Artists Describing Their Art:
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Armando Bettencourt - Armando A. Bettencourt a Musician, Song Writer, Graphic Designer and Fine Artist. Born in the Azores Portugal and moved to Massachusetts at the age of 2. He is a graduate of The New England School of Art & Design (at Suffolk University). He has been a Graphic Designer/Art Director all of his working career and now just recently decided to pursue his dream of integrating visual arts with original music. In his search for life-truth, he combines spiritual-theological, conscious and subconscious themes into surreal visual imagery. In his recent series "The 7 Ages", oil paintings are accompanied each with an original song from his latest CD album also called "The 7 Ages". Through his passions of visual art, song and poetry, he exposes hidden societal elitist spins that have been subconsciously dead and buried to enslaved sheepled masses. Then through a spiritual rebirth made alive to conscious truth. A unique renaissance original in a troubled modern end of days. He's soon to begin 2 new series of paintings that will accompany themes from his CD albums, "Charlie's Parade" and "World Crying". ...Stay Tuned Folks....
Jack Mccarthy - I am basically a story-teller who uses prints as my vocabulary. My approach to printmaking is eclectic. On one hand, I use traditional relief printing methods either a baren or a 1947 Vandercook Press, named Ursula. On the other hand, I experiment using brayers, stencils, natural and found objects, anything that has texture. My work is influenced by life experience and, most importantly, my constant amazement of what human beings believe in and how they choose to live their lives! Many of my prints are allegorical in nature and almost all are visual stories. I am presently working on a variety of projects: One is a series of relief prints based on medieval stories, both secular and religious. One edition is comprised of prints depicting religious beliefs and stories of 8th to 14th century Europe, what is normally but erroneously called "The Dark Ages" and/or the Gothic Period. The stories are delightful and, at times, gruesome. Many are Christian stories based on non-Christian (pagan) myths. The second project is a small edition of handmade books with original prints based on the Old Testament. The third is a book which will be a pictorial depiction of the life ...
Donald Davenport - An Artist /Educator/Publisher/Producer/Artificer Born in a northern suburb of Detroit, Michigan. The mechanical, artistic and creative ability of Donald J. Davenport was first recognized at the age of five. By the age of 13 he received a "Silver" award at the Tennessee Tech College annual arts exhibit in 1960. By the age of 20 he was already an accomplished commercial and fine artist. Davenport is listed in four separate categories in the Millennium Edition of Marquis Who's Who in America for his diverse achievements in Video & Film Producing, Publishing, Inventing and Educating. Through his mid twenties and early thirties, he worked in several diverse fields producing commercial, graphic and fine art for international corporations. His abilities include experimental developing and designing new concept devices, producing instructional visual technical trade curriculum programs for Video Educational Art Services in the visual arts. Davenport founded The Gemini School of Art and Design in 1981. His multiple careers continued to develop with publishing technical trade manuals for instruction in the visual arts and producing visual art programs by which he received an International "SILVER" award from among 27 competing countries at the Television International Film Festivals, New York, 1994 for ...
Pamela Flynn - My work has always been grounded in issues from living the day to day. I see the visual world as a mirror of human priorities and in much of my work I use digital images from self taken photographs as a starting point. My work is process intense and is meant to initiate an examination of the inherent responsibility that goes with living. My work explores many different issues. Among which are: the use of technology to generate the work, the ability of art to quietly evoke visual memories, the juxtaposition of the uncontrolled and the controlled in living, the blurring of the boundaries between the serious and the trite, the questionable truth of the photo image. ...
Jo Mari Montesa - Of all the gifts God gave to man the finest is his free will. Second to life itself. It is the essence of man. It is what separates man from all the other creatures of God. By ones choice or action he is judged if he is worthy to be called the man created by God. The child of free will is art. It is man's self-expression. It is synonymous to freedom of expression. Every art is unique since every man is unique. How man perceives art is also unique as how man perceives beauty. As how man perceive life. Art is like life. It all depends to the person's perception. Truly beauty lies in the eyes of the beholder. The gauge of how beautiful life is, depends uniquely to every man. A professor of mine once walked in the streets of Manila during summer. It is very hot, humid and dusty. He noticed a very old beggar asking for coins to the passers while bathing to the heat of the sun all day. Beside the beggar was a newspaper stand. One tabloid headline reads'Young Matinee Idol Commits Suicide." My professor stops for awhile and asks ...
Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...
Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...
Patrick Sean Kelley - Behind the Art There is nothing more intimidating than standing in front of a blank canvas and wondering what it will become. There is also nothing more exhilarating. As I begin to apply paint to canvas I find my work seems to be in continuous motion. Always changing. Always progressing. Much like the oil paints that actually embody my visions. I am influenced by many places, things, people and of course, many artists. My latest work is changing yet again. The palette has become softer more jewel toned and the subjects more somber. They speak to me as I paint each stroke awaiting life on the canvas. I am clearly influenced by some of the more modern masters like, Klimpt, Kandinsky, Mirot, Caldwell and as always, Picasso. The art is Inspired by the subject. By a woman's beauty as it is seen and felt both internally and externally. The images in my vision actually seem to mask their true identities as they glance out at the viewer exuding an air of aloofness and mystique. Each stroke is painstakingly smoothed and controlled to create subtle dimensions and color that create the mysterious creatures that appear to come to life on ...
Bryan Patterson - Bryan Patterson is a Vermont artist and designer. Bryan is directly descended from Johannes Lapp, a founder of the Amish community in America. Among his relatives is Henry Lapp of the late 1800's. Henry was an amazing deaf mute carpenter/craftsman and has his work displayed in The Philadelphia Museum of Art. Bryan says, i?1/2I've always had a love of wood and began creating with it before learning of my Lapp ancestors.i?1/2 Bryan started woodworking professionally in 1977 and has had his work featured in several publications over the years. Concretions have added the newest development to Bryani?1/2s work. He and his family harvest these treasures while swimming in the gorgeous rivers of Vermont. The real enjoyment comes from their display of as many wonderful pictures they make in the mind's eye like those you see in the clouds. Mythology of the Abenaki Indian says that "Wana-games-ak, reckless creatures or those who have lost their minds, are little people of another genus, who inhabit rivers. They have narrow faces'like the blade of a hatchet', so only the profile has an outline. Their noses are high and aquiline,'so large as to be all ...
Janet Allinger - Curriculum Vitae: Janet Allinger was born in 1964 in Detroit MI and lives and works in Santa Cruz, CA. An artist from day one, she perfected her skills over the years in design by working along side top designers in the graphic design trade and constantly experimenting with her artistic abilities. Her medium of choice, is acrylics. Allinger has shown her works at many businesses and shows including the 2002-05 Open Studio exhibits held in Santa Cruz, CA, and the first Santa Cruz Digital Art Festival. She had displayed at the SFMOMA artist gallery at the Fort Mason center and has been published in newspapers and art used for promotional pieces other than her own. Mrs. Allinger has been chosen for Chicago's Woman Made Gallery "Her mark" date book, the Kellogg University art gallery, Carmel CA Winfield gallery, Siggraph animation conference in San Diego, CA, Biddle gallery in Wyandotte MI, Thacher gallery in San Francisco, Red Ink studios in San Jose, La Bussola in Reno NV, POD & Stage gallery in New York plus several online U.S. and U.K. galleries. In 2005, she was a recipient of Santa Cruzi?1/2s prestigious Gail Rich Award. To see more ...
Pamela Henry - I am a Photography Artist. My process crosses analog and digital borders. Initially my images are captured on film, slides or digitally. I use a range of techniques from cross-process development and polaroid manipulation to digital painting, collage and layering to create what you see here. If I were to condense my thoughts on photographic expression into a single phrase it would be "in the moment". The moment begins at first sight and is complete when I release the shutter, lift my stylo from the polaroid, or remove my hand from the mouse. I know I will relive that feeling each time I look at the image, like a song or a smell that transports you to another place and time. This photographic expression translates beyond verbal expression and rests in your being, invoking a subjective reaction based on your experiences. Herein lies a collection of such moments. ...
Nancy B Jackson - From the beginning, it has been my intent to look at humanity on a spiritual level, focusing my attention on the Sacred in the Ordinary. Images of movement, change and transformation and a sense of being guarded, protected and nurtured in the transformative process are important to my vision. My understanding of being "guarded, protected and nurtured" does not lead to happiness, comfort and security. Instead, it acknowledges suffering as native to human existence. These visions are pursued within the mid-20th Century understanding of the shallow picture plane, which is particularly well suited to shapes and methods that are natural to iconography & tapestry....
Marina Toshich - Marina Toshich Born in Sarajevo, lives in Tel Aviv -Isreal. Graduated from "Jan Mateiko" Academy of Fine Arts in Cracow, Poland. Has her artworks at numerous private collections, as well as in Haifa Museum of Modern Arts, Israeli Museum in Jerusalemand the collection of Faber-Castell in Germany. ...
Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...
Eleanor Hartwell - I am a self taught artist. I like to explore in all types of media, and try out a variety of style and type of work. I have a lot of fun doing what I do. I have done a series of drawings for a book on Harehunting, which will be published in the spring of 2002. "One Day at a Time" In October of 2002, New Hampshire Public Radio will be offering a "gift" of a mug to thier fall fund drive donaters, featuring my painting done specially for this project. ...
Raquel Soaz - My work is hand-built by slab and pinch construction using low-fire clay. In my most recent work, I give much attention to colors to complete my work using either glazes, underglazes, cold finishes (acrylics), inks, color pencils, and/or any other I need for communicating my intended vision. Most of my pieces are figurative/objects. Printed and shaped with my childhood country's colors, rhythms and warmth. ...
Mark Stine - Important Note: messages left for me here do not get to me in a timely fashion, so please email me from my web site only, located at
Jeanclaude Davreux - SPONSOR Blinds by Window Improvements Dear friend, I warmly thank you for the honnor that you make me while agreeing these some words inspired by your work Jean-Claude DAVREUX ? How i know it ? At one time or the Palestinian people were victim of the misinformation most skilfully assembled and the amalgams most simplistic. They were very few those which,by their feathers, their words or their brush dared to express the right history of the Palestinian people, its sufferings,its uprooting,its humanism, because they navigate against the current? But its is thanks to this small number that more and more , the collective conscience took possession of the reality of the drama palestinian. And that, nowadays, its cause is know better,better included understood. Jean-Claude Davreux forms part of these"right" which served the truth and which showed with powerfull colors the endurance of the Palestinian people. One often described it like a loner,and it be perhaps that which it have carry towards an other people solitary, ignore and often victim of prejuges.The brush of this artist have well know express the extend and ...
Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...