Illustration Art

Page 1 of 7
Vincent Von Frese, Wendy Lippincott, Igor Shulman, Rhoda Taylor, Asbjorn Lonvig, Shoshannah Brombacher, Walter King, Harry Bayley, Philip Hallawell, Wayne Quilliam, Matrella Rita, Stephen Vattimo, Joanna Pasek, D. K. Osorio offering original Illustration artworks.


Contemporary Art / Illustration / Previous / Next
Vincent Von Frese: 'portrait of a young lady', 2023 Illustration, Portrait. Painted illustration drawn on a PVCPanel.  Composed and extrapolated from reference files. ...
Portrait - Illustration
4 x 4 feet (1.22 x 1.22 m)
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Wendy Lippincott: 'epoch', 2020 Illustration, Cosmic. Ages of the Earth, Evolution, Epoch...
, 2020
Cosmic - Illustration
18 x 24 inches (45.7 x 61.0 cm)
Wendy Lippincott: 'filling in', 2020 Illustration, Life. Dental Work, Xray...
, 2020
Life - Illustration
18 x 24 inches (45.7 x 61.0 cm)
Igor Shulman: 'l adieu', 2019 Illustration, Birds. I liked to write letters. Or rather, I always liked to write letters. And now it s another autumn aggravation. And if you donaEURtmt really like it, youaEURtmll have to be patient. I still have something to show you.This time I was struck by another poet, but ...
, 2019
Birds - Illustration
19.7 x 27.5 inches (50.0 x 69.8 cm)
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Wendy Lippincott: 'knowledge and ignorance war', 2010 Illustration, War. Rube Goldberg contraptionreal title is War Between Knowledge and Ignorance...
War - Illustration
50 x 58 inches (127.0 x 147.3 cm)
Rhoda Taylor: 'Small Deeds', 2015 Illustration, Fantasy.    Detailed pen work and colour gouache.   ...
Fantasy - Illustration
22 x 30 inches (55.9 x 76.2 cm)
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Rhoda Taylor: 'Be careful what you wish for', 2015 Illustration, Fantasy.   Detailed pen work and colour gouache.  ...
Fantasy - Illustration
22 x 30 inches (55.9 x 76.2 cm)
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Rhoda Taylor: 'All that glitters is not Gold', 2015 Illustration, Fantasy.  Detailed pen work and colour gouache. ...
Fantasy - Illustration
24 x 14 inches (61.0 x 35.6 cm)
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Rhoda Taylor: 'Fair and softley go sure and far', 2015 Illustration, Fantasy.  Fairies and Dreams.Detailed artwork using Pen/ ink/ gouache. Flowers/ Animals/ Fairies ...
Fantasy - Illustration
37 x 51 inches (94.0 x 129.5 cm)
Wendy Lippincott: 'Wynken Blynken and Nod', 2013 Illustration, Kids.   Fishing, Universe,  Eternity               ...
Kids - Illustration
50 x 30 inches (127.0 x 76.2 cm)
Asbjorn Lonvig: '3 Parrots', 2005 Illustration, Birds. Main character in Asbjorn Lonvig' s fairy tales for kids or in fairy tales for kids to come.Reproduction rights and publishing rights for fairy tales and fairy tale characters are for sale....
, 2005
Birds - Illustration
10 x 10 inches (25.4 x 25.4 cm)
Asbjorn Lonvig: 'Nicolai and his baby brother', 2005 Illustration, Animals. Fairy tale characters...
Animals - Illustration
5 x 7 inches (12.7 x 17.8 cm)
Asbjorn Lonvig: 'Pigcassos', 2005 Illustration, Animals. Storytelling characters from
, 2005
Animals - Illustration
5 x 7 inches (12.7 x 17.8 cm)
Asbjorn Lonvig: 'Pantheon Ghosts', 2005 Illustration, Animals. Fairy tale characters...
Animals - Illustration
8 x 8 inches (20.3 x 20.3 cm)
Shoshannah Brombacher: 'The shabbat of the Baal Shem Tov', 2001 Illustration, Judaic. The Baal Shem Tov used to wander into the Carpatian mountains. Here we see him and his wife prepare for shabbos. This is one of my many illustrations for a Chassidic story....
Judaic - Illustration
18 x 24 inches (45.7 x 61.0 cm)
Walter King: 'Internal Scenarios Book Details', 1902 Illustration, Other. 3 page details from INTERNAL SCENARIOS book by Walter King and Edward Lense....
Other - Illustration
10 x 8 inches (25.4 x 20.3 cm)
Harry Bayley: 'Coming To Dock', 1999 Illustration, Seascape. Painted in acrylics on watercolour paper. Taken from my home town harbour Arbroath, Scotland. ...
Seascape - Illustration
16 x 11 inches (40.6 x 27.9 cm)
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Harry Bayley: 'Tears Of The Mountain', 2000 Illustration, Abstract. Painted in acrylics on watercolour paper. Being fond of surrealism, I liked the idea of combining an arid image with one that featured water. In the foreground it appears dry with the cracks and the image of a dry ringpool. As the foreground moves back it appears more as water ...
Abstract - Illustration
17 x 13 inches (43.2 x 33.0 cm)
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Harry Bayley: 'Girl With Shawl', 2002 Illustration, Abstract. Painted in acrylics on watercolour paper. This painting was inspired by a phototgraph a Romanian peasant girl. ...
Abstract - Illustration
8 x 12 inches (20.3 x 30.5 cm)
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Philip Hallawell: 'Interactions', 2002 Illustration, Figurative. Another drawing done for the Beauty center, this time for an event about the interactions between modern and classic styles. ...
Figurative - Illustration
32 x 25 cm (12.6 x 9.8 inches)
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Philip Hallawell: 'Smoothness', 2002 Illustration, Figurative. Another drawing done for the beauty center at SENAC, also with polychromeos pencils. This was for an event on straightening hair. ...
, 2002
Figurative - Illustration
32 x 25 cm (12.6 x 9.8 inches)
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Philip Hallawell: 'Luminosity', 2002 Illustration, Figurative. This drawing was commissioned by the Beauty center at SENAC for an invitation to an event about hair highlights. It was done with polychromos pencils on Murillo paper....
, 2002
Figurative - Illustration
35 x 25 cm (13.8 x 9.8 inches)
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Wayne Quilliam: 'Croc Fest', 2002 Illustration, Culture. photo of aboriginal boy in weipa queensland by wayne quilliam...
, 2002
Culture - Illustration
0 x 0 inches (0.0 x 0.0 cm)
Harry Bayley: 'Water Wheel', 1999 Illustration, Abstract. Painted in acrylics on a canvas panel. Painted from a scene in Glendoll, Scotland....
Abstract - Illustration
30 x 25 inches (76.2 x 63.5 cm)
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Matrella Rita: 'beccaccia in volo su fondo oro', 2022 Illustration, . Acrilico su masonite...
- Illustration
20 x 30 inches (50.8 x 76.2 cm)
Stephen Vattimo: 'the windows to the soul', 2020 Illustration, Communication. Title: Windows to the SoulMedium: Ink on sketch Book PaperSize:  10aEUR X 14aEUR     Year: 01 09 2020This Illustration is a pulmonary design study for a future painting.        Theme was born from a poem I wrote a couple years ago, by the same title.     The main massage is ...
Communication - Illustration
10 x 14 inches (25.4 x 35.6 cm)
Joanna Pasek: 'meeting captain hook', 2019 Illustration, Fantasy. Gouache and watercolor...
Fantasy - Illustration
37 x 26 cm (14.6 x 10.2 inches)
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D. K. Osorio: 'Into The Basement of An Irrational Ponder', 2013 Illustration, Abstract.  Thinking and thinking on how to get out of this mess I made without lighting a match.     ...
Abstract - Illustration
6 x 4 inches (15.2 x 10.2 cm)
D. K. Osorio: 'Ancestral Ascendancy', 2013 Illustration, Abstract.  Looking back through the ages we have mastered supreme dominance and yet fretted peace for generations.   ...
Abstract - Illustration
6 x 4 inches (15.2 x 10.2 cm)
D. K. Osorio: 'A Dabble A Doodle A Poodle', 2013 Illustration, Abstract.  Hearing the chit chit chatter, ring ring dings and tap tap tings. Breathing in office fumes.  ...
Abstract - Illustration
6 x 4 inches (15.2 x 10.2 cm)
(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Vincent Von Frese - I love the reflection of a sense of wonder in nature while building a sculptural form. A clear presence of forms in metal, wood and stone has revealed to me a personal connection with what was formerly an inanimate object which has become transformed into a living presence quite alive and memorable to all who might be exposed to its existence. I believe we humans are generally speaking the sum total of all we have been and learned. Therefore I attempt to naturally transform my own life experience into each work I produce as art. Recognizing that life is seen and experienced by our senses individually it reveals cognition at varied levels of perception by each persons viewpoint individually. I am only concerned with how I myself personally perceive the art I am producing or have produced while in the act of being an artist. Art for me is the expression of my feelings, not thoughts, about chosen life impressions and experiences in an organized and aesthetic manner by way of my personal choice of material and method of craftsmanship. Re-arrangement of objects and forms opposite of imitation of same is the direction I believe I have evolved into. ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Wendy Lippincott - Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visited, like Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

Matrella Rita - Hunting Hounds, Hunting Scenes, Setter, Pointer, Poodles, Royal Germans and All Wildlife She paints with oils, plaster and blood. It prefers the dark light Carbon fiber technique, which best expresses the mystery and the charm of life, especially when it comes to the world of hunting, petting, setter and pointer ... In charcoal represents animals as elements of the wonderful mosaic of nature, with particular preference for the hunters. Participate in several collective exhibitions and more initiatives organized by the various bodies for culture and art....

Joanna Pasek - Hello! My name is Joanna, I live in a little village in Jura Upland, Poland, I work at home doing things for publishing house based in Silesia and I'm a self-taught artist and illustrator, too. I love to draw my own illustrations to classic fairytales and children books. My favourite media are watercolors, inks and pastel pencils. I take comissions, too, so if you'd like to have a drawing made just for you (your favourite fairytale?) don't hesitate to ask!...

Joanna Pasek -