Mythology Art For Sale

Artists Describing Their Art:

Yaroslav Kurbanov - Interview with artist Yaroslav Kurbanov 2011 How do you define what is art for you and what is not My attitude towards art in general and my art in particular is defined by the following points Firstly - A work of art has to have an idea, whether its current or already in the context of history. The main thing is that it should excite the viewer, awaken his senses and invite reflection. These days, artists often try to replace the whole palette of emotions that art is meant to evoke with plain shock and rejection. Secondly - The artist must find the right material, as well as the right technique and form, to express his idea in the best possible way. One should not stick blindly to any style, especially if it does not meet the objectives that the artist has set out to achieve. The work of art must come first, not the personality of the artist. And a work of art has to work even without the context of the person who created it. We may not know about the life of the artist, the travails of his artwork or his path, but the artwork must still impress us. ...

Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...