Artists Describing Their Art:
William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...
William Dick -
Hem Raj - I had read it somewhere that space is something in which things exist and in which all movements take place (otherwise it is nothing!) This relationship between space, existence and movement has stuck in my mind over the decades of my working life as an artist. In all my works I have been dealing with space. And all the forms and objects therein have served as residents of that space - forms and objects with their own dynamics, their own identities and functions. However, I have taken care, that the forms and objects I introduced in my picture space, well integrate with the space they are lodged into and perform a function that amounts to just declaring their existence and their right to exist therein (whether in harmony or conflict). These forms and objects have a function (the function I decide them to be performing). And that function is generally decided by the space I allot them. And they are made to exhibit a lively interest in both their existence and environment. However, I generally divide my pictorial space in order to create both depth and mood. Here comes in my architectural sense which I have been developing over the years. ...
Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...
Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....