Drawing For Sale - Price Range: $400 - $499

Page 1 of 6
Discover 156 original drawing artworks for sale between $400 - $499. Contemporary emerging artists: Austen Pinkerton, J. Brombacher, Deborah Paige Jackson, John Sims, Geo Sipp, Luise Andersen, Lucille Coleman, Hyacinthe Kuller-baron, Philip Hallawell, Reiner Poser, Adib Fattal, Dario Raffaele Orioli, Mikhail Kolomeytsev, Ken Hillberry, Ron Berry, Michelle Mendez, Seiglinda Welin, H Schlagen are exhibiting their affordable original art. You can buy artwork online and browse 6 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Austen Pinkerton: 'self portrait january 2021', 2021 Graphite Drawing, Portrait. Just felt it was time to do another Self Portrait...
Portrait - Drawing
48 x 34 cm (18.9 x 13.4 inches)
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J. Brombacher: 'beis midrash', 2020 Pastel Drawing, Judaic. This drawing in oil pastel on tinted paper shows a typical scene in a Beit Midrash, a house of study. A rabbi is learning and discussing with his students. ...
Judaic - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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J. Brombacher: 'lockdown 1', 2020 Pastel Drawing, Zeitgeist. The trapped feeling of living in a city hit hard by the pandemic, no travel, not even being able- - or willing- - to leave one s owning one s neighborhood, bu in   soaring over the city. ...
, 2020
Zeitgeist - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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J. Brombacher: 'the shpoler zeida at study', 2020 Pastel Drawing, Judaic. In my series of portraits of the Shpoler Zeida and his trial with G- d are many pastel drawings, like this one. I tried to capture his different expressions. Read about the trial here:
Judaic - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Deborah Paige Jackson: 'the shoveler', 2000 Pencil Drawing, Birds. Duck, shoveler, wildlife...
Birds - Drawing
12 x 9 inches (30.5 x 22.9 cm)
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Austen Pinkerton: 'fedulah no 4', 2018 Graphite Drawing, Life. PORTRAIT NUDE LIFE...
Life - Drawing
420 x 297 mm ( x )
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John Sims: 'no more lust for leda', 2012 Crayon Drawing, Birds. One of a series of Nature Morte bird drawings based on Greek Mythology via Ovid and 17th century Spanish still lifes. Zeus lusted after Queen Leda and disguised himself as a Swan to trick her into accepting his advances. Hence this depiction is in fact not a swan at all ...
Birds - Drawing
29 x 43 cm (11.4 x 16.9 inches)
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John Sims: 'metamorphosis of king theraus', 2012 Crayon Drawing, Mythology. As an illustrator I frequently used colour pencils and crayons, in 2012 13 I started to use them again to draw birds, dead and alive. These nature morte drawings were inspired by 17 century Spanish painters. Many of my drawings from this time are derived from Metamorphosis by Ovid. This ...
Mythology - Drawing
28 x 40 cm (11.0 x 15.7 inches)
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John Sims: 'at the base of a crucifixion', 2013 Crayon Drawing, Birds. As an illustrator I frequently used colour pencils and crayons, in 2012 13 I started to use them again to draw birds, dead and alive. These nature morte drawings were inspired by 17 century Spanish painters...
Birds - Drawing
28 x 40 cm (11.0 x 15.7 inches)
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John Sims: 'hoopoe nature morte', 2013 Crayon Drawing, Birds. As an illustrator I frequently used colour pencils  crayons  in 2012 13 I started to use them again to draw birds, dead and alive. These nature morte drawings were inspired by 17 century Spanish painters...
Birds - Drawing
28 x 43 cm (11.0 x 16.9 inches)
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Geo Sipp: 'The Soldier', 2010 Other Drawing, Military.   The Soldier is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                 ...
Military - Drawing
4 x 4 inches (10.2 x 10.2 cm)
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Geo Sipp: 'The Drone', 2010 Other Drawing, Military.  The Drone is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                ...
, 2010
Military - Drawing
4 x 4 inches (10.2 x 10.2 cm)
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Luise Andersen: 'Echoes Of Something', 2005 Charcoal Drawing, Other. . This is MY song. . . . the Beatles. . .  seems not so long ago. . . I still feel this way. . . mind and core . . and body  echoes. . . and the music keeps playing. . . the lyrics . .  probably. . until when. . .   Don' t want to leave you now. . .  kind of' thing' with this' song' . . . . . . . . . . . . . . . . . . .===============================This I drew with charcoal...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Graphite Daddys Baby Girl', 2003 Pencil Drawing, Family. A(c) 2003 Lucille Coleman...
Family - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Hyacinthe Kuller-baron: 'Femaledrawing', 2002 Charcoal Drawing, Erotic.
Erotic - Drawing
20 x 30 inches (50.8 x 76.2 cm)
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Philip Hallawell: 'Ecstasy XIV', 1996 Pen Drawing, Inspirational. Black indian ink washes worked over with various types of drawing pens. This drawing was featured in my second book, on techniques. ...
Inspirational - Drawing
27 x 37 cm (10.6 x 14.6 inches)
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Reiner Poser: 'on my way home', 2020 Pencil Drawing, Abstract. There are line structures and hatchings...
Abstract - Drawing
32 x 29 cm (12.6 x 11.4 inches)
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Adib Fattal: 'a picnic under a bridge', 2019 Pencil Drawing, Naive. naive art bridge in a colorful perspective. ...
Naive - Drawing
50 x 5 cm (19.7 x 2.0 inches)
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Dario Raffaele Orioli: 'croquies 10', 1977 Other Drawing, nudes.
nudes - Drawing
26 x 17 cm (10.2 x 6.7 inches)
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Dario Raffaele Orioli: 'croquies 8', 1977 Ink Drawing, nudes.
, 1977
nudes - Drawing
21 x 15 cm (8.3 x 5.9 inches)
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Mikhail Kolomeytsev: 'Invitation to Prayer', 2012 Ink Drawing, Religious.  illustration for
Religious - Drawing
25 x 17 cm (9.8 x 6.7 inches)
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Ken Hillberry: 'Aye Aye', 2014 Other Drawing, Wildlife.  The Aye Aye is a mammal, unusual primate. . . large eyes, big bat- like ears, long thin fingers and it's face is much lighter flesh tone. Their eyes are distinguishable being yellowish- orange in color. The 4 lb. adult prefers a habitat with forest mangroves and bamboo thickets. They are...
, 2014
Wildlife - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Ron Berry: 'Pier and Seagrass 4b', 2013 Pencil Drawing, Beach.
Beach - Drawing
30 x 24 inches (76.2 x 61.0 cm)
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Michelle Mendez: 'Habib', 2011 Charcoal Drawing, Portrait.
, 2011
Portrait - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Michelle Mendez: 'Tomatos', 2012 Charcoal Drawing, nature.   Gesture drawing, nature, rythm ...
, 2012
nature - Drawing
28 x 40 inches (71.1 x 101.6 cm)
Seiglinda Welin: 'many faces make a person', 2009 Pen Drawing, Figurative.  penink, 100rag paperdone with peninkpointulism...
Figurative - Drawing
28 x 37 cm (11.0 x 14.6 inches)
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Seiglinda Welin: '1 nude', 2000 Pen Drawing, Figurative. penink, 100rag paperdone with peninkpointulism...
, 2000
Figurative - Drawing
28 x 37 cm (11.0 x 14.6 inches)
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Seiglinda Welin: ' 2 nudes', 2001 Pen Drawing, Figurative. penink, 100rag paperdone with peninkpointulism ...
, 2001
Figurative - Drawing
28 x 37 cm (11.0 x 14.6 inches)
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H Schlagen: 'Addiction', 2012 Other Drawing, Food.   Addition                ...
, 2012
Food - Drawing
42 x 59 cm (16.5 x 23.2 inches)
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H Schlagen: 'Jump', 2012 Other Drawing, Activism.   Jump                      ...
, 2012
Activism - Drawing
42 x 59 cm (16.5 x 23.2 inches)
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(Page 1 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

J. Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

Deborah Paige Jackson - I love art and design in all forms and medium, in every aspect of my life. Its a part of who I am and something I cant get away from. I try to use true to life situations when possible. My favorite medium is watercolor because of the beauty of it. It seems to have a life of its own as it flows and connects with the paper. Yet, the medium forces me to think and use extraordinary control. I am at a point in my life where the thought of art, design, and all the components involved in them consume my thinking. It shows up in my home in decorating, in my garden with landscaping, in my work, even with my family. I look forward to increasing my art presence in my portfolio here and in as many venues as possible. To all who view my work, I wish you much enjoyment. ...

John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

Lucille Coleman - Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

Adib Fattal - I believe that before anything art should bring happiness to the viewer . Life has alot of misery in it , so it is the artist duty to make people happy . Secondly , I believe that an artist must have his own unique style which I feel should differentiate him totally from another artist . In my view , I would even say a particular style is more important than what and how an artist paints . His style has to be so strong that the viewer should immedietly recognize the artist ....

Dario Raffaele Orioli - A painting, statue or other work of art speaks best for itself, without superfluous words, but to say a few words about my opinion about art. Art allows us to live, differently at different periods stages of life. Different already in character, temperament of each individual. Through art I seek man Of course, many painters run away from looking for a man because it is a painstaking job, so it is easier for them to end up in abstractions, concepts, etc. under the pretext that it is modern .Abstraction is a trip to the unknown, but after many years of such a trip to the unknown, one gets tired and realizes that he needs the peace and stability he can find in the knowledge of the world around him, which is right outside of him and if he knows how to look, he can think through it enjoy it here and now There is a saying that every living being is a snapshot of nature towards man, this can be applied to art ....Any abstraction is an artists shot at figuration.... Of course it can be the other way around, but what a world this would be if it were ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Ron Berry - I draw because it is pure excitement to watch a figure come to life or to see a structure begin to come "off the paper." My intent is to produce a rendering that is realistic, detailed and accurate. I choose subjects because I have some emotional connection to them. I simply want the viewer to experience the impact of the figure, the structure, the scene. I leave it to the great artists to make us think about the human experience. I do have great admiration for the words attributed to Michelangelo " that he saw the angel in the marble and carved until he set the angel free." Would that we all could see that angel, as accurately as he. Whether I am a realist or a naturalist or a representational artist, the beauty for me, is that art that attempts to present the image as a realistic rendering of the object, figure or scene.As my artistic process continues to mature, the realism, detail and accuracy of the images should continue to develop as well. Meanwhile, the attempt to bring a realistic, detailed and accurate image to life is itself the magic. ...

Ron Berry - Seiglinda Welin - i liked what you can draw on paper its hav ing something you like on your walls its a 1 off item not mass produce and not costing an arm and a leg be it a nude to astill life art is not about who painted it but about the people who buy it,like it buy it, you have a choice my birth name is sieglinda but have always used the name linda and sighed my name as linda Im a self taught artist have been drawing since i was 15 have cover many mediums oils,watercolours, pastels,but always come back to pen&ink have shown and sold my work around australia my prints of the kalgoorlie pubs have gone over the world i try to sell the work not for the money not for, hay look how good i am , not to make an impact in the art world its just for supplies so i can keep learning i belive art should not or be dictated to by the chosen few, because they say so , art should be your choice if you like it buy it its call free choice ...