World Conflict Art For Sale

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Browse 43 World Conflict artworks for sale. Contemporary artists: Charles Cham, Dan Shiloh, Geo Sipp, Leo Evans, Tom Lund-lack, Terry Mollo, Wendy Lippincott, Sean Mahoney, Kimmie Hamm, Bé Van Der Heide, Kees Van Eyck, Richard Wynne, Rene Aguirre, Ken Hillberry, K Van Zwol, Alejandra Coirini, Miroslav Boskov, Janusz Obst, Jack Mccarthy, George Mulaudzi, Elizabeth Ames, Rasheed Amodu offering World Conflict artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any World Conflict art simply click on the image to go to a more detailed page about this work of art.


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Charles Cham: '3000 A WORLD DIVIDED BY COLOUR', 2023 Oil Painting, World Conflict. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
World Conflict - Painting
150 x 150 cm (59.1 x 59.1 inches)
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Dan Shiloh: '20th century', 2023 Acrylic Painting, World Conflict. Events of the 20th century ...
World Conflict - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Geo Sipp: 'Trams in Algiers', 2012 Woodcut, World Conflict.  Trams in Algiers is a woodcut, illustrating an abstracted view of the city of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating. ...
World Conflict - Woodcut
18.5 x 18.5 inches (47.0 x 47.0 cm)
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Leo Evans: 'SEPTEMBERELEVENTWOTHOUSANDONE', 2009 Acrylic Painting, World Conflict.  RELOAD ~  SEPTEMBERELEVENTWOTHOUSANDONE~ LEO EVANS ~ LEOEVANS. COM ~ ALL RIGHTS RESERVED 2009 ...
World Conflict - Painting
30 x 40 inches (76.2 x 101.6 cm)
Tom Lund-lack: 'Voices of the Fallen', 2008 Oil Painting, World Conflict. VoicesWe've never learned to listen to the voices of the dead, Another generation, another mad catastrophe, History will reproach,A million eyeless men condemn,All these futile gesturesThat will forever come again.This painting is about the futility of war and how we never listen to those ...
World Conflict - Painting
16 x 40 inches (40.6 x 101.6 cm)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict.  A woman raises her fists in rage. ( rear view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict.  A woman raises her fists in rage. ( front view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Wendy Lippincott: 'Pandoras Box', 2006 Oil Painting, World Conflict.  A modern update on Pandoras Box, illustrating the dire consequences of the United States involvement in World Affairs. ...
World Conflict - Painting
26 x 36 inches (66.0 x 91.4 cm)
Sean Mahoney: 'weathering the storm', 2020 Acrylic Painting, World Conflict. Every artist made one, and this is my Covid painting. Featuring 3 daisies huddled together, leaning on and supporting each other amidst a sea of chaos and uncertainty.  They truely are  in  it  together.   ...
World Conflict - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Sean Mahoney: 'man v earth', 2021 Acrylic Painting, World Conflict. Full title: Man V Earth: Actions and Consequences.  Original 10 A--10  acrylic on stretched canvas. Painted using a single plastic palette knife. . inspired by frustrations caused by watching my once beautiful home city become trashed these last few years. . Humans are the curators of the museum of life, nature and ...
World Conflict - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Kimmie Hamm: '2614', 2015 Acrylic Painting, World Conflict. 2614 Acrylic on Canvas Future visions of world conflict and a new world order come to mind. I can feel the approaching army and hear their boots thumping the ground in unison. But not everyone in the city feels the same. Some are proud, some are anguished, some are defiant ...
, 2015
World Conflict - Painting
18 x 24 inches (45.7 x 61.0 cm)
Bé Van Der Heide: 'Arnhem', 2011 Acrylic Painting, World Conflict.  arnhem, war, fire, smoke, ww2, bridge, war,  ...
, 2011
World Conflict - Painting
160 x 190 cm (63.0 x 74.8 inches)
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Kees Van Eyck: 'Sapphire Siren', 2008 Acrylic Painting, World Conflict.  alternative title:2 overcome the intolerance of theIslam   ...
World Conflict - Painting
67 x 67 cm (26.4 x 26.4 inches)
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Richard Wynne: 'A whole lot of cats', 2009 Other Painting, World Conflict.  group portrait of cats animals painted on transparent backing representational  ...
World Conflict - Painting
32 x 51 cm (12.6 x 20.1 inches)
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Richard Wynne: 'No holiday in Afghanistan', 2009 Other Painting, World Conflict.  afghanistan wounded in action death soldiers medics abstract holidays ...
World Conflict - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Rene Aguirre: 'Prisoner', 2009 Acrylic Painting, World Conflict.
, 2009
World Conflict - Painting
24 x 30 inches (61.0 x 76.2 cm)
Rene Aguirre: 'Dominant Forces', 2009 Acrylic Painting, World Conflict.
World Conflict - Painting
24 x 36 inches (61.0 x 91.4 cm)
Ken Hillberry: 'Daily Bread', 1999 Pencil Drawing, World Conflict.  Albanian refugees, during the conflict in the MIddle East, had to endure day to  day crossfire and untold hardships. ...
World Conflict - Drawing
22 x 28 inches (55.9 x 71.1 cm)
K Van Zwol: 'WiRED', 2008 Mixed Media, World Conflict.  Photomontage, acrylic, candlewax on canvas board ...
, 2008
World Conflict - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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Alejandra Coirini: 'Tragedia y Dolor', 2003 Acrylic Painting, World Conflict.  Is based in the rubble of the Twin Towers on the September 11st.  ...
World Conflict - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Miroslav Boskov: 'Vanitas Vanitatum Nike', 2007 Giclee, World Conflict. This postmodern combination of antique artifacts presentation, confronted to the destructive war symbols of the present, which is marked by modern scientific leaps and rapid technological advances, including the existence and continuous production of enormous quantities of costly, continuously fast developing, and extremely lethal military hardware, globally wise.  Therefore this ...
World Conflict - Giclee
476 x 665 mm ( x )
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Miroslav Boskov: 'Vanitas Vanitatum Aphrodite', 2007 Giclee, World Conflict. This postmodern combination of antique artifacts presentation, confronted to the destructive war symbols of the present, which is marked by modern scientific leaps and rapid technological advances, including the existence and continuous production of enormous quantities of costly, continuously fast developing, and extremely lethal military hardware, globally wise.  Therefore this ...
World Conflict - Giclee
476 x 665 mm ( x )
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Janusz Obst: 'Global Bubbler', 2006 , World Conflict. Handmade paper; acrylic...
World Conflict -
46 x 36 inches (116.8 x 91.4 cm)
Richard Wynne: 'Mongol Horde', 2007 Other Painting, World Conflict.  thi is another of my
World Conflict - Painting
100 x 33 cm (39.4 x 13.0 inches)
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Jack Mccarthy: 'Do We Know Why', 2005 Linoleum Cut, World Conflict.  Somerset paper ...
World Conflict - Linoleum Cut
7 x 10 inches (17.8 x 25.4 cm)
Jack Mccarthy: 'Border Light', 2004 Linoleum Cut, World Conflict.
World Conflict - Linoleum Cut
7 x 10 inches (17.8 x 25.4 cm)
George Mulaudzi: 'war in dunes', 2021 Oil Painting, World Conflict. oil on canvas...
World Conflict - Painting
210.9 x 83.7 cm (83.0 x 33.0 inches)
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Elizabeth  Ames: 'boomtiful ', 2016 Oil Painting, World Conflict.
, 2016
World Conflict - Painting
40 x 60 inches (101.6 x 152.4 cm)
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Rasheed Amodu: 'world peace conference', 2005 Assemblage, World Conflict. World Peace Conference is an abstract assemblage on board work. Objects which include beads, leather purse, plastic and tin covers  cases, among others, were arranged and glued on board in an oval rectangular conference format to create an illusion of a United Nations congress in progress. Oil colours were employed ...
World Conflict - Assemblage
63 x 26 inches (160.0 x 66.0 cm)
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July Preobrazhencki: 'scar', 2023 Other, World Conflict. Every shock is a scar in the soulTechnique: cyanotipia...
, 2023
World Conflict - Other
8.7 x 11.3 inches (22.1 x 28.7 cm)
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(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Geo Sipp - Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Kimmie Hamm - Everywhere you dream to go can become a part of you and everywhere you have been is a part of you. I am an explorer and optimist at heart, so when I set out to create something one word always comes to mind: Possibilities I feel that through art I can explore the visions in my mind, everything from a small flower or blade of grass to distant worlds filled with whimsy and thoughts of what ifaEUR|aEUR|. Culturally I have two aspects that influence me one being my Native American ancestry and the other my German immigrant ancestry. I am deeply rooted in the beauty and wonderment of nature. My wise grandmother told me if you have strong roots your sprit can fly anywhere and still return home. That saying has always stuck with me and in many ways sparked my imagination. The explorer in me must come from my immigrant ancestry. My great grandfatheraEURtms family traveled to America on a steam ship in 1874. I can imagine them traveling for what must have seemed like an eternity. I often contemplate what they must have been thinking, and try to express the excitement of the unknown and the anticipation ...

Bé Van Der Heide - Artist Statement I do work mostly in series. The images shown in my portfolio are examples of different series all executed over the last ten years. Some of the latest series such as "Dance of the transient forms" and "Collapse" have recently been exhibited in the Mas Poch Gallery in Spain. The most extensive series is called the "ENFANT TERRIBLE" series. These are drawings and paintings, mostly of a little girl and her family and friends. The rather menacing images of a seemingly helpless frightened little girl, being held tight or prettied up with bows in her hair, are inspired by photographs in my family album. In these drawings I am not interested in a photographic likeness, but I try to express a feeling about these people in the pictures. Part of the series were shown in the LCP Gallery in London during summer 2002 and in the Mas Poch Gallery in Spain November 2003. The series before "Enfant Terrible" is called: "WEBS", inspired by the sight of insects, leaves, dried up larvae; all caught in a Spiders web underneath a box on top of one of my work tables in the studio. They have been considerably enlarged; some paintings...

Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....

Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

K Van Zwol - From the wreckage of the post-industrial wasteland NEW VISIONS! The intersection of art and anti art and anti anti art A META REALITY! The means of apprehension beyond: object/ subject ...(FALLACIES) A flurry of images, torrents of symbolism, The Clash of Modalities, won A thread running through the ALL the Amerikin nightmares, (transformed) THIS IS THE NEW LANGUAGE OF DREAMS....

Alejandra Coirini - FORMAL STUDIES National School of Fine Arts Prilidiano PueyrredA3n Bachelor of Visual Arts, specialization Painting. IUNA Professional development in the Training and Graphic Edition Center of Buenos Aires. UNA lithography specialization course at the Ernesto de la Carcova Museum 1st International Meeting of Lithography, UNA. ACTIVITIES 2nd head of the set design workshop of the Colon Theater of the Autonomous City of Buenos Aires - Argentina Withdrawal A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A INTERNATIONAL EVENTS 2019 November to February 2020, Mini-Maxi Print Exhibition Part 1 Scandinavian Meeting Point, Galleri Heike Arndt Berlin Voigtstr 12, 10247 Berlin, Germany. November, El Venadito, Synesthesia Project, art against animal abuse, Museum of Natural Sciences of Granollers, Spain. November, Graphic Stories, in North Miami Beach Library 1601 NE, FL USA October, Participation in the Biennial, Beauty Kaunas International Printmaking Biennial, Mykolo A1/2ilinsko dailA--s galerija NepriklausomybA--s a. 12, 44311 Kaunas. Art Gallery in Kaunas, Kaunas Province, Lithuania September, October, The International Graphic Art Festival UNI Graphica. Krasnodar, Krasnaya street, 15 13,198.08 km Krasnodar, Russia State-funded cultural institution of the Krasnodar region The Krasnodar regional art museum named after FA Kovalenko INTERNATIONAL EXHIBITION PROJECT aEURC/ GRAPHIC ART FESTIVAL - UNI GRAPHICA 2019 September, International Engraving Contemporary II, Galeria Metanoia, ...

Miroslav Boskov - Post modern motifs concepts of my Paintings sublimate and reflects a long period of introspection as well as observation of sociological and cultural phenomenon and patterns, characteristic for the Local and Global environment, and all that has been constantly provoked, contrasted and crossbred with layers of previous experiences, various cultural phenomenon and patterns. My paintings possess almost Surrealistic contrasts between Ancient artifacts quotes and elements of the Modern World, thus creating vibrant, yet introverted and contemplative atmosphere. The paintings main motif characteristic is manipulation with ancient Greek artifacts mainly sculptures, statues or their fragments combined and opposed to the almost abstract, dreamlike, multi plan backgrounds, composed of various surfaces and details consisted of concrete and abstract geometrical forms, depicting partially ambient of modern down town buildings and dehumanized office spaces, modern war game toys and other technological symbols of New 21st Century Era. All that is imbued with full spectra of vivid, yet regarding tonality, somber color values, as discrete announcement and distant reflection of the Past and the Present. Miroslav Boskov ...

Jack Mccarthy - I am basically a story-teller who uses prints as my vocabulary. My approach to printmaking is eclectic. On one hand, I use traditional relief printing methods either a baren or a 1947 Vandercook Press, named Ursula. On the other hand, I experiment using brayers, stencils, natural and found objects, anything that has texture. My work is influenced by life experience and, most importantly, my constant amazement of what human beings believe in and how they choose to live their lives! Many of my prints are allegorical in nature and almost all are visual stories. I am presently working on a variety of projects: One is a series of relief prints based on medieval stories, both secular and religious. One edition is comprised of prints depicting religious beliefs and stories of 8th to 14th century Europe, what is normally but erroneously called "The Dark Ages" and/or the Gothic Period. The stories are delightful and, at times, gruesome. Many are Christian stories based on non-Christian (pagan) myths. The second project is a small edition of handmade books with original prints based on the Old Testament. The third is a book which will be a pictorial depiction of the life ...

George Mulaudzi - In my art, I like to capture the beauty in mundane places objects, and faces. I use 1 medium though my paintings are versatile, beyond time and place allows me to express different ideas. Most of my paintings are from the imagination though motivated by things around me which I use art as a way to transform and elevate them, the simple yet sublime. I am in constant search of the best way to interpret the ideas that I have about myself and the world I live in. I do not limit myself to one concept or style, inspiration and ideas change. Each piece I create is a simultaneous extension from the past, where I come from, and what I have learned, as well as a preview of the future, where I am going....

Rasheed Amodu - RASHEED AMODU Artist Statement I started as a professional artist in 1985, before adding a Fine Arts degree, specializing in Painting, in 1991. One of my major aims is to wed creativity and artistic rendering in my artwork leading to diverse range of themes in my oeuvre. My graphic art background in Realism and my degree aided abstractions as well as impressionistic and expressionistic tendencies are often reflected in my artwork, which include my drawings, paintings, mixed media, and assemblages. I draw with pencil, charcoal, penink, and gouache on paper or embossed cards. My oil or acrylic paintings are usually on canvas. I do mixed media on paper, embossed card, and canvas. My assemblages are works produced with commonplace objects or personal items arranged and fixed on hardboard before being painted with oil or acrylic for aesthetic finesse. Some of the objects employed in my assemblages are beads, fabrics, combs, watches, straps, chains, cards, belts, spoons, forks, pens, ropes, lighters, shaving sticks, plugs, and bottle covers. The sources of the images I used in my works are from my society, literature on African art and foreign cultures as well as personal synthesis. I employed my artwork to visually document the ...