Drawing For Sale - Price Range: $2000 - $2999

Page 1 of 4
Discover 102 original drawing artworks for sale between $2000 - $2999. Contemporary emerging artists: Geo Sipp, Leo Evans, Austen Pinkerton, William Dick, Heather Hyatt, Youri Messen-jaschin, Luise Andersen, Jose Luis Lazaro Ferre, Robb Scott, Angel Piangelo , Dario Raffaele Orioli, Mircea Popescu are exhibiting their affordable original art. You can buy artwork online and browse 4 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Geo Sipp: 'The King of Algiers', 2012 Other Drawing, Abstract Figurative.   The King of Algiers is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.      ...
Abstract Figurative - Drawing
12 x 16 inches (30.5 x 40.6 cm)
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Geo Sipp: 'Fight Night in Algiers', 2012 Other Drawing, Sports.  Fight Night in Algiers is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.     ...
Sports - Drawing
16 x 12 inches (40.6 x 30.5 cm)
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Leo Evans: 'THE PLACE Reversed', 2012 Other Drawing, Abstract Landscape.          THE PLACE Reversed ~ BY LEO EVANS ~ LEOEVANS. COM ~ ALL RIGHTS RESERVED ~ 2012            ...
Abstract Landscape - Drawing
15 x 17 inches (38.1 x 43.2 cm)
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Leo Evans: 'THE PLACE', 2012 Other Drawing, Abstract Landscape.        THE PLACE ~ BY LEO EVANS ~ LEOEVANS. COM ~ ALL RIGHTS RESERVED ~ 2012          ...
, 2012
Abstract Landscape - Drawing
15 x 17 inches (38.1 x 43.2 cm)
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Austen Pinkerton: 'Moonlight through open window', 2003 Other Drawing, Landscape.
Landscape - Drawing
350 x 500 mm ( x )
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William Dick: 'STUDY I', 2008 Other Drawing, Abstract.  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in...
, 2008
Abstract - Drawing
75 x 75 cm (29.5 x 29.5 inches)
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William Dick: 'STUDY II', 2008 Other Drawing, Abstract.  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in...
, 2008
Abstract - Drawing
75 x 75 cm (29.5 x 29.5 inches)
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William Dick: 'STUDY III', 2008 Other Drawing, Abstract.  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in...
, 2008
Abstract - Drawing
75 x 75 cm (29.5 x 29.5 inches)
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William Dick: 'STUDY IV', 2008 Other Drawing, Abstract.  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in...
, 2008
Abstract - Drawing
50 x 50 cm (19.7 x 19.7 inches)
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Heather Hyatt: 'Stock', 1996 Pencil Drawing, Portrait. ' Stock' is done in graphite on watercolor paper. ...
, 1996
Portrait - Drawing
38 x 25 inches (96.5 x 63.5 cm)
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Youri Messen-jaschin: 'Lemon', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland ...
, 1990
Erotic - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Youri Messen-jaschin: 'Girls I', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland   ...
, 1990
Erotic - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Youri Messen-jaschin: 'TOI', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland  ...
, 1990
Erotic - Drawing
35 x 50 cm (13.8 x 19.7 inches)
Youri Messen-jaschin: 'Straw Berry', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland ...
Erotic - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Luise Andersen: 'PLEASURE of moment', 2005 Charcoal Drawing, Other. . . . . . again. . strong lines. . emotional. . but sure. . lines.turned out' fine' . . . . . . . interesting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spontaneous Writings c) . . . . . .  SURE. . . . . . . . . . . . . . . . . . . . . . . . .. . . Now I Know For Sure. .  Would Not Have Thought It To Catch You So Quick And Hard. . . . . .  There Is  Only One Cure- -  You Have It Already Since Months In Your Head. . .  To Go-  And Get...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SEVENTH WICK BURNING', 2005 Charcoal Drawing, Other. . . .  This Charcoal Drawing . on Oct. 5, 2005. . . . . . . . . . . . . . Spontaneous  Writings  c) . . . . . . . . . . . . . . . . . . . . . .Love Does Not Hold . . .  Me To Keep . . . . . . . . . . . . . . . . . . . . . . .Pulls Me Close-  And Then Flings Me To The Ground. . .  Waits For Me To Withdraw . . With Clenched Fists- - - And The Whail Of An InjuredBeast. . . .   And When I Do. .  Love Comes To Hold...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'THE WAIT', 2005 Charcoal Drawing, Other. . . . . . . . . . . . . . . . . . . . . . . . . . So ready. . . . and needs to wait until the moment is destined to create hers. .  I created it spontaneous. . starting with dark line - and finishing with a dark line. .  Stepped back- and there she was!  Still hidden from view of most. . by veil of time. .  fate, if You will.  And' just...
, 2005
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Jose Luis Lazaro Ferre: 'Grey Still Life with Oil Lamp', 2002 Other Drawing, Figurative.
Figurative - Drawing
75 x 50 cm (29.5 x 19.7 inches)
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Robb Scott: 'Horses', 2023 Pencil Drawing, Figurative. My wife asked me to drawing a horse head.  So this is the one I came up with. ...
, 2023
Figurative - Drawing
10 x 13 inches (25.4 x 33.0 cm)
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Robb Scott: 'Family Time', 2023 Pencil Drawing, Figurative. A drawing about the sacrifices that might come from doing what you love. ...
Figurative - Drawing
10 x 11 inches (25.4 x 27.9 cm)
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Robb Scott: 'Facing your fears', 2023 Pencil Drawing, Figurative. A drawing about facing your fears. ...
Figurative - Drawing
10 x 11 inches (25.4 x 27.9 cm)
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Angel Piangelo : 'nick the greek', 2019 Pen Drawing, Portrait. A<< Nick the GreekA>> by Angel P.   Drawing   Realistic   Portrait   mixed technique with black   color pens   pencils   - - Grain   Gls Paper: Clairfontaine   Fr , Aquarelle paper  250 grs  - Original Angel Piangelo Artwork   2019. ...
Portrait - Drawing
50 x 65 cm (19.7 x 25.6 inches)
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Dario Raffaele Orioli: 'portrait 7', 1976 Charcoal Drawing, Portrait. Thise portrait I work wery hardly , on white whatercolours papier ...
, 1976
Portrait - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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Dario Raffaele Orioli: 'portrait of man', 1967 Charcoal Drawing, Portrait.
Portrait - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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Mircea  Popescu: 'Vertical V', 2014 Charcoal Drawing, Abstract.                      Abstract, Postmodern, Minimalism,            Postmodern, Minimalism, Mixed media               Wood and plaster                  ...
, 2014
Abstract - Drawing
22 x 30 inches (55.9 x 76.2 cm)
Mircea  Popescu: 'Vertical IV', 2014 Charcoal Drawing, Abstract.                     Abstract, Postmodern, Minimalism,            Postmodern, Minimalism, Mixed media               Wood and plaster                 ...
Abstract - Drawing
22 x 30 inches (55.9 x 76.2 cm)
Mircea  Popescu: 'Vertical III', 2014 Charcoal Drawing, Abstract.                    Abstract, Postmodern, Minimalism,            Postmodern, Minimalism, Mixed media               Wood and plaster                ...
Abstract - Drawing
22 x 30 inches (55.9 x 76.2 cm)
Mircea  Popescu: 'Vertical II', 2014 Charcoal Drawing, Abstract.                   Abstract, Postmodern, Minimalism,            Postmodern, Minimalism, Mixed media               Wood and plaster               ...
Abstract - Drawing
22 x 30 inches (55.9 x 76.2 cm)
Mircea  Popescu: 'Vertical I', 2014 Charcoal Drawing, Abstract.                  Abstract, Postmodern, Minimalism,            Postmodern, Minimalism, Mixed media               Wood and plaster              ...
, 2014
Abstract - Drawing
22 x 30 inches (55.9 x 76.2 cm)
Mircea  Popescu: 'project for sculpture III', 2014 Other Drawing, Abstract.    Abstract, Postmodern, Minimalism, Mixed media on paper            Postmodern, Minimalism, Mixed media on paper, acrylic paint, plaster               ...
Abstract - Drawing
30 x 22 inches (76.2 x 55.9 cm)
(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Geo Sipp - Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

Angel Piangelo - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<> - UNIQUE in world ... ...

Dario Raffaele Orioli - A painting, statue or other work of art speaks best for itself, without superfluous words, but to say a few words about my opinion about art. Art allows us to live, differently at different periods stages of life. Different already in character, temperament of each individual. Through art I seek man Of course, many painters run away from looking for a man because it is a painstaking job, so it is easier for them to end up in abstractions, concepts, etc. under the pretext that it is modern. Abstraction is a trip to the unknown, but after many years of such a trip to the unknown, one gets tired and realizes that he needs the peace and stability he can find in the knowledge of the world around him, which is right outside of him and if he knows how to look, he can think through it enjoy it here and now There is a saying that every living being is a snapshot of nature towards man, this can be applied to art ....Any abstraction is an artists shot at figuration.... Of course it can be the other way around, but what a world this would be if it were ...

Mircea Popescu - Mircea Popescu Statement In my work time is an active element. I paint like I build a sculpture using simple forms, lines and textures representing days, hours and archetypes such as: books, letters, numbers or primordial elements. The surface; canvas, wood, or paper is painted from dark to light, a technique used in the byzantine art. Using classical principles, the golden section, the structures of my compositions are based on rigorous diagrams of simple geometric figures. Considering that contemporary art is characterized by invention and experimentation, texture becomes an essential element of my paintings that comes naturally from the way the paste is applied, transparent layers of paint creating new surfaces. Light is the most surprising element in my paintings which is a result of my technique; the method I mix the primary colors, pigments and other substances What is interesting, not all of them contain the same light, but all of them radiate energy. ...