Political Art For Sale

Page 3 of 8
Browse 207 Political artworks for sale. Contemporary artists: Helene Mukhtar, Alex Jobbagy, James Dinverno, Dennis Rennock, Tatana Kellner, Carlos Culbertson, Bodo Gsedl, Jadran Boban, T. Smith, Tirzo Martha, Dana Zivanovits, Hisham Zreiq , Eve Burkhead, Dmitry Rakov, Pamela Flynn, Eduardo Diaz, Luis Guillermo Ramírez Ezquerra offering Political artworks. Links to more artworks by these contemporary artists and 8 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Political art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Alex Jobbagy: '1956 Then  and Now  8', 2009 Oil Painting, Political.
Political - Painting
90 x 60 cm (35.4 x 23.6 inches)
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James Dinverno: 'United We Change', 2009 Mixed Media, Political.  Mixed Media Artwork offered as a Signed Limited Edition ( 150) Giclee Canvas Print. Varnish finish is applied to each print, insuring color brilliance. Accompanying Certificate of Authenticity is hand signed and numbered by the artist, unframed. ...
Political - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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Dennis Rennock: 'Obama 08', 2008 Pastel, Political.  Obama 2008 ...
, 2008
Political - Pastel
22 x 30 inches (55.9 x 76.2 cm)
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Tatana Kellner: 'Bushspeak', 2003 Serigraph, Political.  A set of 12 handkerchiefs for weeping or display that includes such memorable phrases as
, 2003
Political - Serigraph
12 x 12 inches (30.5 x 30.5 cm)
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Tatana Kellner: 'Civil Disobedience', 2007 Mixed Media, Political.  transfer drawing collage ...
Political - Mixed Media
27 x 41 inches (68.6 x 104.1 cm)
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Tatana Kellner: 'Illegal', 2007 Mixed Media, Political.  transfer drawing collage ...
, 2007
Political - Mixed Media
20 x 50 inches (50.8 x 127.0 cm)
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Tatana Kellner: 'Embarrassing Facts', 2006 Mixed Media, Political.  transfer drawing collage ...
Political - Mixed Media
27 x 43 inches (68.6 x 109.2 cm)
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Carlos Culbertson: 'Good', 2006 Oil Painting, Political.  from series
, 2006
Political - Painting
2 x 4 feet (0.61 x 1.22 m)
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Bodo Gsedl: 'Ngawang Jangchub', 2008 Pencil Drawing, Political.
Political - Drawing
7 x 7 cm (2.8 x 2.8 inches)
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Bodo Gsedl: 'Jigme Wangqen Wangdue', 2008 Pencil Drawing, Political.
Political - Drawing
7 x 7 cm (2.8 x 2.8 inches)
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Bodo Gsedl: 'Lhakpa Sonam Tsering', 2008 Pencil Drawing, Political.
Political - Drawing
7 x 7 cm (2.8 x 2.8 inches)
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Bodo Gsedl: 'Gedun Tubten Gyatso', 2008 Pencil Drawing, Political.
Political - Drawing
7 x 7 cm (2.8 x 2.8 inches)
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Jadran Boban: 'In the Name of Liberty', 2004 Computer Art, Political.  Anti- war poster, Epson InkJet 9800, pigment colors print on MF Glossy/ Satin paper, 270g/ m2, no framing, signed by artist on the back of the print ...
Political - Computer Art
50 x 70 cm (19.7 x 27.6 inches)
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Jadran Boban: 'Homeland Security', 2004 Computer Art, Political.  Anti- war poster, Epson InkJet 9800, pigment colors print on MF Glossy/ Satin paper, 270g/ m2, no framing, signed by artist on the back of the print ...
Political - Computer Art
50 x 70 cm (19.7 x 27.6 inches)
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Bodo Gsedl: 'Putin and his personalized favourite gun', 2007 Pencil Drawing, Political.  This is the first work of a series dealing with world leaders who use their power against their people. Oversized portraits stand together with
Political - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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Bodo Gsedl: 'DEMOCRATIA', 2007 Computer Art, Political.  Digital
, 2007
Political - Computer Art
60 x 80 cm (23.6 x 31.5 inches)
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T. Smith: 'Tomb of the Unknown Widow', 2006 Oil Painting, Political.
Political - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Tirzo Martha: 'Sex religion and politics do not match', 2006 Assemblage, Political.  The world political situation is dominated by scandals of sexual or religious origin. ...
Political - Assemblage
87 x 128 cm (34.3 x 50.4 inches)
Dana Zivanovits: 'Coup  Detat', 2002 Oil Painting, Political.  A oil on steched canvas painting of the take over a Roman state. A signed Zivanovits original. Please email me if you want detail shots. ...
, 2002
Political - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Hisham Zreiq : 'Collateral Damage ', 2006 Computer Art, Political.
Political - Computer Art
104 x 72 cm (40.9 x 28.3 inches)
Eve Burkhead: 'Al Franken', 2006 Illustration, Political. Al Franken portrait...
, 2006
Political - Illustration
10 x 10 inches (25.4 x 25.4 cm)
Dmitry Rakov: 'Russia', 2004 Graphic Design, Political. RussiaThe style IMP ART ( Impossible ART)Graphic: Indian ink + pencil + crayonPaper: stamping
, 2004
Political - Graphic Design
20 x 28 inches (50.8 x 71.1 cm)
Pamela Flynn: 'Let The Games Begin', 2005 Mixed Media, Political. Who wrote the rule book? ...
Political - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
Eduardo Diaz: 'mujer', 2005 Watercolor, Political. water mixable oil color...
, 2005
Political - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Eduardo Diaz: 'where', 2005 Watercolor, Political. water mixable oil color...
, 2005
Political - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Eduardo Diaz: 'My', 2006 Watercolor, Political. water mixable oil color on paper...
, 2006
Political - Watercolor
20 x 15 inches (50.8 x 38.1 cm)
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Eduardo Diaz: 'dream', 2005 Watercolor, Political. water mixable oil color on paper...
, 2005
Political - Watercolor
20 x 15 inches (50.8 x 38.1 cm)
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Tirzo Martha: 'Measure', 2005 Assemblage, Political. A specific act or course...
, 2005
Political - Assemblage
10 x 32 cm (3.9 x 12.6 inches)
Luis Guillermo Ramírez Ezquerra: 'yo no soy panchi villa ni me gusta el fut bol', 2003 Acrylic Painting, Political.
Political - Painting
122 x 122 cm (48.0 x 48.0 inches)
Nicola Moxon: 'Demonstration Montreal 1981', 1981 Black and White Photograph, Political. Giclee print...
Political - Photograph
14 x 11 inches (35.6 x 27.9 cm)
(Page 3 of 8) - MORE ARTWORKS

Artists Describing Their Art:

Helene Mukhtar - My work reflects my preoccupations with current events: war, militarism, and people's struggles against impossible odds. My photographs are usually at the base of my creative process. These images are printed on paper and glued onto the canvas. Graffiti from New York, architecture from Germany or Pakistan, headless mannequins from the streets of Paris are collaged together. Out of this visual cacophony, I create a harmonious whole, an abstract urban landscape around which I develop my narrative. It is like a puzzle. I use acrylic paint and sometimes magic markers. I proceed through trial and error and constantly build and destroy. In recent years, graffiti have become a major source of inspiration. The use of drawings and cartoon-like characters as well as bright, energetic colors enables me to inject humor and visual appeal into serious discussions about war and violence. ...

Alex Jobbagy - "Being both a formally and a self educated artist, I have always been interested in social/political issues as the major forces that shape our life, and their effect on the average person's struggle to survive and rise. I had my first solo exhibition at the age of 13. Inspired by the surrealist movement and Salvador Dali, my artistic style of expression is surrealism and symbolism. I am continuously experimenting with different mediums but my favourite remains oil on canvas. As an artist, I feel that it is my duty to reveal the contrast between the harmonious relationship of the individual with nature, as opposed, to the man-made, often artificial, connections developed in the modern society. While my artworks speak for themselves, I want to present these issues from a different, unique angle, hoping to stop viewers and encourage them to think." Visit my blog at:

Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....

Tatana Kellner - Growing up in communist Czechoslovakia, as the daughter of Holocaust survivors, I learned to mistrust authority and question official doctrines. The current political landscape with the erosion of civil liberties, the misinformation fed to us by our leaders and the manipulation of facts by the media has motivated me to refocus my artistic concerns from exploring my personal history, albeit political, to taking a direct stance on contemporary politics. I use media, especially the newspaper, as my primary source material. The images and text fragments are processed in a way that parallels political maneuvering (deal making). My work is tactile. Layers of inky marks form the images. The inherent messiness references political corruption, loss of innocence, and encapsulates a specific moment in time. History defines us. History haunts us. ...

Bodo Gsedl - In my works - portraits of individuals, surroundings and music - my goal is to catch what can not be seen at a glance. What is behind the image of a person? How can I make music visible? My art has to be explored. There is always something behind the first impression. ...

T. Smith - Hunting PLC has announced the finalists for their prestigious annual competition, The Hunting Art Prize 2009, which awards $50,000 to one distinguished artist. Included as one of the 134 finalists was T. Smith's oil painting "A Palace and a Prison".The Hunting Art Prize is the most generous annual art prize in the U.S., intended to help the reputations, raise the profiles, and support the careers of distinguished artists. In April, a second panel of jurors will make their decision. On May 2, the prize will be awarded, and the art will be exhibited at a gala held at the Decorative Center in Houston. Legal Disclaimer The following website contains adult content. If you are under 18 years of age, offended by adult material in art, or if it is illegal in your community or country to view adult material, please leave now. By proceeding you agree to be exposed to these materials. Continuing means that you understand and accept responsibility for your own actions, thus releasing the owner of this web site from any and all liability. All material on this web site is copyrighted. This copyrighted material cannot be reproduced or posted without written permission ...

Tirzo Martha - The material doesn't need to be filled with words. It speaks for itself. It is our consciousness that has to translate it for us. My work is a loyal mirror of our societies, a reflection of a fragment from the thin line between fiction and reality. Tirzo Martha 2004...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Hisham Zreiq - My art is a private perspective on life, private pains and disappointments, society, Death and a philosophical look at life. Death is the source for creation and the motor of life. Crucifixion a symbol for pain, pain caused by social, political and religious systems. I think that art is another way to communicate, to express my ideas , for me art should have a message of a sort. This is the way I saw art when I was a little boy trying to express his Ideas with simple drawings, and this is the way I see art when working on my digital art or writing poetry today. Some times I ask myself, if we can reach people through "reason"! but I think its better to get to people's hearts through emotions, through ART, and from there we might get to their reason. Or maybe use extremes in art - and that is what I usually try - in order to make people think and ponder after their emotions become tens. Then their analyses might bring with it reasoning. ...

Eve Burkhead - I specialize in humorous illustration, inspired by cartoons and comics. I believe that laughter is healthy, so we should try to make each other laugh at every given opportunity. In that way, my art enriches the lives of people all across the world, thus bettering humanity and expediting world peace. Hey, I can dream, can't I?...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Pamela Flynn - My work has always been grounded in issues from living the day to day. I see the visual world as a mirror of human priorities and in much of my work I use digital images from self taken photographs as a starting point. My work is process intense and is meant to initiate an examination of the inherent responsibility that goes with living. My work explores many different issues. Among which are: the use of technology to generate the work, the ability of art to quietly evoke visual memories, the juxtaposition of the uncontrolled and the controlled in living, the blurring of the boundaries between the serious and the trite, the questionable truth of the photo image. ...

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...