Still Life Art For Sale

Page 4 of 35
Browse 1011 Still Life artworks for sale. Contemporary artists: Judith Fritchman, Nancy Bechtol, Lucille Rella, Lou Posner, Wayne Wilcox, James Gwynne, Lucia Timis, Lucille Coleman, Bessie Papazafiriou, Adam Adamou, Andree Lisette Herz, Storm Hammond, Michael Garr, Jennifer Bailey, Jose Luis Lazaro Ferre, Walter King, Paola Di Renzo offering Still Life artworks. Links to more artworks by these contemporary artists and 35 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Still Life art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Judith Fritchman: 'Dance of The Peppers', 2000 Oil Painting, Still Life.  Peppers seem to create their own rhythm. ...
Still Life - Painting
6 x 12 inches (15.2 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'Mystic Blue drink', 2006 Other Photography, Still Life.  a cool blue drink while on a cruise ...
Still Life - Photograph
17 x 11 inches (43.2 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Rella: 'Your Move', 2006 Oil Painting, Still Life.
, 2006
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
Lou Posner: 'Eggplant and Green Pepper', 2000 Oil Painting, Still Life. Vegetables in motion.  Oil on canvas board.  Custom frame is wood with gold tone. ...
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
Wayne Wilcox: 'Still Life Red Yellow Blue', 1975 Oil Painting, Still Life.
Still Life - Painting
56 x 71 inches (142.2 x 180.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Rella: 'Persimmon Harvest', 2005 Oil Painting, Still Life.
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
Lucille Rella: 'Winter Nellis', 2006 Oil Painting, Still Life.
Still Life - Painting
12 x 8 inches (30.5 x 20.3 cm)
James Gwynne: 'Still Life', 2002 Oil Painting, Still Life. Studio plaster sculpture looms up from behind blue drapery almost human in a mysterious way.  ...
, 2002
Still Life - Painting
68 x 73 inches (172.7 x 185.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lou Posner: 'Jantar dos Deuses', 2000 Oil Painting, Still Life. Dinner of the Gods.  Custom framed....
Still Life - Painting
20 x 14 inches (50.8 x 35.6 cm)
Lou Posner: 'Still Life with Cotton', 2004 Oil Painting, Still Life. The results of a 12- hour private oil painting lesson. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
Lou Posner: 'Oysters Shells on Silver Salver', 2003 Oil Painting, Still Life.  The remnants of The Night of a Thousand Oysters, Freeport, Florida, 2003....
Still Life - Painting
14 x 11 inches (35.6 x 27.9 cm)
Lucia Timis: 'Still Life', 1980 Oil Painting, Still Life.
, 1980
Still Life - Painting
38 x 27 inches (96.5 x 68.6 cm)
Lucille Coleman: 'Roses in Hand', 2003 Oil Painting, Still Life. Pink Rose in Hands created in a cross hatch oil painting style. A(c) 2003 Lucille Coleman...
Still Life - Painting
11 x 11 inches (27.9 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Coleman: 'Roses', 2003 Oil Painting, Still Life. Study of red roses created in a cross hatch style painting style.A(c) 2003 Lucille Coleman...
, 2003
Still Life - Painting
11 x 12 inches (27.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Transience III', 1987 Watercolor, Still Life.      In Transience III, objects rest precariously on shelves to symbolize the fragile nature of our existence.  The ephemeral poppies symbolize both the beauty of life and life' s transient quality.  The chain of paper dolls symbolizes generations and continuity of the life cycle....
Still Life - Watercolor
28 x 21 inches (71.1 x 53.3 cm)
Bessie Papazafiriou: 'Transience IV', 1988 Watercolor, Still Life.      This is the final painting of the Transience series.  Here objects derived from plants and animals symbolize both life and death.  A rose withers and dies and a calendar becomes a paper airplane to serve as a metaphor for the passing of time....
Still Life - Watercolor
25 x 17 inches (63.5 x 43.2 cm)
Bessie Papazafiriou: 'Cherries', 1985 Watercolor, Still Life.      I had the opportunity to spend some time on a farm in Greece where I obtained a better understanding of farm life; the hard work, beauty, simplicity and closeness to nature.  In Cherries their crude farm tools are sprinkled with glistening cherries, symbolizing the fruit of their labor.Comments:  Contact...
, 1985
Still Life - Watercolor
32 x 26 inches (81.3 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Red Dress', 2003 Acrylic Painting, Still Life.
, 2003
Still Life - Painting
36 x 48 inches (91.4 x 121.9 cm)
Adam Adamou: 'Sueseye', 2004 Acrylic Painting, Still Life.
, 2004
Still Life - Painting
508 x 762 mm ( x )
Andree Lisette Herz: 'Appletime 2', 2002 Oil Painting, Still Life. oil on board...
Still Life - Painting
10 x 8 inches (25.4 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Storm Hammond: 'Flowers', 2017 Oil Painting, Still Life.
, 2017
Still Life - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'Sewing Bee', 2003 Pencil Drawing, Still Life. Colored pencil on board of my messy sewing area...
, 2003
Still Life - Drawing
15 x 19 inches (38.1 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'Appletime', 2003 Pencil Drawing, Still Life. Colored pencil drawing of an old picnic site....
, 2003
Still Life - Drawing
20 x 24 inches (50.8 x 61.0 cm)
Michael Garr: 'swedish candle', 1996 Pencil Drawing, Still Life. I am proud of this drawing.  Note the glass candle holder within the metal container. ...
Still Life - Drawing
5 x 7 inches (12.7 x 17.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jennifer Bailey: 'stuff', 2002 Acrylic Painting, Still Life. still life...
, 2002
Still Life - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jennifer Bailey: 'fruit', 2002 Acrylic Painting, Still Life. An interaction between color and shape. ...
, 2002
Still Life - Painting
36 x 28 inches (91.4 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jose Luis Lazaro Ferre: 'Tables with Samovar', 2002 Oil Painting, Still Life.
Still Life - Painting
70 x 100 cm (27.6 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Walter King: 'Memory', 1997 Oil Painting, Still Life. Orange table w/ shell and dot matrix. This piece is currently part of an exhibition called WALTER KING: Midwest Dialog a 40 year retrospective at Fort Hayes Shot Tower Gallery....
, 1997
Still Life - Painting
6 x 4 inches (15.2 x 10.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paola Di Renzo: 'numero9', 2001 Mixed Media, Still Life. acrylic and magazine paper...
, 2001
Still Life - Mixed Media
55 x 55 cm (21.7 x 21.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Linda Dimitroff: 'broken', 2020 Painting, Still Life. Oil painting, monochromatic black, realism. ...
, 2020
Still Life - Painting
40 x 38 inches (101.6 x 96.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 4 of 35) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Bessie Papazafiriou - Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...