Theater Art For Sale

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Browse 41 Theater artworks for sale. Contemporary artists: Manuela Facchin Varalda, Wendy Lippincott, Harry Weisburd, Lucille Rella, Richard Claraval, Edward Tabachnik, Meliha Druzic, Dana Zivanovits, Maria Teresa Fernandes, Evie Tirado, Tatjana Alic, Martin Budden, Dmitrii Volkov, Temo Svirely, Pat Rose, Dores Sacquegna offering Theater artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Theater art simply click on the image to go to a more detailed page about this work of art.


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Manuela Facchin Varalda: 'full of sound and fury', 2023 Oil Painting, Theater. original artwork unique piecefull of sound and fury, signifying nothing , hommage to Bruno Valerianofrom Shakespeare s tragedy.  This is my third work on the world of theater.  I d like to describe here the motions of the soul and their appearance and life like a play...
Theater - Painting
50 x 70 cm (19.7 x 27.6 inches)
Wendy Lippincott: 'the play is the thing', 2022 Oil Painting, Theater. A collage of Shakespeare s Plays...
Theater - Painting
30 x 24 inches (76.2 x 61.0 cm)
Harry Weisburd: 'Opening NIght', 2010 Watercolor, Theater.    opera, play, dance, theatre, woman, realism, figurative, , female,             ...
Theater - Watercolor
12 x 12 inches (30.5 x 30.5 cm)
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Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Harry Weisburd: 'Chinese Opera Singer in Blue', 2008 Watercolor, Theater.  Chinese Opera Singer in Blue- 300 year old tradition. Men often played both male and female roles. Today Women are also performers and also Dancers and Excellent Acrobats. Style of Opera depends on the city it is performed in. ...
Theater - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
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Harry Weisburd: 'Chinese Opera Singer with Lotus Flowers', 2007 Watercolor, Theater.  Painting of Chinese Opera Singer with LOTUS FLOWERS. ORIGINAL is Watercolor on Canvas.ALSOavailable in a Limited Edition of 50, color Xerox print, signed and numbered by the artist. ...
Theater - Watercolor
11 x 16 inches (27.9 x 40.6 cm)
Richard Claraval: 'hamlet', 2017 Charcoal Drawing, Theater.  I first experienced Hamlet through the great film by Lawrence Olivier. Black and white suits this story extremely well. The sword floating free above him was a way to show how, in the famous aEURoeto be or not to beaEUR soliloquy, that although he tries to take arms against his...
, 2017
Theater - Drawing
20 x 20 inches (50.8 x 50.8 cm)
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Edward Tabachnik: 'Castrati Farinelli playing Harp', 2005 Oil Painting, Theater.  New style: Romantic Expressionism.Series: Theater.Series: Ancient Musical Instruments.The Famous counter tenor in the middle ages Farinelli. ...
Theater - Painting
36 x 32 inches (91.4 x 81.3 cm)
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Edward Tabachnik: 'Water Theater', 1998 Oil Painting, Theater.   New style: Romantic Expressionism.Series: Theaters. The Water Theater created by the Artist. ...
Theater - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Meliha Druzic: 'TUXEDO', 2008 Acrylic Painting, Theater.
, 2008
Theater - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Meliha Druzic: 'KANKAN', 2008 Acrylic Painting, Theater.
, 2008
Theater - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Dana Zivanovits: 'TEMPEST', 1983 Watercolor, Theater.  Based on the play by Shakespeare. A early work in watercolor on sketch paper- a signed and dated Zivanovit's original ...
, 1983
Theater - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
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Maria Teresa Fernandes: 'Sala S Paulo theater hall by ebf', 2006 Other Drawing, Theater.  this S Paulo- Brazil huge concert hall is totally over rubber floor to avoid railroad vibrations , ceiling control for better acoustics and houses OSESP, aninternationally reknown orchestra ...
Theater - Drawing
7 x 8 inches (17.8 x 20.3 cm)
Dana Zivanovits: 'ACTRESS WITH MIRROR', 2004 Oil Painting, Theater.  Some final touches before the play. Thickly painted Oil on tempered masonite. Original- signed Zivanovits. Will ship well. ...
Theater - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Maria Teresa Fernandes: 'Bottles and bowl', 1969 Oil Painting, Theater. wavy and round objects required extra effort to reach audience ( small graze upper middle) ...
Theater - Painting
16 x 20 inches (40.6 x 50.8 cm)
Evie Tirado: 'a little lipstick', 2002 Computer Art, Theater. computer drawing...
Theater - Computer Art
7 x 5 inches (17.8 x 12.7 cm)
Tatjana Alic: 'handmade necklace', 2019 Jewelry, Theater. Necklace:- brown pendant with gold design  ballerina - choker, silver - colored...
Theater - Jewelry
70.2 x 80.2 mm ( x )
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Martin Budden: 'masks', 2016 Oil Painting, Theater. oil on canvas. An idea of bright colors. ...
, 2016
Theater - Painting
600 x 600 mm ( x )
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Dmitrii Volkov: 'the mask of comedy', 2019 Aluminum Sculpture, Theater. Wall Art Decor.Mask is forged of aluminum plate sheet. Weight approximately 1 lbs. Greek plays were performed wearing masks. The intent of wearing the masks was to represent different emotions, and their look was exaggerated for the audience to be able to clearly distinguish between them. Derived from Greek ...
Theater - Sculpture
14 x 19 inches (35.6 x 48.3 cm)
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Temo Svirely: 'pierrot', 2011 Oil Painting, Theater.
, 2011
Theater - Painting
76 x 90 cm (29.9 x 35.4 inches)
Pat Rose: 'Columbine', 2005 Oil Painting, Theater.  Actress Columbine preparing for performance.     ...
, 2005
Theater - Painting
36 x 46 inches (91.4 x 116.8 cm)
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Dores Sacquegna: 'rapsodia gitana', 2019 Color Photograph, Theater. In a desolate land, a theatrical company returns to revive the show that has seen them in the past.  The scene lives like ghosts.  N. 9 print on dibond cm 50 x 35 + n. 1 cm 70115...
Theater - Photograph
210 x 115 cm (82.7 x 45.3 inches)
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(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

Richard Claraval - I've always been profoundly interested in the human figure, and in the representation of dynamic motion. My sculptures, drawings, and paintings revolve around these basic concerns, fussing the undistorted, non-truncated figure with various abstract forms. I'm mainly influenced by the Renaissance, Abstract Expressionism, and pure abstract sculpture such as that of Arp and Brancusi. It has long been exciting to me to think of the beautiful draperies of a Raphael painting, or Michelangelo's drawing of the risen Christ, as fused with their figures in a seamless integration. Similarly, I wish to see a beautiful Arp sculpture flowing with a beautiful human figure. My strongest inspiration comes from music, especially classical, and most especially Beethoven, though I am extremely fond of many other forms and composers. Richard Claraval 2009...

Edward Tabachnik - Edward Tabachnik Through all my works you will find that my attitude toward color and light combines tradition of impressionism with various surrealistic situations. Working on illustrations for Kafka's novels, I was looking for a symbolic image of a mystical town. I found it in Gaudi's "Sagrada Familia". Almost on each of my paintings you can see my "signature"- flying phantasmagoria tower, which has become for me a living entity, procreating itself, connecting The Past with The Future. Fascinated with the theory of Black Holes and the origin of The World is also reflected in many paintings in the form of "Singularity", through which Time passes, connecting The Past with The Future. I was always attracted to mystery of Kabbalah, and to other Jewish teachings. Many of my works are related to these themes. After seeing the destroyed Synagogue in Berlin, I've "recreated" it in my painting, and also dedicated a number of my works to Jewish History. In my works I try to blend my fantasy with sometimes well known, sometimes created architectural details. My schooling was both - in architecture and painting. My love for architecture can be seen through many of my works. There is ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Evie Tirado - My journey as an artist began with my first crayon. I have always been in love with color. Over the years I've developed a passion for lines, forms, space, and the spaces between . Be it paint, inks, dyes, or watercolors, each media excites me. I experiment in diverse styles, allowing the subject, materials, and concepts, to influence the final outcome. My work is often a fusion of opposites -- chance and deliberation; remnants of the past link to the present; fluid pools of color, allowed to drip and layer and develop alongside the thick, structural impasto effects. For me, art is a necessity; a surrendering, a discovery, and a celebration. It transforms thoughts and ideals into dimensional realities beyond the flat surface. The interior process of abstraction suspends me from isolation, and connects me with my most authentic self,as well as the rest of humanity. ...

Dmitrii Volkov - In my work I focus on combinations of volumes, patterns, colors or all together. They should interact, agree or disagree with each other. Listening to this conversation and forming this relationship are the most exciting things in art. Volumes often interact within a piece of art through crossing facets or absence of facets, polished planes and projecting parts as well as escape to the deep dark cavities and hollows. At times an object can be seen as a human, partially imperfect but constantly striving for perfection. I always treat objects and parts of objects as humans or groups of humans being unique individuals. My favorite material is carbon steel. It proves amazingly deep in case of natural treatment, i.e. waxing, polishing, and patination. It is oxidation ability that makes carbon steel far richer than precious metal in terms of its expressive properties. Traditionally, it is considered to be a disadvantage, yet indeed is a benefit due to the fact that kind of makes up for what the painter did not paint thus making a piece of art beautiful and expressive. Thank you for your interest...

Temo Svirely - Painting is not conceptual art. When someone looks at one of my paintings and asks me What did you want to say I find myself in a difficult position. That is, I've already said what I wanted to say through the medium of painting. With the help of color, rhythm and so on and to demand that I translate the language of art into the language of words is impossible, to say the least. I am an artist, not a writer , my materials are oil-paints, ink, pencils and so on, and not words. What else can I say Ideas and concepts are far from being the primary concerns of the artist. Enthusiasm for ideas not to be confused with artistic plans or intentions distracts the artist from the wealth of interrelation with the material, which itself dictates to him the right course and rewards with time and patience. Of course it is worth pondering on how to make a work more expressive, but a real artistic moment occurs when a pause arises in between thoughts. I will take the liberty of reminding you that art, a picture, can be understood by a man and influence him deeply, effortlessly ...

Pat Rose - My art studies began in high school, focusing on design, and continued after graduation on a University level at UC. Courses for a Ph.D. in Art History, painting and drawing and experiments in other media led me to an ultimate concentration in studio painting. After establishing an art studio where I worked as a painter, I continued my studies at Northwestern University; I completed my studies in art and theater arts at Roosevelt University. My work in oil paint on canvas represents more than one interest. It has evolved from abstract forms to figure art, landscape and natural forms. My love of Far Eastern art and culture, and its influence is often present in my work, combining sharp lines and soft edges. Generally, I am concerned with landscape, still life and figure studies, where human figures in various settings often exist independently of their backgrounds. Some works are clearly involved with theater and dance, catching the movements of figures, how they interact, and at the same time maintain their separate spaces --- an interest developed at a very young age, having grown up among theater artists. My work is both liberating and demanding. Influences include Degas, portrayals of theater by...