Inspirational Art For Sale

Page 2 of 83
Browse 2395 Inspirational artworks for sale. Contemporary artists: Hans-ruedi Kammermann, Nancy Bechtol, Ron Ogle, Wendy Lippincott, Hyacinthe Kuller-baron, Storm Hammond, Shoshannah Brombacher, Richard Lazzara, Michael Puya, Ronald Weisberg, Adam Adamou, Philip Hallawell, Terry Mollo, Micha Nussinov, Franziska Turek, Terri Higgins, David Larkins offering Inspirational artworks. Links to more artworks by these contemporary artists and 83 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Inspirational art simply click on the image to go to a more detailed page about this work of art.


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Hans-ruedi Kammermann: 'song of the water', 2005 Oil Painting, Inspirational.
Inspirational - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Nancy Bechtol: 'Light that follows you home at night', 2005 Other Photography, Inspirational. the spiritual energy is the light process: digital photo- painting on Epson art canvas, and stretch as a painting. ...
Inspirational - Photograph
12 x 9 inches (30.5 x 22.9 cm)
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Ron Ogle: 'December Fifth 2004', 2004 Color Photograph, Inspirational. This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, ...
Inspirational - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Wendy Lippincott: 'Degree of Difficulty', 2005 Oil Painting, Inspirational. Education at it' s Finest...
Inspirational - Painting
50 x 58 inches (127.0 x 147.3 cm)
Hyacinthe Kuller-baron: 'CREATIVITY Making Your Marktm', 2005 Artistic Book, Inspirational. DRAW OUT YOUR INNER CRITIC! Fast, Easy, Fun. Go to Amazon. com to look inside the book that will make an artist of you....
Inspirational - Artistic Book
6 x 9 inches (15.2 x 22.9 cm)
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Storm Hammond: 'Italian Light', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Evening Sky', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Shoshannah Brombacher: 'A Beast', 2000 Pencil Drawing, Inspirational. This is a sample page of a collection of Chassidic stories I have illustrated, both in color and in black and white. You can see some at Chabad. org. Please ask me if you want a special story, I have some and make others....
, 2000
Inspirational - Drawing
11 x 15 inches (27.9 x 38.1 cm)
Richard Lazzara: 'the land of supreme peace', 1988 Mixed Media, Inspirational. the land of supreme peace 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
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Richard Lazzara: 'dancing arms', 1988 Mixed Media, Inspirational. dancing arms 1988 from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
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Richard Lazzara: 'branches by the river', 1988 Mixed Media, Inspirational. branches by the river 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
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Richard Lazzara: 'established on the ground soil', 1988 Mixed Media, Inspirational. established on the ground soil 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
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Michael Puya: 'Blauer Fruehling', 2003 Acrylic Painting, Inspirational.
Inspirational - Painting
27 x 20 inches (68.6 x 50.8 cm)
Ronald Weisberg: 'Piero della Francesca drawing', 2001 Pencil Drawing, Inspirational.
Inspirational - Drawing
10 x 12 inches (25.4 x 30.5 cm)
Michael Puya: 'Mysterious Figures', 2002 Mixed Media, Inspirational.
Inspirational - Mixed Media
20 x 24 cm (7.9 x 9.4 inches)
Adam Adamou: 'My Coffee Cup', 2002 Acrylic Painting, Inspirational. Some mystics read tea leeves, the palm of your hand, but what does a web say about its maker ? My coffee cup is always empty....
Inspirational - Painting
660 x 460 mm ( x )
Philip Hallawell: 'Behold the Lilies of the Field III', 2004 Oil Painting, Inspirational. This is the third work of this series. It is painted in oils on canvas, stretched on MDF wood. In this painting, I have brought together both the Mask series and the Lilies series. ...
Inspirational - Painting
40 x 45 cm (15.7 x 17.7 inches)
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Terry Mollo: 'Hope', 2000 Ceramic Sculpture, Inspirational. A woman emerges from stone. This original shown is stoneware with a bronze/ emerald green patina, but the piece can be ordered in cast stone, bronze, bonded bronze or a variety of materials, some suitable for outdoor placement....
, 2000
Inspirational - Sculpture
11 x 15 inches (27.9 x 38.1 cm)
Terry Mollo: 'Cry of an Angel', 1998 Other Sculpture, Inspirational. A woman rests, is comforted and protected, in the arms of an angel. Bonded bronze....
Inspirational - Sculpture
16 x 12 inches (40.6 x 30.5 cm)
Adam Adamou: 'Satilic', 2004 Acrylic Painting, Inspirational.
, 2004
Inspirational - Painting
508 x 610 mm ( x )
Micha Nussinov: 'Thr hidden and the revealed', 2001 Collage, Inspirational. It first started with the use of tissues ( the type we sniff into) to absorb excess paint. These fragile pieces were bounded with Wrapping tissues ( the type jewelers wrap precious stones with) . The latter became the the main material that form the structure. Waterbase medium was extensively used as a ...
Inspirational - Collage
102 x 220 cm (40.2 x 86.6 inches)
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Franziska Turek: 'flaming heaven', 2003 Other Painting, Inspirational.
Inspirational - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Hyacinthe Kuller-baron: 'DRAWING BY MAKING YOUR MARK', 2003 Artistic Book, Inspirational. NEW FROM www. barongalleries. comDRAWING BY MAKING YOUR MARK by HYACINTHE BARON is a successful art technique for drawing out creativity!Hyacinthe' s radical technique overcomes your Inner Critic and releases creativity.Even if you can' t draw a straight line, DRAWING BY MAKING YOUR MARK will empower you ...
Inspirational - Artistic Book
81 x 11 inches (205.7 x 27.9 cm)
Terri Higgins: 'Country Mouse and the City Mouse', 1998 Fiber, Inspirational. Country Mouse and the City Mouse, Aesop' s Fable, be content with what you have. Fabric, beads, wire....
Inspirational - Fiber
21 x 25 inches (53.3 x 63.5 cm)
Terri Higgins: 'The Elephants and the Moon', 1998 Fiber, Inspirational. The Elephants and the Moon, Aesop' s Fable. Great things may be done by the cleverness of the little to get the better of the big and strong. Fabric, beads, quilted....
Inspirational - Fiber
11 x 16 inches (27.9 x 40.6 cm)
Terri Higgins: 'Androcles and the Lion', 1998 Fiber, Inspirational. Androcles and the Lion, Aesop' s Fable, Androcles removing thorn from lion' s paw. Fabric, beads, quilted, thorn....
Inspirational - Fiber
22 x 20 inches (55.9 x 50.8 cm)
Philip Hallawell: 'Muse 6', 1999 Oil Painting, Inspirational. This painting was done in the chiaroscuro technique on canvas on wood, so as to be able to portray the type of inspiration that slowly emerges into light....
, 1999
Inspirational - Painting
20 x 50 cm (7.9 x 19.7 inches)
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David Larkins: 'Two Lights Bluff 9-11', 2001 Giclee, Inspirational. Two Lights Bluff is located on Cape Elizabeth, Maine. My wife, Laura, and I went to Maine in September 2001 to attend our friends wedding, held on this bluff. Two days later our world changed forever when the United States was attacked. This painting of Laura captures a moment and ...
Inspirational - Giclee
21 x 13 inches (53.3 x 33.0 cm)
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Philip Hallawell: 'Metamorphosis V', 1982 Oil Painting, Inspirational. Part of a series called Metamorphosis, which investigates the process of awareness, also related to the Encounter and Mask themes. ...
Inspirational - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Philip Hallawell: 'Ecstasy XIV', 1996 Pen Drawing, Inspirational. Black indian ink washes worked over with various types of drawing pens. This drawing was featured in my second book, on techniques. ...
Inspirational - Drawing
27 x 37 cm (10.6 x 14.6 inches)
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(Page 2 of 83) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Nancy Bechtol - Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Wendy Lippincott - Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...