program "Aqui" Her work is in private collections in South America, Central America, Europe, and the U.S. She's an award winning artist and a member of The American Society of Portrait Artists. ...
Jasmine Ronel - Woman, flower, abstraction Three pivotal images in my oeuvre entwined to form the statement I strive to put forth each time anew. I am a woman, I am a flower, I am an abstraction. These images constantly support and rely on one another. The abstract paintings are typified by a flower's architecture, the flower paintings are on the verge of abstraction, and the women's paintings sprout with stains. My mode of work includes the use of diverse and complex techniques, spanning a wide range of materials and media: photography, computer processing, printing spraying, high-gloss enamel paints, acrylics, glass paints, watercolors, oils, felt-tip pens and pencils. The canvas is processed in stages, via cumulated layers that maintain intricate interrelations of construction and destruction, mending and erasing. Whether the emerging image has ascribed value or not, the painting's true theme is in fact painting. The work transpires as a private outcome of the path towards that particular painting: the trail of its drippings, the mass of its strata and the depth of its insights....
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....
Katja Liedle - Photography is a way of connecting with the world around me, capturing its more unusual nuances from a subjective point of view. This created a style which focuses on colors and forms and highlights tiny details thereby abstracting from everyday reality. focus * motto: close up * natural and other details * colors, forms, structures, patterns * abstractions * experiments with forced and cross processing ...
Karen Parker - In terms of style I am a Classical Realist. I generally paint with oil, and especially like to use it for portraiture. With some paintings I begin with an imprimatura, for others I use a solid acrylic underpainting, later overpainting with transparent glazes and translucent scumbling and there are times that I paint alla prima. Using these methods, I paint landscapes, still lifes and portraits; painting my subjects from life, as it allows an intimacy that a photograph or a sketch cannot provide. Painting portraits provides me with the opportunity to create a work of art that encompasses beauty and timelessness. I paint with the idea that one day these portraits may become heirlooms, cherished by future generations. ...