Artists Describing Their Art:
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
C George - I WORK IN ACRYLICS ,AIRBRUSHED ONTO PAPER ,CANVAS AND WORK IN VARIOUS SIZES .I DID A DEGREE IN PAINTING AND ILLUSTRATION .MY WORK IS BASED ON NUMEROUS IDEAS ,BUT MAINLY POETRY AND HUMAN RELATIONSHIPS. I LIKE THE EFFECT OF GOTHIC AND CLASSICAL IDEALS AND TRY TO INCORPORATE THESE ELEMENTS INTO MY WORK,ESPECIALLY THE FEELING OF MARBLE , SCULPTURE AND METAL .IN MY WORK I TRY TO CONTRAST THE ELEMENTS OF FRAILTY AND STRENGHT WHICH I THINK HELPS TO PRODUCE THE COMPLEXITIES OF HUMAN RELATIONSHIPS,PERHAPS LEANING TOWARDS THE SINISTER, VULNERABLE WEAKNESSES THAT ALL PEOPLE HAVE IN THEIR LIFE.I SUPPOSE MY WORK IS INFLUENCED BY SUCH ARTISTS AS EGON SCHEILE AND GUSTAV KLIMT AND ESPECIALLY KNOPFF .A LOT OF THE IDEAS REVOLVE AROUND THE AREA OF THE UNOBTAINABLE AND OUR INABILITY TO OVERCOME THESE PROBLEMS DUE TO OUR WEAKNESSES OR OUTSIDE INFLUENCES. I LIKE DOING COMMISIONS FOR PEOPLE AS LONG AS I HAVE A REASONABLE FREE HAND IN THE WORK BUT ALL THINGS WILL BE CONSIDERED...
Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...
Cheryl Johnson - Art and imagination have always gone hand in hand with me from childhood. Repetitive marks suggesting texture,circular mandala images and brilliant colors combine in many of my drawings. I call upon the child-core of my earliest years to begin the creations, keeping in mind that the humor of my now adult perspective tempers but does not inhibit all my visuals. My art is my dreams made visual....
Juraj Skalina - Started participating in after school art program in the Middle School. Studied for 4 years at the School of Art and Design in Bratislava, Slovakia. After graduating high school, continued studies at the University PJS, majoring in Fine Art and Slavic languages. Events in Czechoslovakia during the years 1968-69 forced him leave the country and immigrate to Israel. In Israel graduated from Bezalel School of Art with the degree BFA in 1974. During the years 1975-81 worked in the field of textile design as an art director. From 1981-1986 owned and operated The Art Lovers Gallery in New York City, specializing in custom framing and sale of fine art. In 1987 moved to Tucson Arizona, where continued in business of custom framing and gallery by operating and owning Famous French Gallery. All through the years continued to draw and from the year 2000 participated in Open Studio sessions in The Tucson Drawing Studio. During the years 2002-4 participated in the juried shows of the TDS. Today the work of Juraj Skalina can be seen at Famous French Gallery. Juraj Skalina ...
Juraj Skalina -