Fiber Art

Page 2 of 3
Hye Shin, Carol Brown, Sharron Parker, Sandra Golbert, Kattalina M Kazunas, Laura Schoonover, Lisbet Olin-ranstam, Evie Tirado, Tracey Hamilton, Andree Lisette Herz, Annabelle Koutroubas, Terri Higgins offering original Fiber artworks.


Contemporary Art / Fiber / Previous / Next
Hye Shin: 'Floating over the sea', 2005 Fiber, Abstract.  Fiber wall hanging, linen, paper, and paint on surface.  light and shadow have to be engaged for better viewing.  ...
Abstract - Fiber
70 x 70 inches (177.8 x 177.8 cm)
Carol Brown: 'Winter Window', 2008 Fiber, Undecided.
Undecided - Fiber
16 x 12 inches (40.6 x 30.5 cm)
Carol Brown: 'The Bay', 2008 Fiber, Undecided.
, 2008
Undecided - Fiber
18 x 14 inches (45.7 x 35.6 cm)
Carol Brown: 'Long Tailed Koi', 2009 Fiber, Undecided.
Undecided - Fiber
19 x 30 inches (48.3 x 76.2 cm)
Carol Brown: 'Desolate Creation', 2009 Fiber, Landscape.
Landscape - Fiber
17 x 30 inches (43.2 x 76.2 cm)
Carol Brown: 'Iceland Poppies', 2009 Fiber, Floral.  Inspiration- red poppies in Europe ...
Floral - Fiber
30 x 19 inches (76.2 x 48.3 cm)
Carol Brown: 'Rocky Point', 2009 Fiber, Seascape.  Northern coast of California, Big Sur area. ...
Seascape - Fiber
30 x 19 inches (76.2 x 48.3 cm)
Sharron Parker: 'Crosscurrents', 2004 Fiber, Abstract.  Handmade felt wall piece ...
Abstract - Fiber
26 x 44 inches (66.0 x 111.8 cm)
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Sandra Golbert: 'Barnacles', 2007 Fiber, Sea Life.  Silk barnacles with embroidery. This piece goes on a shelf and hangs over the edge. ...
, 2007
Sea Life - Fiber
6 x 18 inches (15.2 x 45.7 cm)
Kattalina M Kazunas: 'Untitled', 2007 Fiber, Abstract.
, 2007
Abstract - Fiber
19 x 20 inches (48.3 x 50.8 cm)
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Laura Schoonover: 'Self 94', 1996 Fiber, Portrait.  Self 94 was exhibited in a juried show, Autobiography at Art St. Louis, St. Louis, MO in Jan. 1996, in a solo exhibit at Aesop' s Coffee House, St. Louis, MO in Jan. 1997 and in a solo exhibit at Salon Artiste, Chesterfield, MO in April 1998.Self 94 was...
, 1996
Portrait - Fiber
22 x 34 inches (55.9 x 86.4 cm)
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Lisbet Olin-ranstam: 'Pillow Cat and Fish', 2006 Fiber, Animals. Pillow...
Animals - Fiber
40 x 40 cm (15.7 x 15.7 inches)
Lisbet Olin-ranstam: 'Butterfly', 2006 Fiber, Animals. Wallhanging, handwoven in Scandinavian double- weft and mounted on a cloth- covered frame ...
, 2006
Animals - Fiber
35 x 45 cm (13.8 x 17.7 inches)
Lisbet Olin-ranstam: 'Bird', 2006 Fiber, Birds. Pillow, handwoven in Scandinavian double- weft...
, 2006
Birds - Fiber
35 x 35 cm (13.8 x 13.8 inches)
Lisbet Olin-ranstam: 'Sun', 2006 Fiber, nature. Pillow, handwoven in Scandinavian double- weft...
, 2006
nature - Fiber
35 x 35 cm (13.8 x 13.8 inches)
Sandra Golbert: 'Venezia', 2002 Fiber, Abstract. Collage of images and objects from or about Venice. ...
, 2002
Abstract - Fiber
11 x 10 inches (27.9 x 25.4 cm)
Evie Tirado: 'nude', 1999 Fiber, Undecided. batik on silk...
, 1999
Undecided - Fiber
28 x 45 inches (71.1 x 114.3 cm)
Tracey Hamilton: 'Fiber arts bracelet', 2014 Fiber, Other.  One of a kind oriental inspired fiber arts bracelet. Each
Other - Fiber
2.1 x 1.1 inches (5.3 x 2.8 cm)
Andree Lisette Herz: 'machine age red', 2010 Fiber, Abstract.      fabric , stitching found objects , copper, mica, iron     ...
Abstract - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Andree Lisette Herz: 'farm lane', 2003 Fiber, Landscape. handmade paper colored and molded with small painting...
, 2003
Landscape - Fiber
26 x 24 inches (66.0 x 61.0 cm)
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Andree Lisette Herz: 'fall colors', 2003 Fiber, Southwestern. Handmade paper and quilted fabric with stiching beads, buttons, found objects...
Southwestern - Fiber
20 x 35 inches (50.8 x 88.9 cm)
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Andree Lisette Herz: 'Strata', 2002 Fiber, Southwestern. Handmade paper cast and molded pen and ink and stitching...
, 2002
Southwestern - Fiber
25 x 16 inches (63.5 x 40.6 cm)
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Andree Lisette Herz: 'Memory wreath', 2002 Fiber, Americana. Handmade paper acrylic painting with old photos, found objects. this work tells a story of a persons life...
Americana - Fiber
30 x 28 inches (76.2 x 71.1 cm)
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Andree Lisette Herz: 'five cents', 2002 Fiber, Americana. Handmade paper with found objects stamps. ...
, 2002
Americana - Fiber
28 x 15 inches (71.1 x 38.1 cm)
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Andree Lisette Herz: 'Night tree', 2002 Fiber, Landscape. Handmadepaper painted with acrylic . Thr bottom is quilted and stitched fabric....
, 2002
Landscape - Fiber
35 x 45 inches (88.9 x 114.3 cm)
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Andree Lisette Herz: 'They were Kings', 2002 Fiber, Abstract. Handmade paper with quilted fabric,stitching , beads, buttons...
Abstract - Fiber
29 x 26 inches (73.7 x 66.0 cm)
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Andree Lisette Herz: 'Golden Leaves', 2001 Fiber, Abstract. Handmade paper and quilted fabric with stiching and found objects...
Abstract - Fiber
28 x 30 inches (71.1 x 76.2 cm)
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Annabelle Koutroubas: 'fiber connections', 2023 Fiber, Other. Embroidery sampler based upon research of textile history and its relation to economics, mathematics, and art. ...
Other - Fiber
12 x 16 inches (30.5 x 40.6 cm)
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Terri Higgins: 'Women Fishing', 1997 Fiber, Culture. Women fishing offshore with nets. Fabric, quilting....
Culture - Fiber
16 x 13 inches (40.6 x 33.0 cm)
Terri Higgins: 'Women Dancing', 1998 Fiber, Culture. Women dancing with sun. Fabric, beads, leather, quilting....
Culture - Fiber
10 x 10 inches (25.4 x 25.4 cm)
(Page 2 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Hye Shin - The fiber art pieces I create are not traditional images of landscape as seen from the external environment. They are atmospheric, abstract images mainly focused on expressing a sense of place, or a mood or feeling. My works also involve many dilemmas such as life and death, sorrow becoming pleasure, and adoration versus loathing. When creating, I often take a moment to juggle the values and anticipate the consequences. When I struggle with my life, I am drawn toward Nature, which does not deceive me. It is always genuine, sincere, and tranquil, yet solid; that inspires me with an unabashedly beautiful and poignant dialogue. Thus I combine abstractions, geometrical constructions and transformations in the composition and design of my artwork. To begin, I weave a web and create a grid, and then push the limitations of that grid by adapting and resurfacing with fiber and non-fiber material. On this base, I create the image in contrasts: transparency and opacity, defined edges and amorphous shapes, hairy textures and smooth surfaces, matte and shiny, intense color and subtle hue, light and shadow. In the recent works, I have tried to disclose the process of transformation from an original source of design ...

Carol Brown - My love of art and passion for life has driven me to express myself artistically ever since I was a small child. I love the beauty around me. I see objects that create designs, lines that continually flow from one object to the next, textures, colors, contrasting shades and interesting shapes. Fabric has so many of these qualities that the idea of seeking out and working with fabric has become a full time adventure. For each picture the fabrics is chosen based on how well it fits my vision and mood of the picture. This process of overlaying, cutting, and placing the fabric is known as free style applique or fabric collage. Using these techniques and machine stitching, I am able to create a picture that has the feeling of a painting....

Sharron Parker - As a child I chased butterflies, scrambled over rocks, and read romantic tales of faraway places. Years later, I've studied butterflies and rocks, and traveled to many of the places--the Amazon rainforest, craggy cliffs with castle ruins, remote island beaches--and I've never lost the wonder of them. Yet exotic beauty can be found everywhere. I use the ancient technique of feltmaking not to capture what I've seen directly, but to create something new. The simplicity of the technique--combing, layering, and working dyed unspun wool in hot water until the fibers lock--allows me to work spontaneously, and often experimentally. The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it. ...

Sandra Golbert - My work is in Fiber, mostly hand-made paper, wood, or hand-dyed silk with surface design. I began working in fibers more than 50 years ago as a child, when I designed and made dolls' clothes! Then I went on to design costumes and clothing for "real people", and my designs appeared in Vogue magazine. When I no longer lived in the US, I could not work as a "seamstress/designer" since I was considered an alien, so I began to put my fibers on the wall instead of the body, making intricately embroidered wall hangings and sculptures. Urged by my friends, I entered juried exhibits and to my surprise, was accepted in a great many of them. Since then, I have worked steadily on my art, "supporting my habit" by working as a free-lance costumer, jewelry maker, designer, office clerk, theatre producer, computer-er, puppet-dresser, photo stylist, baby-sitter and anything else available to me. Through the years, I have received many grants, two residencies and much help from my children so that I might continue my work. Two of my pieces were chosen to be in an exhibit called "9x9x3" at the American Craft Museum ...

Kattalina M Kazunas - A simple definition of alchemy is "the transmutation of base metal into gold." This is the definition most people would recognize. Another definition of alchemy, and the one that I prefer is, "the Royal Art of living consciously." My fascination with alchemy parallels my fascination with the mysteries of the natural world. The world of alchemy, like life, is filled with secret languages, symbols, and magical substances, that only begin to make sense when we give them focused attention. I am equally fascinated by the transformative effect on consciousness that happens through the creation, use, and study of symbols. Symbols become keys that unlock the mysteries of a soul's inner architecture, as well as the secrets of alchemical processes and transformations. This series of eight broadsides is my interpretation of ancient alchemical maxims written hundreds of years ago by Hermes Trismegistus, Paracelsus, and other alchemists, that still hold true today. A combination of vintage techniques was used in their creation: letterpress printing, indigo vat dying, iron oxide, and gold pigment....

Laura Schoonover - I am an artist because I have always been driven to work with my hands - driven to create objects of art, utility, culinary delight or botanical beauty. I am happiest when I am creating and embellishing life. My artwork is an exploration of themes in history, symbolism, music, dance, spirituality, feminism and self. Each piece becomes a fusion of what I feel, think, read and experience transformed into the tangible. ...

Laura Schoonover - Evie Tirado - My journey as an artist began with my first crayon. I have always been in love with color. Over the years I've developed a passion for lines, forms, space, and the spaces between . Be it paint, inks, dyes, or watercolors, each media excites me. I experiment in diverse styles, allowing the subject, materials, and concepts, to influence the final outcome. My work is often a fusion of opposites -- chance and deliberation; remnants of the past link to the present; fluid pools of color, allowed to drip and layer and develop alongside the thick, structural impasto effects. For me, art is a necessity; a surrendering, a discovery, and a celebration. It transforms thoughts and ideals into dimensional realities beyond the flat surface. The interior process of abstraction suspends me from isolation, and connects me with my most authentic self,as well as the rest of humanity. ...

Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog: