Charcoal Drawings

Page 8 of 34
Shin-hye Park, Giovan Beck, Logan Symonds, Richard Lazzara offering original Charcoal Drawings artworks.


Contemporary Art / Drawing Categories / Charcoal Drawings / Previous / Next
Shin-hye Park: 'landscape', 2001 Charcoal Drawing, nature.
, 2001
nature - Drawing
91 x 72 cm (35.8 x 28.3 inches)
Giovan Beck: 'Daniela', 2001 Charcoal Drawing, Portrait. Charcoal on paper. ...
, 2001
Portrait - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Giovan Beck: 'portrait', 2001 Charcoal Drawing, Portrait. Charcoal & soft pastel on Fabriano paper. Double portrait from picture....
, 2001
Portrait - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Logan Symonds: 'title', 2019 Charcoal Drawing, Undecided. figure...
, 2019
Undecided - Drawing
15 x 18 inches (38.1 x 45.7 cm)
Logan Symonds: 'title', 2019 Charcoal Drawing, Undecided. figure...
, 2019
Undecided - Drawing
1 x 13 inches (2.5 x 33.0 cm)
Richard Lazzara: 'density of time', 1972 Charcoal Drawing, History. density of time 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'modeling energies with charcoal and eraser', 1972 Charcoal Drawing, History. modeling energies with charcoal and eraser 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'modeling the inclusionist theory perspective', 1972 Charcoal Drawing, History. modeling the inclusionist theory perspective 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'model in the drawing room', 1972 Charcoal Drawing, History. model in the drawing room 1972  from the folio  DRAWING ON NY STUDIO  SCHOOL TRAINING   by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'space defines the model', 1972 Charcoal Drawing, History. space defines the model 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'with george mcneil coaching me', 1972 Charcoal Drawing, History. with george mcneil coaching me 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'model space requirements', 1972 Charcoal Drawing, History. model space requirements 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'seeing past others ', 1972 Charcoal Drawing, History. seeing past others 1972  from the folio  DRAWING IN NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'she appeared before me', 1972 Charcoal Drawing, History. she appeared before me 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'abstract painting preparations', 1972 Charcoal Drawing, History. abstract painting preparations 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'trained to within a moments notice', 1972 Charcoal Drawing, History. trained to within a moments notice 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'breaking the picture surface in', 1972 Charcoal Drawing, History. breaking the picture surface in 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'figure a cascade of motion', 1972 Charcoal Drawing, History. figure a cascade of motion 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'alberto giacometti moment', 1972 Charcoal Drawing, History. alberto giacometti moment 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'she has been waiting 30 years', 1972 Charcoal Drawing, History. she has been waiting 30 years 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'standing alone for 33 years', 1972 Charcoal Drawing, History. standing alone for 33 years 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'working with surface energies', 1972 Charcoal Drawing, History. working with surface energies 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'having some mixed emotions', 1972 Charcoal Drawing, History. having some mixed emotions 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'how the past figures in today', 1972 Charcoal Drawing, History. how the past figures in today 1972 from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'floating planes of reality meeting', 1972 Charcoal Drawing, History. floating planes of reality meeting 1972 from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara  is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'strong shadows on the set', 1972 Charcoal Drawing, History. strong shadows on the set 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'understanding dynamics of  painting', 1972 Charcoal Drawing, History. understanding dynamics of painting 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'resting on background', 1972 Charcoal Drawing, History. resting on background 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'studio furniture design', 1972 Charcoal Drawing, History. studio furniture design 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'reclining in time', 1972 Charcoal Drawing, History. reclining in time 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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(Page 8 of 34) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Shin-Hye Park - Park, Shin-Hye Born in Daegu, Korea Master of Fine Arts, Graduate School of Hong-lk Univ., Seoul, Korea Freie Kunst, Gesamthochschule Kassel, Univ., des Landes Hessen, Germany Present Lecturer at Hankyong National Univ., Korea An Attempt to Perceive:Nature, Life and Humanity An Artistic expression is for me an act of confirming what I have perceived, namely what I have to know while seeing, hearing, smelling, tasting, feeling endlessly in the midst of daily life. What is especially important in my work is how I have progressed to know nature. Nature is a starting point of understanding about life, humanity, and somthing called living as one experiances. It is also a place for an empirical, not ideological, understanding of God. Equilibrium is a divine state. Thus, God must have created the universe in his attributes. Now we conceive equilibrium as broken and are feeling a pain from the wound. Then an artistic act is, at least for me, a reflection upon such a reality and embodies a meaning for healing. prolog I feel a deep compassion for Ahnsan, which is suffering from a serious pathological symptom called !(r)development,!- and in turn often affirm in my mind that I will ...