Artists Describing Their Art:
Mijal Zachs - My work is a tautological investigation on painting. I started it while reflecting on the representation and simulation of reality, transforming the pictorical realm with the strategies of camuflage. Here, painting is not part of the context, but it's rather created as the support and is mediated by the interlocutor aEUR" the observer. The painting moves seducing the canvas and, as it advances, it copies itself in a mimetic manner and it represents itself as if it were a reflection. The mirror reproduces in a game of viewing, pretending to see itself but being someone else; a subtle vail that faces its condition of mask, guiding us towards reality....or maybe not. Through this investigation I have found different surroundings: from fabrics with given patterns, to tapistries, papers and woods. All of them have relinquished to me their condition and I have established with them a dialogue. The painting, loyal to its author, creates new strategies as it progresses and it developes through roads that intersect with each other and deliniate new trails. Its discourse moves forward with the aEURoeIaEUR being aEURoethe other.aEUR When I intervene without hiding the fabric's pattern, I develope an equilibrium that creates the ilusion ...
Jon Glaser - There is something fulfilling about capturing a moment in time particularly as the sun makes its first or last appearance. My photographic work reflects an affinity for movement and sound; the latter reminiscent of a song, starting calmly, building strength, power and energy, until the shutter releases and the image is recorded as the ultimate crescendo. While I am most drawn to the grand landscape, my portfolio includes macro still life and abstract work as well, showcasing a relationship between color and light. NOTE: All of my photographs have been processed with Photoshop and Lightroom withlittle manipulation or adjustment. All colors are true of their location. In addition, I print all images using the latest technology, the highest-quality papers, and newest archival inks. All photographs include a 5mm white border to ensure proper handling that helps eliminate the potential for fingerprints. ...
Katalin Luczay - Painting to me is an expression, interpretation, and appreciation of the world around me. In my opinion any art should inspire and elevate the human spirit. These types of art works are immortal, such as the works of the old masters. In my paintings I strive to achieve these ideals. I would describe my works as related as representational realism. In my seascapes I bring many different colors together to illustrate the movement of water. In my landscapes and still life works I like to emphasize the play of light as it hits a focal point. I like to paint in oil because I can achieve this sense of light and motion by glazing over layers, as well as in oil I can achieve a richness that I find limiting in other mediums. Please see my website at
Nathalie Vin - When not working on fixed commissions or client-led designs, Nathalie is drawn to expressing philosophical notions, "permanence and impermanence, life and death, man versus nature, the future and our responses to it." There are undoubtedly recurrent themes in her work, an outcome of her innate instincts and interests. She is fascinated by the notion of the essential'now', that ever-fleeting moment when eternity is glimpsed but never retained. She is intrigued by nature and how small our human concerns are in comparison to it. The concept of microcosm within the macrocosm and how fragments are echoed and repeated to form the larger picture, embodies her work. Her fundamental activity is with fine art mosaics but her life and explorative curiosity informs her art, working with installation (perhaps the most monumental example of this is The Glow project), film, commissioned photographic documentaries for Holocaust Memorial day, sculpture and painting. Considering the process, Nathalie's work investigates the small and how it builds into a larger whole. Whether she is making film, a mosaic piece or an installation she puts elements together like a puzzle. These could be mosaic tiles, wood elements, photographic or video images, memorabilia of people's ...
Nathalie Vin -
Cheryl Johnson - Art and imagination have always gone hand in hand with me from childhood. Repetitive marks suggesting texture,circular mandala images and brilliant colors combine in many of my drawings. I call upon the child-core of my earliest years to begin the creations, keeping in mind that the humor of my now adult perspective tempers but does not inhibit all my visuals. My art is my dreams made visual....
Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....
Basant Soni - ECO-FRIENDLY ART Creative use of my creators resources - My Organic Art does not impact the environment or waste paper and therefore trees. I feel that I am earnestly using waste of organic materials which could have been perished with course of time.But it is one of the God's natural gifts in their rarest forms to create a new and use my imagination and intuition. Waste not - want not - many papers saved can equal many trees. I do not want to waste my natural resources in any way. ...
Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...