Drawing For Sale - Price Range: $2000 - $2999

Page 2 of 4
Discover 102 original drawing artworks for sale between $2000 - $2999. Contemporary emerging artists: Mircea Popescu, Dzevdet Nikocevic, Douglas A. Kinsey, Haris Imtiyaz Khan, Areshidze George, Manolo Roldan Humpierres, Bert Menco, Alexander Ustinoff, Otto Rapp, Dario Raffaele Orioli, Gabriela Cristu, Timothy King, Salvatore Victor, Biser Panayotov, Hans Jürgen Diez are exhibiting their affordable original art. You can buy artwork online and browse 4 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mircea  Popescu: 'Project for sculpture II', 2014 Other Drawing, Abstract.                        Mixed media on paper            Postmodern, Minimalism, Mixed media on paper, acrylic paint, plaster              ...
Abstract - Drawing
30 x 22 inches (76.2 x 55.9 cm)
Mircea  Popescu: 'Project for sculpture I', 2014 Other Drawing, Abstract.                       Mixed media on paper                         ...
Abstract - Drawing
30 x 22 inches (76.2 x 55.9 cm)
Mircea  Popescu: 'Sign 1', 2003 Other Drawing, Abstract.                      Mixed media on paper   post modern                      ...
, 2003
Abstract - Drawing
29 x 22 inches (73.7 x 55.9 cm)
Mircea  Popescu: 'Sign 2', 2005 Other Drawing, Abstract.                     Mixed media on paper   post modern                     ...
, 2005
Abstract - Drawing
29 x 22 inches (73.7 x 55.9 cm)
Dzevdet Nikocevic: 'Mevlana', 2012 Pen Drawing, Spiritual.
, 2012
Spiritual - Drawing
50 x 50 cm (19.7 x 19.7 inches)
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Douglas A. Kinsey: 'Waking Into The Desert  Dream 42', 2011 Charcoal Drawing, Abstract.
Abstract - Drawing
42 x 33 inches (106.7 x 83.8 cm)
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Douglas A. Kinsey: 'Waking Into The Desert  Dream 41', 2011 Charcoal Drawing, Abstract.
Abstract - Drawing
36 x 42 inches (91.4 x 106.7 cm)
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Douglas A. Kinsey: 'Waking Into The Desert  Dream 40', 2011 Charcoal Drawing, Abstract.
Abstract - Drawing
32 x 42 inches (81.3 x 106.7 cm)
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Douglas A. Kinsey: 'Waking Into The Desert  Dream 39', 2011 Charcoal Drawing, Abstract.
Abstract - Drawing
36 x 42 inches (91.4 x 106.7 cm)
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Haris Imtiyaz Khan: 'my shaclechain weeping also', 2009 Charcoal Drawing, Conceptual.  This painting describes the deep feeling of a prisoner who also may be blind. But he improvises his disability to see through his shackle chain. The eyes showing in rings of shackle chain is seems to weeping blood. Actually idea is inspired by great Urdu poet
Conceptual - Drawing
30 x 22 inches (76.2 x 55.9 cm)
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Areshidze George: 'Magic pallus', 2010 Other Drawing, Figurative.
Figurative - Drawing
100 x 70 cm (39.4 x 27.6 inches)
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Manolo Roldan Humpierres: 'IRREVERENCIA', 2008 Other Drawing, Other. CABALLO 3...
Other - Drawing
1 x 1 cm (0.4 x 0.4 inches)
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Bert Menco: 'Feeding', 2000 Pen Drawing, Undecided.   A fox being carried away...
, 2000
Undecided - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Bert Menco: 'House of Cards', 1989 Pen Drawing, Fantasy.
Fantasy - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Alexander Ustinoff: 'Sebastian', 2008 Pen Drawing, Figurative.
, 2008
Figurative - Drawing
75 x 55 cm (29.5 x 21.7 inches)
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Otto Rapp: 'Ctulhu Monuments', 1980 Pencil Drawing, Surrealism.  Overall size with mat and frame, image size is 18 x 24 inches ...
Surrealism - Drawing
24 x 32 inches (61.0 x 81.3 cm)
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Dario Raffaele Orioli: 'Portraites 4', 1976 Other Drawing, Portrait.  No descriptioln ...
Portrait - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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Gabriela Cristu: 'No title', 2006 Gouache Drawing, Surrealism.
, 2006
Surrealism - Drawing
100 x 70 cm (39.4 x 27.6 inches)
Timothy King: 'FemaleNudeRestingHead', 2005 Gouache Drawing, Undecided.
Undecided - Drawing
19 x 24 inches (48.3 x 61.0 cm)
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Timothy King: 'Kelsey Model Chair', 2007 Gouache Drawing, nudes.
nudes - Drawing
19 x 24 inches (48.3 x 61.0 cm)
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Salvatore Victor: 'black dress', 2005 Charcoal Drawing, Representational. charcoal on rives b. f. k. ...
Representational - Drawing
30 x 40 inches (76.2 x 101.6 cm)
Salvatore Victor: 'knit ball', 2005 Charcoal Drawing, Representational. charcoal on rives b. f. k. ...
, 2005
Representational - Drawing
30 x 40 inches (76.2 x 101.6 cm)
Biser Panayotov: 'Youth', 2003 Other Drawing, Abstract.
, 2003
Abstract - Drawing
50 x 50 cm (19.7 x 19.7 inches)
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Biser Panayotov: 'Seasons', 2003 Other Drawing, Abstract.
, 2003
Abstract - Drawing
50 x 50 cm (19.7 x 19.7 inches)
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Manolo Roldan Humpierres: 'GOLDEN  TATOO', 2004 Other Drawing, Other. GARIMPEIROS...
Other - Drawing
1 x 1 mm ( x )
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Manolo Roldan Humpierres: 'DESAFIO IRREVERENTE 2', 2004 Other Drawing, Other. DESAFIO  IRREVERENTE DEL SER  HUMANO...
Other - Drawing
1 x 1 mm ( x )
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Manolo Roldan Humpierres: 'FREEDOM', 2004 Other Drawing, Other. LIBERTAD TOTAL...
, 2004
Other - Drawing
1 x 1 mm ( x )
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Manolo Roldan Humpierres: 'DESAFIO', 2004 Other Drawing, Other. muestra  del desafio irreverente  del ser humano...
, 2004
Other - Drawing
1 x 1 mm ( x )
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Hans Jürgen Diez: 'die Information bin ich', 1998 Pencil Drawing, undecided. This representation is a Section of 750 Motives. pencil on paper, the hole sheet is 70 x 100 cm, every square 2. 5 x 2. 5 cm,...
undecided - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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Hans Jürgen Diez: 'die Information bin ich', 1999 Pencil Drawing, undecided. This representation is a Section of 750 Motives pencil on paper, the hole sheet is 70 x 100 cm, every square 2. 5 x 2. 5 cm,...
undecided - Drawing
70 x 100 cm (27.6 x 39.4 inches)
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(Page 2 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Mircea Popescu - Mircea Popescu Statement In my work time is an active element. I paint like I build a sculpture using simple forms, lines and textures representing days, hours and archetypes such as: books, letters, numbers or primordial elements. The surface; canvas, wood, or paper is painted from dark to light, a technique used in the byzantine art. Using classical principles, the golden section, the structures of my compositions are based on rigorous diagrams of simple geometric figures. Considering that contemporary art is characterized by invention and experimentation, texture becomes an essential element of my paintings that comes naturally from the way the paste is applied, transparent layers of paint creating new surfaces. Light is the most surprising element in my paintings which is a result of my technique; the method I mix the primary colors, pigments and other substances What is interesting, not all of them contain the same light, but all of them radiate energy. ...

Dzevdet Nikocevic - DZEVDET NIKOCEVIC Born on 09.26.1961 in Gusinje,Montenegro.Finished the Academy of Fine Arts in Sarajevo in the year 1988.From 1988 trough 1992 he has been working as a Fine Arts Profesor in all of the following prestigious institutions 1.Senior High-School of Architecture "Marko Radevic"; in the course study of Design. 2. Senior High-School of Engineering "Ivan Uskokovic"3. Senior High-School of Electrical Engineering 4. Senior High-School of Music Arts "Vasa Pavic"He became a member of the Montenegrian Association of Esteemed Artists(ULUCG) in 1990.In 1993 he is titled as an Independent Artist. In 1994 he became the President of the Counsel of the Gallery of ART(ULUCG). In 1997 he became a member of the Association of Esteemed Artists of Bosnia-Herzegovina.In 1998 he went in for a professional examination in Sarajevo.He is a member of the traditional exhibition titled "The Youth for the Loved City." From 2002 through 2004 he has worked as the Art Manager/Coordinator for the Center of Culture in Plav (Montenegro) for the manifestation titled "Days of Culture in Plav."In 2002 he enrolled in the Post-Diplomatic Studies.In 2000 he ...

Douglas A. Kinsey - When looking at my work the viewer should consider them as configurations of spiritual geography. In this manner I refer them as "Interior/Exterior Landscapes". The primary blue shape will refer to geological forms found in geographical landscape. As such they mark unspoken borders much like a rock cairn would. This marking indicates a place of spiritual solace and point of reflection. My intention is to explore the subconscious symbols of an'interior' spiritual reality when consecrated by the borders of'external' physical reality. ...

Areshidze George - There was a man, he came into being, and he lived He was born every morning and died every night. He created to see, otherwise he couldn't perceive People moved around him, and he painted their motions. People moved so fast that they saw only the visual side of things and made a big thing out of it. The man wasn't interested in that. Why? - Because he couldn't stop. He had no alternative. People thought he did what he did for pleasure, for beauty, others thought he had nothing else to do. Only one person knew what he was actually looking for and that person was him Who is hurt by permanent protest but the one who protests? I know that but only confrontation can reveal the truth And there was a Trout that swam against the current. As the time passed he felt the world around him. He used to go where the live emotions swam and caught them. Then he would return to canvas. Emotion deadly but short. In a few hours everything was over - the man was happy. But for half an hour only One hour passed and he would return to fishing on ...

Manolo Roldan Humpierres - MANDO It draws, to draw, always to draw...... With pride and much admiration to my teachers, great sketchers Dr Pedro Centeno Vallenilla and Roberto Gonzalez of those who I learned the safe outline in the drawing for the office, movements and color of lemos professor Elisa. With school, investigation and the constant work I arrived at a full mixed technique from textures and plastic possibilities without limits (fabrics, wood, paper, etc) every day with more discoveries and new encounter. In the process the thematic one has been varied, until in the year of 1,9991 the Argentine artist Fragnito Daisy invites to me to work with her in a titled project "Root" for the commemoration of the Discovery of America (500 Years). Of the Patagonia until Alaska, I initiate and "descubro"un to me fascinating world in the different indigenous ethnic groups, colors, faces, forms, customs, symbols, music, dances, expressions, rites and the magician. The Children of the Moon (yanomamis) shemales, (histories) Vasijas, particular collections of pre-Columbian ceramics, mud Gods, utilitarian ceramics, all this and but as inexhaustible source for my work. Beginning with "FRAGILE" in the year of 1.992. Of the pre-Columbian Art la"Venus...

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Otto Rapp - BOGOMIL'S UNIVERSE - the Inner Universe of Otto Rapp Bogomil's Universe is an excursion into the realms of the Inner Universe - a parallel universe that exists in the mind, and glimpses thereof are presented here. I am increasingly reluctant to speak of my work as strictly and exclusively surrealistic. While Surrealism provided the initial spark, and some of the methods of Surrealism are employed, I do not suppress the influence of the rational and selective focus. Thus, particularly in later works, there is to be found a conscious juxtaposition of the complementary forces of inspiration and reason. I do not concern myself with the elimination of the rational, the exclusivity of the irrational and the absurd, but presentation of the conscious and subconscious world as an inseparable whole. I draw my inspirations from the layered labyrinth underground which represents the other side of life, which is an inner imaginative-inspirational counterpart to the outer world, expressed with the help of logic-alogic associations, analogisations and symbolism. The paintings in the cyclus Bogomil's Universe are derived by creating textural surfaces, the method of Decalcomania as pioneered by the Surrealists, letting color, consistency and flow of the paint determine initial ...

Dario Raffaele Orioli - A painting, statue or other work of art speaks best for itself, without superfluous words, but to say a few words about my opinion about art. Art allows us to live, differently at different periods stages of life. Different already in character, temperament of each individual. Through art I seek man Of course, many painters run away from looking for a man because it is a painstaking job, so it is easier for them to end up in abstractions, concepts, etc. under the pretext that it is modern. Abstraction is a trip to the unknown, but after many years of such a trip to the unknown, one gets tired and realizes that he needs the peace and stability he can find in the knowledge of the world around him, which is right outside of him and if he knows how to look, he can think through it enjoy it here and now There is a saying that every living being is a snapshot of nature towards man, this can be applied to art ....Any abstraction is an artists shot at figuration.... Of course it can be the other way around, but what a world this would be if it were ...

Gabriela Cristu - Artist name: GABRIELA CRISTU. " The Theme of the Human Being, full of contradictions, passions and sensuality, with his struggles and his anguishes but with sublime creative powers as well has preoccupied me in my whole artistic activity. Aiming at expressing states of mind and feelings, a whole world of other creatures accompany the image of the human being in my tapestries, transforming everythings into genuine stories which, similar to" The Book of Sand" by Borges, get other meaning at every new reading. Imagery and Metamorphosis.( ) ". Gabriela Cristu. Education : 1966 - " Vintila Bratianu " primary school, Stefanesti ( district of Arges). 1969 - "N.Tonitza" Fine Arts College, Bucharest, Romania. 1973 - MFA of "N.Grigorescu" Fine Arts Academy, Bucharest. 1973 - 1974 -Specialized as part of the Academy of Fine Arts, Bucharest. Membership: 1980 - UAP -Union of Romanian Artists. 1991 - ARELIS - French Association of Tapestry,Paris,France. 1992 - Admissed as a member of the "Salon d'Automne", Paris. 2004 - ETF-European Tapestry Forum, Denmark. Works in collections: Muzeul Florean, Baia Mare, Romania. Loteria Romana, Bucharest, Romania. Ildiko Dobranyi Foundation, Budapest, Hungary. Romania,Egypt,France, USA, Yugoslavia. 1977 up to now,she has been taking part in several national exhibitions in Romania. One-man exhibitions: 1978 - "Hanul ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Biser Panayotov - Biser Ivanov Panayotov's richly imaginative canvasses are filled with delicate but bold shapes and colors. The images evoke organisms, landscapes, and objects with their graceful curves and elaborate detail. The subtle tones of rich red and orange, watery blue and sunlight yellow indicate a fantasy world. His work is mystical, recalling experience rather than intellectually laden and symbolic, leaving the viewers free to compose their own meaning based on sensual interpretation. He concerns himself more with the interaction of different patterns than clearly definable foreground and background to create space and depth in his paintings. Panayotov was born and continues to live and work in Ruse, Bulgaria. He studied with the famous Ruse artist Kiril Stanchev. His first work was exhibited in a Youth Show in 1988 in Ruse and has continued to exhibit work consistently since. His paintings are in private collections across Europe, Canada and the United States ...