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Artist: B: BROWN
Alphabetical Artist Index:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
William H.Seated Figure with Checkered Tablecloth, 1964
Arthur WilliamMiss Manhattan for College Humor, 1930
KathanDog Running, 1973
KathanDog Leaping, 1971
KathanSun in Fog, 1959
John Stuart Curry, John1939
Robert Fried, San Francisco Rock Poster: Bill Graham Presents, Big Brother and the Holding Company; Crazy World of Arthur Brown; Fillmore Auditorium, 6/13/68; Winterland, 6/14-15/68, 1968
Devil Jug 1960s-1970s Brown"s Pottery painted and incised terracotta with glazed ceramic "teeth" 13 1/2
Face Jug after 1923 Brown"s Pottery glazed stoneware 6 5/8 x 4 7/8 x 5
Dance of Spring 1937 Samuel Joseph Brown brush and ink and watercolor on paper sheet:
By the River 1910 Henry Wolf Thomas Austen Brown copy after wood engraving on paper
David Park, Portrait Sketch of Theophiluscirca 1956
ation 1967.59.1145 Portrait male -John Ethnic - Black History - United States -
Illusions before 1901 Henry Brown Fuller oil on canvas 70 3/8 x 45 1/8 in.
Dance of Spring 1937 Samuel Joseph Brown brush and ink and watercolor on paper sheet:
Vision de Saint Jean a Patmos 1898 Ethel Isadore Brown oil on canvas 54 x
Wilton Hills 1921 Roy Brown oil on linen 40 1/8 x 50 in. (102.0 x
View of the Temple of Peace in the Roman Forum 1864 George Loring Brown oil
Composition, Italian Scenery 1846 George Loring Brown oil on canvas 40 7/8 x 54 1/4
Desert Vista ca. 1932 Benjamin C. Brown drypoint on paper plate: 16 5/16 x 8
The Falls of Tivoli 1854 George Loring Brown etching on paper plate: 7 5/8 x
View near Rome 1854 George Loring Brown etching on paper plate: 5 1/4 x 7
View of the Lower Falls, Grand Canyon of the Yellowstone 1890 Grafton Tyler Brown oil
Laura Brown 1859 Anne Whitney marble 12 5/8 x 11 x 6 in. (32.0 x
Diego Rivera, Portrait of ArthurJr. (A study for the fresco at the California School of Fine Arts , San Francisco, now the San Francisco Art Institute), 1931
David Singer, San Francisco Rock Poster: Bill Graham Presents, Savoy Brown; Ry Cooder; Fillmore West, 12/3-6/70, 1970
David Singer, San Francisco Rock Poster: Bill Graham Presents, Butterfield Blues Band; Savoy Brown; Fillmore West, 3/5-8/70, 1970
David Singer, Bill Graham Presents (213) Albert King; SavoyFillmore West, 1/22-25/70, 1970
Beth Van Hoesen, Brown Bear, 1985
Beth Van Hoesen, Olivia-Brown Rat, 1979
William T. Wiley, Italy Boot (on brown), 1971
Robert Mangold, Untitled (Brown) from the porfolio, Seven Aquatints, 1973
William TheophilusFigures in a Landscape, included with the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusTwenty Etchings by Theophilus Brown (the portfolio), 1984
William TheophilusThe Attack, number 1 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusTwo Women on the Beach, number 2 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusWoman in Director"s Chair, number 3 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusBeth Drawing Girl in Hat, number 4 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusElephant, Ibex, and Mouse, number 5 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusGrasshopper, number 6 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusFigures in a Landscape, number 7 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusBeach Scene, number 8 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusPortrait of John, number 9 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusBeth and Mark, Drawing, number 10 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusGirl in a Hat, number 11 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusCamel, Okapi, and Bird, number 12 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusMark and Gordon, Drawing, number 13 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusBeth, Gordon, and Mark, Drawing seated Man, number 14 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusSeated Woman, number 15 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusInterior, number 16 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusMan with Bird, Pointing, number 17 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusBaker"s Beach, number 18 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusIn the Park, number 19 of the portfolio Twenty Etchings by Theophilus Brown, 1984
William TheophilusPatricia, number 20 of the portfolio Twenty Etchings by Theophilus Brown, 1984
ation 1967.59.1023 Portrait female -Ernestine - child Ethnic - Black Still life -
Rev. Richard Brown (CA. 1760) John Hesselius oil on canvas 30 1/8 x 25 1/8
Mrs. Richard Brown (CA. 1760) John Hesselius oil on canvas 30 1/8 x 25 1/8
Mrs. Gustavus Brown 1742 Gustavus Hesselius attributed to oil on canvas 31 1/8 x 27
Dr. Gustavus Brown 1742 Gustavus Hesselius attributed to oil on canvas 30 3/4 x 26
KathanThe Ocean*s Warning to the Skin Diver (Point Richmond, CA: Crown Point Press, 1964), 20th century
KathanLove*s Geometry, plate at p. 8 in the book The Ocean*s Warning to the Skin Diver (Point Richmond, CA: Crown Point Press, 1964), 20th century
ChristopherMultiple from the set, Five Studies from an Endless Film, 1994
ChristopherDiamond from the set, Five Studies from an Endless Film, 1994
ChristopherRunner from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 1 for Runner from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 2 for Runner from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 3 for Runner from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 4 for Runner from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 5 for Runner from the set, Five Studies from an Endless Film, 1994
ChristopherFlag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 1 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 2 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 3 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 4 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 5 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 6 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 7 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 8 for Flag from the set, Five Studies from an Endless Film, 1994
ChristopherContinental from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 1 for Continental from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 2 for Continental from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 3 for Continental from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 4 for Continental from the set, Five Studies from an Endless Film, 1994
ChristopherWorking proof 7 for Continental from the set, Five Studies from an Endless Film, 1994
ChristopherGravure Group, 1995
ChristopherBetween the Eyes, from the portfolio, Gravure Group, 1995
ChristopherThe Shooters" Practice, 1992
ChristopherDrawing 3 for The Shooters" Practice, 20th - 21th century
ChristopherDrawing 2 for The Shooters" Practice, 1992
ChristopherDrawing 1 for The Shooters" Practice, 20th - 21th century
ChristopherWorking proof 5 for The Shooters" Practice, 20th - 21th century
ChristopherWorking proof 6 for The Shooters" Practice, 20th - 21th century
ChristopherWorking proof 7 for The Shooters" Practice, 1992
ChristopherWorking proof 8 for The Shooters" Practice, 1992
ChristopherWorking proof 9 for The Shooters" Practice, 20th - 21th century
ChristopherWorking proof 10 for The Shooters" Practice, 20th - 21th century
ChristopherWorking proof 11 for The Shooters" Practice, 20th - 21th century
ChristopherSheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 7 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 8 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 9 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 11 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 12 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 13 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 14 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 15 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 16 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 17 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 18 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 19 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 20A for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 20B for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 21 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 22 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 23 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 26 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 27 for Sheet Music from the set, Pages from the Birder"s Log, 1994
ChristopherDivining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 1 for Divining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 2 for Divining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 4 for Divining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 8 for Divining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 6 for Divining Rod from the set, Pages from the Birder"s Log, 1994
ChristopherThe Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 2 for The Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 4 for The Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 9 for The Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 10 for The Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 12 for The Farmer"s Almanac from the set, Pages from the Birder"s Log, 1994
ChristopherSightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 6 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 7 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 8 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 9 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 10 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 11 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 12 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 13 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 14 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 15 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 16 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 17 for Sightings from the set, Pages from the Birder"s Log, 1994
ChristopherWorking proof 18 for Sightings from the set, Pages from the Birder"s Log, 1994
Christopher1929, 1993
Christopher1929 (state proof), 1993
Richard Diebenkorn, #28 (Kathan Brown) from 41 Etchings Drypoints, 1964
ChristopherStation, 1993
ChristopherThe Darkness of Grey, 1990
Raimonds Staprans, Brown Sails, 1956
ChristopherGrapeshot, 1990
William H.Two Figures in a Landscape, 1960
CarlyleTable with Glasses and Napkins, 1951
Horace Pippin, The Trial of John1942
Henry Brown Fuller, Ebba Bohm, circa 1905
Pair of woman"s shoes brown triangles on beige, 1930 - 1940
Blanket (Manta) red band border on20th century
Skirt panel black crosses and lines on red/brown, 20th century
Roger Vivier, Pair of pumpsthick high heel, 1970 - 1980
John Gould, Common or Brown Linnet - Linaria Cannabina, 19th century
Asher Brown Durand, Washington. From Houdon"s Bust, 1833
James Henry Daugherty, John Brown"s Body "Benet" (?), 19th - 20th century
Grafton T.Virginia City, 1861
JosephHenrietta, Duchess of Orleans, 19th century
John GeorgeThe German Band - p.325 Harper"s Weekly, 26 April 1879, 19th century
JosephEdward Vere, Earl of Oxford, 19th century
JosephAnthony Browne, Viscount Montagu, 19th century
JosephHer Royal Highness Princess Elizabeth, 19th century
BoltonMoonlight Bathers, 19th - 20th century
BoltonJune Morning, 19th - 20th century
JosephCharles James Fox, 19th century
BoltonMill Race, 19th - 20th century
BoltonThe Shower, 19th - 20th century
BoltonCalifornia Oaks, 19th - 20th century
BoltonGrey Barns, 19th - 20th century
BoltonMoonlight, 19th - 20th century
Benjamin ChambersDistant Antwerp, 19th - 20th century
George LoringRest on the Flight into Egypt, 19th century
BoltonCalifornia, 19th - 20th century
Benjamin ChambersCorridors, Mission San Juan, 19th - 20th century
Benjamin ChambersRainy Weather, San Francisco, 19th - 20th century
Benjamin ChambersThe Red Boat - Oakland Mole, 19th - 20th century
Benjamin ChambersTwilight, Tower of San Luis Rey, 19th - 20th century
Benjamin ChambersSunshine after Rain, 19th - 20th century
Benjamin ChambersWild Lupin, 19th - 20th century
Benjamin ChambersGateway of Western Nations (Panama-Pacific International Exposition), 19th - 20th century
Benjamin ChambersEvening in the Sierras, 19th - 20th century
Benjamin ChambersPoppies & Mt. San Antonio, 19th - 20th century
Benjamin ChambersDesert Palms - California, 19th - 20th century
Benjamin ChambersGrand Canyon, Arizona, 19th - 20th century
Benjamin ChambersPonte Vecchio - Florence, 19th - 20th century
Benjamin ChambersA California Road, 19th - 20th century
Benjamin ChambersThe Forbidden Court, Santa Barbara Mission, 19th - 20th century
Benjamin ChambersIn the Depths - Grand Canyon, 19th - 20th century
Benjamin ChambersMorning Light - High Sierras, California, 19th - 20th century
Benjamin ChambersThe Hill Road, 19th - 20th century
Benjamin ChambersNative Market - Tangier, 19th - 20th century
Benjamin ChambersVenetian Vista, 19th - 20th century
Benjamin ChambersPuerta de la Sangre/Toledo, Spain, 19th - 20th century
Benjamin ChambersTangier Gateway, 19th - 20th century
Benjamin ChambersStreet in Tangiers, Morocco, 19th - 20th century
Benjamin ChambersLa Salute, Venice, 19th - 20th century
Benjamin ChambersVenetian Bridge, 19th - 20th century
Howell ChambersThe Sign Board, Chinatown, 19th - 20th century
Benjamin ChambersCurb Market, Arles, 19th - 20th century
Benjamin ChambersReturning Gleaners?, 19th - 20th century
Howell ChambersThe Awnings, Chinatown, 19th - 20th century
Howell ChambersAcequia Madre Road, Santa Fe, NM, 19th - 20th century
Howell ChambersLee Wong, 19th - 20th century
Howell ChambersFreight fro the Orient, 19th - 20th century
Howell ChambersThe Fish Market, 19th - 20th century
Howell ChambersMorning, Lone Pine, 19th - 20th century
Howell ChambersAlong the Irrigation Canal, 19th - 20th century
Howell ChambersThe Roof Laundry, Chinatown LA, 19th - 20th century
Howell ChambersEucalyptus, 19th - 20th century
Howell ChambersThe Oaks, 19th - 20th century
Howell ChambersHill Shacks, Arroyo de los Pozos, 19th - 20th century
Howell ChambersA Corner in Acoma Pueblo, 19th - 20th century
Howell ChambersAcoma Church, 19th - 20th century
Howell ChambersSunny Morning, Santa Fe, 19th - 20th century
Howell ChambersIn Old San Gabriel, 19th - 20th century
Howell ChambersThe Edge of the Desert, 19th - 20th century
Howell ChambersLaguna Pueblo, 19th - 20th century
Howell ChambersDay of the Dance, Santa Clara Pueblo, 19th - 20th century
Benjamin Chambers(market), 19th - 20th century
Howell ChambersTemple of Zoroaster, Grand Canyon, 19th - 20th century
Howell ChambersThe Enchanted Mesa, 19th - 20th century
Elisha Brown (E.B.) Bird, The Century for March (rabbit 2 fig.), 19th - 20th century
Louis J. Rhead, Meadow Grass by AliceMarch 1896, 1896
RichardThe Principles of practical Perspectiveä (London: Leigh and Sonä, 1835), part 2, 1835
RichardPlate 12 in the book The Principles of practical Perspectiveä (London: Leigh and Sonä, 1835), part 1, 1835
RichardThe Principles of practical Perspectiveä (London: Leigh and Sonä, 1835), part 1, 1835
JosephJames Gillray, plate opposite List of Full Page Engravings in the book Caricature History of the Georges by Thomas Wright (London: John Camden Hotten, [ca. 1867] , 1867
George Cruikshank, The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff, Knight, frontispiece and plate 1 in the bookThe Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Jack Falstaff, When Page to Thomas Mowbray..., plate 2 opposite page 34 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, The Prince and Poins Driving Falstaff, Gadshill, Peto and Bardolph..., plate 3 opposite page 56 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Falstaff Giving His Account of the Affair at Gadshill, plate 4 opposite page 68 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Falstaff Enacting the Part of the King, plate 5 opposite page 70 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Falstaff"s Ragged Regiment, plate 6 opposite page 81 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff"s Grand Maneuver at the Battle of Shrewsbury, plate 7 opposite page 89 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff Arrested at the Suit of Mrs. Quickly, plate 8 opposite page 101 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff by His Extraordinary Powers of Persuasion..., plate 9 opposite page 104 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff Driving Pistol from His Presence, plate 10 opposite page 114 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff(at Justice Shallow"s) Exercising His Wit and Judgment..., plate 11 opposite page 139 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Pistol Informing Sir John Falstaff of the Death of Henry the Fourth, plate 12 opposite page 171 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff Receiving a Most Unexpected Rebuke from King Henry the Fifth, plate 13 opposite page 178 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff on a Visit to His Friend Page at Windsor, plate 14 opposite page 184 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff in the Buck-Basket, plate 15 opposite page 186 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff Thrown into the Muddy Ditch Close by the Thames Side, plate 16 opposite page 188 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff, Disguised at "Mother Pratt", Cudgeled and Driven Out by Mr. Ford, plate 17 opposite page 190 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858),
George Cruikshank, Sir John Falstaff and the Fairies at Herne"s Oak, plate18 opposite page 192 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
George Cruikshank, Sir John Falstaff Discovering that Mrs. Ford and Mrs. Page Have Been Making a Fool of Him, plate 19 opposite page 194 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1
George Cruikshank, The Last Scene in the Life of Sir John Falstaff, plate 20 opposite page 196 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman,Green, Longmans, and Roberts, 1858), 1858
Joseph Mallord William Turner, Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Light Towers of the HËve, plate 1 and frontispiece in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834) , 1834
Joseph Mallord William Turner, Havre, plate 2 opposite page 4 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Havre (Tower of Francis I), plate3 opposite page 28 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Graville, plate 4 opposite page 40 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Harfleur, plate 5 opposite page 46 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Chateau de Tancarville (back view), plate 6 opposite page 52 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Tancarville (front view), plate 7 opposite page 56 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Lillebonne, plate 8 opposite page 64 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Lillebonne, plate 9 opposite page 76 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Caudebec, plate 10 opposite page 86 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Jumieges, plate 11 opposite page 98 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834) , 1834
Joseph Mallord William Turner, La Chaire de Gargantua, plate 12 opposite page 112 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Rouen, plate 13 opposite page 116 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Rouen, plate 14 opposite page 124 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Rouen Cathedral, plate 15 opposite page 150 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Rouen, plate 16 opposite page 158 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Chateau de la Mailleraie, plate 17 opposite page 172 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Between Quilleboeuf and Villequier , plate 18 opposite page 182 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Quilleboeuf, plate 18 opposite page 192 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Joseph Mallord William Turner, Honfleur, plate 20 opposite page 254 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme,Green, and Longman, 1834), 1834
Myles Birket Foster, "Then to the spicy nut-brown ale..", sixteenth etching for the poem L"Allegro, which is illustration17 on page 11 in the book Milton"s L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. K
Joseph Mallord William Turner, The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau Gaillard, title page vignette and plate 1 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Orleans, plate 2 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Blois, plate 3 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Palace at Blois, plate 4 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Beaugency, plate 5 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Amboise, plate 6 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Amboise, plate 7 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, St. Julian"s, Tours, plate 8 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Tours, plate 9 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, The Canal of the Loire and Cher, plate 10 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Tours, plate 11 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Saumur, plate 12 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Rietz, near Saumur, plate 13 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Montjen, plate 14 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, St. Florent, plate 15 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Between Clairmont and Mauves, plate 16 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau Hamelin, plate 17 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Clairmont, plate 18 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Scene on the Loire, plate 19 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Coteaux de Mauves, plate 20 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau de Nantes, plate 21 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Nantes, plate 22 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Havre, plate 23 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Havre, plate 24 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Graville, plate 25 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Harfleur, plate 26 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau de Tancarville with the Town of Quilleboeuf, plate 27 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Tancarville, plate 28 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Lillebonne, plate 29 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Lillebonne, plate 30 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Caudebec, plate 31 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, La Chaire de Gargantua, plate 32 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Rouen, plate 33 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Jumieges, plate 34 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Rouen, plate 35 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Rouen, plate 36 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Rouen Cathedral, plate 37 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Quilleboeuf, plate 38 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Between Quilleboeuf and Villequier, plate 39 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau de la Mailleraie, plate 40 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Honfleur, plate 41 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Light Towers of the HËve, plate 42 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Chateau GAillard from the East, plate 43 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Pont de l"Arche, plate 44 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, View on the Seine, plate 45 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Vernon, plate 46 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Mantes, plate 47 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Bridge of Meulan, plate 48 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, St. Germains, plate 49 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Saint Denis, plate 50 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Bridge of St. Cloud and Sevres, plate 51 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, The Lanterne at St. Cloud, plate 52 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Bridge of St. Cloud, plate 53 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Paris, plate 54 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Pont Neuf, plate 55 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Hotel de Ville and Pont d"Arcole, plate 56 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Boulevards, plate 57 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Confluence of the Seine and Marne, plate 58 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Melun, plate 59 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, Troyes, plate 60 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Joseph Mallord William Turner, MarchÈ aux Fleurs and the Pont au Change, plate 61 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme,Green and Longman, 1837), 1837
Multiple Artists, The Deserted Village of Oliver Goldsmith illustrated by The Etching Club (London: Longman,Green, and Longman, 1842), 1842
Shirt blue and19th century
Coiled basket dark brown with black and red designs, 19th century
John GeorgeOn the Hudson, 1867
Asher Brown Durand, Luman Reed, circa 1836
Eastman Johnson, The Brown Family, 1869
Martin Johnson Heade, Yellow Daisies in a Brown Bowl, circa 1890
Asher Brown Durand, A River Landscape, 1858
Thomas Hovenden, The Last Moments of Johncirca 1884
Shallow dish - white with brown design, Father Mathew, circa 1830
Jules (or Jean) James Rougeron, Young Girl in Brown with Parasol, 19th century
Wearing blanketbeige, orange and yellow stripes, circa 1880
Eye dazzler rug orange,black and yellow, circa 1880
Chief"s blanket orange, brown and beige stripes, circa 1880
Handbag brown with silver trim, circa 1885
Asher Brown Durand, Washington, 18th - 19th century
Thomas Bewick, The Brown Bear on page 261 in the book A General History of Quadrupeds, The Figures Engraved on Wood by Thomas Bewick, 2nd edition (Newcastle upon Tyne: S. Hodgson, R. Beilby,T. Bewick, 1791), 1791
Joseph Badger, Anna Porter Brown (Mrs. Nathaniel Brown), circa 1750
Portrait of an elderly man wearing a brown coat, late 18th century
Textile fragment mostly18 - 19th century
Band samplercirca 1600
Jan Kip, Gloster city, Tho. Brown Esq. Alderman, 17th - 18th century
Panel or border fragmentgreen, black and yellow, 1475 - 1532
Burial cloth fragment brown and white with red, yellow and black border, 1475 - 1532
Border? yellow, red and white stripes on brown with beige fringe, circa 1475 - 1532
Bag (ch"uspa) black, beige and brown stripes, 1475 - 1532
Artist: Edouard Vuillard Title: Place St. Augustin Date: 1912 - 1913 Medium: gouache on
Artist: artist unknown Title: Brown teapot Date: 19th century Medium: ceramic Dimensions: H.9 x W.6-1/2
Artist: attributed to James Hamilton Brown Title: Untitled Date: n.d. Medium: gelatin silver print Dimensions:
Artist: Gerard Van Nijmegen Title: A River Landscape Date: 1783 Medium: pen and brown ink
Artist: William Etty Title: Study for "The Combat" Date: 19th century Medium: pen and
Artist: Cambiaso Title: Fighting Horseman Date: 16th century Medium: pen and brown ink with brush
Artist: possibly Gavarni Title: Parisian Types: the Toper Date: 19th century Medium: reed pen,
Artist: Francesco Zuccarelli Title: View of a Terrace Date: 18th century Medium: pen, brown ink
Artist: Michel Corneille Title: The Choice of Hercules Date: about 1685 Medium: pen and
Artist: Gaetano Gandolfi Title: Minerva Date: 18th century Medium: pen, brown ink, and wash on
Artist: Felix Bracquemond Title: Bird Date: 1852 Medium: brown ink on thin off-white laid paper
Artist: Jean Baptiste LePrince Title: La Musicienne Date: about 1768 Medium: pen and brown ink
Artist: Emile-Aubert Lessore Title: Vue de Marlotte Date: 1848 Medium: brown ink and wash Dimensions:
Artist: Jean-Victor Schnetz Title: Malvina Date: 1860 Medium: brown ink and wash over graphite on
Artist: Pier-Leone Ghezzi Title: Caricature of Giovanni Battista Maini Date: 1749 Medium: pen and
Artist: Arthur B. Davies Title: Figure Study Date: 19th century Medium: white and brown chalk
Artist: Théodore Rousseau Title: Military Figures in a Boat Date: 1825 Medium: brown ink and
Artist: artist unknown Title: Adoration of the Shepherds Date: about 1650 Medium: pen, brush,
Artist: artist unknown Title: Pilgrim Date: 17th century Medium: pen and brown ink, over a
Artist: After Stefano Della Bella Title: Turk Date: 17th century Medium: pen and brown ink
Artist: Arthur B. Davies Title: Kneeling Dancer Date: about 1920 Medium: colored chalks on
Artist: Johann Peter Krafft Title: Oedipus and Antigone at Colonus Date: about 1814 Medium:
Artist: Pietro Francelli Title: The Death of Lucretia Date: 18th century Medium: brown ink and
Artist: Donato Creti Title: The Holy Family Date: 18th century Medium: pen and brown ink
Artist: Christopher Brown Title: The Farmer"s Almanac Date: 1994 Medium: color spit bite and soap
Artist: Eduardo Paolozzi Title: Untitled Date: 20th century Medium: brush and black ink on
Artist: Michel-François Dandré-Bardon Title: The Visitation Date: 18th century Medium: brown ink and wash on
Artist: Barbara Brown and Heal Fabrics Title: Spiral Date: 1976 Medium: cotton Dimensions: L.38 x
Artist: Barbara Brown and Heal Fabrics Title: Crescendo Date: 1973 Medium: cotton Dimensions: L.117-1/2 x
Artist: Barbara Brown and Heal Fabrics Title: Ondine Date: 1972 Medium: cotton Dimensions: L.122 x
Artist: Barbara Brown and Heal Fabrics Title: Automation Date: 1971 Medium: cotton Dimensions: L.122 x
Artist: Barbara Brown and Heal Fabrics Title: Precision Date: 20th century Medium: cotton Dimensions: L.117
Artist: Barbara Brown and Heal Fabrics Title: Ikebana Date: 1973 Medium: cotton Dimensions: L.15 x
Artist: Barbara Brown and Heal Fabrics Title: Intermesh Date: 1973 Medium: cotton Dimensions: L.117 x
Artist: Barbara Brown and Heal Fabrics Title: Precision Date: 20th century Medium: cotton Dimensions: L.118
Ellen Day Hale (1910) Margaret Lesley Bush-Brown oil on canvas 30 1/4 x 25 1/8
Mrs. John Jordan, Jr. 1848 John Henry Brown watercolor on ivory image: sight 3 x
ation 1967.59.1145 Portrait male -John Ethnic - Black History - United States -
Harriet Lane Johnston 1878 John Henry Brown watercolor on ivory 4 3/4 x 3 1/2
James Buchanan (CA. 1865) John Henry Brown watercolor on ivory 5 1/2 x 4 3/16
Mrs. John Willis Ellis (Mary White) 1846 John Henry Brown watercolor on ivory 2 5/8
Mrs. John Jordan, Jr. 1848 John Henry Brown watercolor on ivory image: sight 3 x
Harriet Lane Johnston 1878 John Henry Brown watercolor on ivory 4 3/4 x 3 1/2
James Buchanan (CA. 1865) John Henry Brown watercolor on ivory 5 1/2 x 4 3/16
Mrs. John Willis Ellis (Mary White) 1846 John Henry Brown watercolor on ivory 2 5/8
Stagger Lee 1984 Frederick Brown oil on canvas 90 x 140 in. (228.6 x 355.6
Art Ramp Angle Brown 1978 Sam Gilliam acrylic and oil enamel on canvas and nylon
Pointed Brown and Floating Circles 1933 Werner Drewes oil, pen and ink, and pencil on
World"s Tallest Disaster 1972 Roger Brown oil and magna on canvas 72 1/8 x 48
Composition, Italian Scenery 1846 George Loring Brown oil on canvas 40 7/8 x 54 1/4
Stagger Lee 1984 Frederick Brown oil on canvas 90 x 140 in. (228.6 x 355.6
World"s Tallest Disaster 1972 Roger Brown oil and magna on canvas 72 1/8 x 48
The Falls of Tivoli 1854 George Loring Brown etching on paper plate: 7 5/8 x
View of the Temple of Peace in the Roman Forum 1864 George Loring Brown oil
Stagger Lee 1984 Frederick Brown oil on canvas 90 x 140 in. (228.6 x 355.6
Rev. Richard Brown (CA. 1760) John Hesselius oil on canvas 30 1/8 x 25 1/8
Vision de Saint Jean a Patmos 1898 Ethel Isadore Brown oil on canvas 54 x
Stagger Lee 1984 Frederick Brown oil on canvas 90 x 140 in. (228.6 x 355.6
The Woodchopper 1838 George Loring Brown oil on canvas 27 3/8 x 22 1/4 in.
View of the Temple of Peace in the Roman Forum 1864 George Loring Brown oil
Composition, Italian Scenery 1846 George Loring Brown oil on canvas 40 7/8 x 54 1/4
Lucretia, 1483-1520 Raphael (Raffaello Sanzio) (Italian, 1483-1520)ItalianPen and brown ink over black chalk, partially incised
Diana and Actaeon, ca. 1590-95 Made by Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague)Pen and
View of Heidelberg, ca. 1588-89 Made by Jan Brueghel, the Elder (Flemish, 1568-1625)Pen and
Bacchanal, ca. 1635-6 Nicolas Poussin (French, Les Andelys 1594-1665 Rome)FrenchPen and brown ink, brush and
Study for an Equestrian Monument, ca. 1482-1483 Antonio Pollaiuolo (Italian [Florence], 1431-32–1498)Pen and brown ink,
Warwick Castle: The East Front, 1752 Antonio Canal, called Canaletto (Italian [Venice], 1697-1768)Pen and
The Burial of Punchinello, ca. 1800 Domenico Tiepolo (Italian [Venice], 1727-1804)Pen and brown ink,
Bust of the Pseudo-Seneca, before 1626 Peter Paul Rubens (Flemish, 1577-1640)Pen and brown ink over
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842-1918), ca. 1900 Anders Leonard Zorn (Swedish, 1860-1920)Oil
Portrait of a Man in a Brown Coat French Painter, first quarter 18th centuryOil on
Flowers Attributed to Jean Baptiste Pillement (French, 1727-1808)Oil on brown paper; 9 1/2 x 6
Two Dancers, 1873 Hilaire-Germain-Edgar Degas (French, 1834-1917)Dark brown wash and white gouache on bright pink
F. P.about 1895-1900 Bow for violin United States, Massachusetts, (Boston), about 1900 Pernambuco
Lelio Orsi, Italian, 1511-1589 Assumption mid 17th century Pen and brown ink on cream antique
Unidentified artist, Italian, 18th century Architectural Capriccio with Fountain 18th century Pen and brown ink
Francesco Guardi, Italian (Venetian), 1712-1793 An Archway with Figures 18th century Pen and brown ink
Unidentified artist, Italian, 17th Century Allocutio of Hadrian mid 17th century Pen and brown ink,
Unidentified artist Adam and Eve Pen and brown ink with brush and brown wash on
Asher Brown Durand, American, 1796-1886 A Woodland River Watercolor on paper Sheet: 49.2 x 63.5
Donato Creti, Italian (Bolognese), 1671-1749 A Sibyl (Allegory of Wisdom ?) early 18th century
John AppletonAmerican, 1844-1902 A Showery May Morning 1890s Oil on canvas 79.06 x
Imitator of Pier Leone Ghezzi, Italian, 1674-1755 A Puppet Show 18th century Pen and
MatherAmerican, 1761-1831 A Commander in the East India Company 1786 Oil on canvas
Bowl Vietnamese Vietnam, late 14th–early 15th centuries Stoneware with underglaze blue; brown wash on base
Bowl (the character "Jen" [forbearance] in iron-brown on inside) Vessel Chinese Song dynasty, 12 -
Lucien Simon, French, 1861-1945 Brétonnes Breton Women Watercolor on brown cardboard 76.2 x 56.8 cm
John AppletonAmerican, 1844-1902 Brook in Summer 1890s Oil on canvas 50.8 x 68.58
Maurits van der Valk, Netherlandish, 1857-1953 Canal Lined with Trees 1890s Colored chalks on
George LoringAmerican, 1814-1889 Castello dell"Ovo, Bay of Naples 1844 Oil on canvas 78.74
Jasper Francis Cropsey, American, 1823-1900 Catskill Clove in a Storm 1841-1900 Brown wash heightened with
Jean-François Millet, French, 1814-1875 Chestnut Trees near Cusset 1866 Pen and brown ink with touches
Edouard Manet, French, 1832-1883 Christ Mocked 1860-65 Pen and brown ink, brush and brown wash
School of Bartolomé Esteban Murillo, Spanish, 1617-1682 Crucifixion undated Pen and brown ink with brush
Niccolo Martinelli, called Il Trometta, Italian, 1540-1611 Cupid, seated late 16th century Pen and
Cylinder vase Drinking vessel Maya Late Classic period A.D. 680–750 Earthenware: brown-black and red on
Cylinder vase Drinking vessel Maya Late Classic period A.D. 680-750 Earthenware: brown-black and red on
Cylinder vase Drinking vessel Maya Late Classic period A.D. 680-750 Earthenware: brown-black and red on
Cylinder vase Pottery vessel Maya A.D. 700–800 Earthenware: brown-black and red on cream slip paint.
Cylinder vase Pottery vessel Maya Late Classic period A.D. 680–780 Earthenware: brown-black and red on
Cylinder vase Pottery vessel Maya Late Classic period A.D. 680–780 Earthenware: brown-black and red on
Asher Brown Durand, American, 1796-1886 Dance on the Battery In Presence of Peter Stuyvesant Black
After Parmigianino, Italian, 16th century Dancing Putto mid to late 16th century Pen and
William Birch McMurtie, American, 1816-1872 Departure Bay, Vancouver Island 1849-53 Watercolor and graphite on
Cherubino Alberti, Italian, 1553-1615 Design for a Church Vessel late 16th–early 17th century Pen,
Double-bodied amphora Vessel; Amphora Chinese Sui dynasty, Late 6th century China Stoneware with brown glaze
Chester Harding, American, 1792-1866 Dr. John Ball Brown about 1826 Oil on canvas 76.49 x
John AppletonAmerican, 1844-1902 Early Summer 1890s Oil on canvas 73.98 x 91.44 cm
Giovanni Battista Piranesi, Italian, 1720-1778 Fantastic Monument 1747-50 Pen and brown ink and wash over
Jean-François Millet, French, 1814-1875 Farm at Vichy 1866 Pen and brown ink over graphite on
Jean-François Millet, French, 1814-1875 Farm in Normandy 1870-71 Pen and brown ink over graphite pencil
Winslow Homer, American, 1836-1910 Fisherwomen 1881-82 Black, gray-brown washes, and white watercolor over graphite 26.03
Theodorus van Hoytema, Dutch, 1863-1917 Flamingos about 1904 Watercolor on brown cardboard Image: 4 11/16
Giovanni Battista Piranesi, Italian, 1720-1778 Fountain-like Monument with Rostral Column about 1755 Pen and
Fox on log United States, 1850-1900 Wood, painted over plaster in orange-yellow,black, and
Head of a man Egyptian Middle Kingdom Dynasty 12, about 1938-1759 B.C. Brown quartzite Height:
David Heidenreich, German, 1573-1633 Hercules (Study for a Sculpture) 1614 Pen and brown ink and
John AppletonAmerican, 1844-1902 Hillside in Summer 1890s Oil on canvas 43.5 x 53.34
Frederick Piercy, English, 1830-1891 Independence Rock (Wyoming) 1853 Brush and brown wash over graphite on
Asher Brown Durand, American, 1796-1886 Lake George, New York about 1860 Oil on canvas 42.86
Formerly attributed to Claude Lorrain, French, 1600-1682 Landscape 17th century Pen and brown ink with
Théodore Rousseau, French, 1812-1867 Landscape mid 19th century Pen and brown ink on cream wove
Antonio di Grosi, Italian, 18th century Landscape 18th century Pen and brown ink on white
Attributed to Remigio Cantagallina, Italian, 1582-1630 Landscape 17th century Pen and brown ink, on white
Asher Brown Durand, American, 1796-1886 Landscape with Birches about 1855 Oil on canvas 61.59 x
Follower of Carracci Landscape with two figures early 17th-mid 17th century Pen and brown and
Anne Whitney, American, 1821-1915 Le Modèle Sculpture 1875 Bronze, green over brown patina, sand cast
Maxime Lalanne, French, 1827-1886 Le pont 1864 Pencil and white chalk on brown paper Sheet:
George LoringAmerican, 1814-1889 Leatherstocking Kills the Panther 1834 Oil on panel 35.56 x
Jean-Honoré Fragonard, French, 1732-1806 Les Pétards (The Fireworks) 1765-75 Pen and brown wash over pencil
Unidentified artist, American, 19th century Lion Rampant FrakturTransparent and opaque watercolor, pen and brown ink
Vespasiano Strada, Italian, 1575-79–1615-24 Madonna and Child Enthroned late 16th century Pen and brown ink
Unidentified artist, Italian, 17th Century Male Nude 17th century Pen and brown ink and gray
Unidentified artist, Netherlandish, 16th century Martyrdom of St. Lawrence Perugian School?, undated Pen and
Claude Gillot, French, 1673-1722 Mascarade early 18th century Pen and brown ink 15.7 x 20
George LoringAmerican, 1814-1889 Medford Marshes 1862-63 Oil on canvas 53.97 x 109.22 cm
Salvator Rosa, Italian, 1615-1673 Milo of Croton about 1666 Pen and brown ink and brush
George LoringAmerican, 1814-1889 Monte Pellegrino at Palermo, Italy 1856 Oil on canvas 48.89
Giovanni Battista Piranesi, Italian, 1720-1778 Monumental Facade about 1747-50 Pen and brown ink and wash
Unknown Italian, 17th century Moses Erecting the Brazen Serpent mid 17th century Pen and
Chester Harding, American, 1792-1866 Mrs. John Ball Brown (Rebecca Warren) about 1826 Oil on canvas
Antonio Domenico Gabbiani, Italian, 1652-1722/26 Nativity late 17th–early 18th century Pen and brown ink and
Thomas Cole, American (born in England), 1801-1848 Near Conway, New Hampshire 1828 Pen and
Albert Van Beest, American (born in Holland), 1820-1860 New Bedford from Fairhaven 1858 Pen,
John AppletonAmerican, 1844-1902 New England Landscape about 1887 Pastel and graphite on paperboard
John William Casilear, American, 1811-1893 Niagara Falls September, 1856 Graphite on light brown paper heightened
Sebastien LeClerc, French, 1637-1714 Oeuvre de Sebastien LeClerc, Vol. 2, Part 1 1676-82 Etchings
Sebastien LeClerc, French, 1637-1714 Oeuvre de Sebastien LeClerc, Vol. 2, Part 2 1682-88 Etchings
Sebastien LeClerc, French, 1637-1714 Oeuvre de Sebastien LeClerc, Vol. 3, Part 1 1688-1703 Etchings
Sebastien LeClerc, French, 1637-1714 Oeuvre de Sebastien LeClerc, Vol. 3, Part 2 1703-14 Etchings
John AppletonAmerican, 1844-1902 On the Coast of France 1875 Oil on canvas 51.43
Asher Brown Durand, American, 1796-1886 Perseverance 1844- 1846 Brown and white wash over graphite pencil
John Gadsby Chapman, American, 1808-1889 Perseverance 1844-1846 Brush and brown wash on cream paper Sheet:
Jones, Shreve, Brown & Co., 1855-1858 George B. Jones, 1815-1875 Benjamin Shreve, 1813-1896 Pitcher United
James Wells Champney, American, 1843-1903 Portrait of a Lady in Brown About 1896-1898 Pastel on
Francisco de Goya y Lucientes, Spanish, 1746-1828 Portrait of a Man in a Brown Coat
William Sidney Mount, American, 1807-1868 Portrait of Henry S. Mount 1824-68 Pen and brown ink,
Johnson, Eastman Portrait of Langhamer 1849 Crayon and charcoal on light brown paper Sheet: 60.0
Eastman Johnson, American, 1824-1906 Portrait of Old Gentleman Charcoal heightened with white on light
Emanuel Gottlieb Leutze, American (born in Germany), 1816-1868 Portrait Sketch of Eastman Johnson 1850
Rudolph Fried(e)rich Kurz, Swiss, 1818-1871 Potawatomi camping Graphite pencil, pen and brown wash on paper
Karl Friedrich Schinkel, German, 1781-1841 Prediama Castle Pen lithograph on brown paper mounted on off-white
François Rude, French, 1784-1855 Project for a Victory early 19th century Pencil, pen and
Elisabetta Sirani, Italian, 1638-1665 Putto Drinking from a Flask mid 17th century Brush and
William Sidney Mount, American, 1807-1868 Raising the Wind: Girl blowing Soap Bubbles Brown wash over
John GeorgeAmerican (England), 1831-1913 Reading on the Rocks, Grand Manan about 1877 Oil
Unidentified artist, Italian, 17th Century River Landscape late 17th century Pen and brown ink over
Peter (Pieter) Molyn, Dutch, 1595-1661 Roadside View undated black chalk and gray wash with
Frederick Piercy, English, 1830-1891 Salt Lake City, Utah 1853 Graphite on light brown paper. Sheet:
Wilhelm Lehmbruck, German, 1881-1919 Seated Figure 1912 Brush and brown ink on buff paper. Sight:
Giovanni Baglione, Italian, 1571-1644 Seated Male Nude about 1600 Drawing: pen and brown ink Sheet:
Thomas Sully, American (born in England), 1783-1872 Sheet of Figure Studies 1830s Pen, and
Anton Mauve, Dutch, 1838-1888 Shepherd with Herd and Dog entering Sheepcote undated Brown wash over
BROWN John LewisPréc. auteurBordeaux, 1829 ; Paris, 1890EcoleFranceDomainepeinturePortrait d"un cavalierReprésentationportrait (cavalier) ; fond de paysageDatation4e
BROWN John LewisPréc. auteurBordeaux, 1829 ; Paris, 1890EcoleFranceDomainepeintureLa Promenade en daumontReprésentationpaysage (forêt, voiture à attelage,
Lucas Cranach the Elder, German, 1472-1553 St. Eustace about 1530 Pen and brown ink, brush
Salvator Rosa, Italian, 1615-1673 Study for Figurine about 1656-57 Pen and brown ink and brush
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 The Annunciation mid 1730"s Pen and brown ink and
Hans Schilling of Hagenau, German, active 1459-1469 The Annunciation Pen and brown ink with ochre,
Asher Brown Durand, American, 1796-1886 The Babbling Brook 1851 Oil on canvas 82.55 x 107.95
Asher Brown Durand, American, 1796-1886 The Capture of Major André 1845-61 Graphite pencil on paper
Jean-Honoré Fragonard, French, 1732-1806 The Dreamer La Rêveuse (The Dreamer) 1770s Brush and brown ink
Pietro Novelli (Il Monrealese), Italian, 1603-1647 The Guardian Angel early 17th century Pen and
Albrecht Dürer, German, 1471-1528 The Holy Trinity 1515 Pen and brown ink on paper Sheet:
Anonymous, about 1850 The Leaning Tree Black chalk on brown paper Sheet: 37.8 x 30.6
Giovanni Domenico Tiepolo, Italian, 1727-1804 The Milliner"s Shop about 1791 Pen and brown ink with
Felix Octavius Carr Darley, American, 1822-1888 The Mower 1842-88grey and olive washes over
Luca Cambiaso, Italian, 1527-1585 The Preparation for the Crucifixion around 1560 Pen and brown ink
Albrecht Dürer, German, 1471-1528 The Prodigal Son about 1496 Pen and brown ink Sheet: 19.6
George LoringAmerican, 1814-1889 The Public Garden, Boston 1869 or after Oil on canvas
Thomas Moran, American, (born in England) 1837-1926 The Susquehanna at Catawissa 1862 Graphite and
Giovanni Battista Piranesi, Italian, 1720-1778 Triumphal Arch about 1747-50 Pen and brown ink and
John GeorgeAmerican (England), 1831-1913 Tuckered Out —The Shoeshine Boy about 1888 Oil on
Giovanni Battista Piranesi, Italian, 1720-1778 Two Male Figures 1770s Pen and brown ink on white
Vessel flute (in feline effigy form) Tairona culture (?) Colombia, 800–1550 Earthenware: brown slip and
Vessel flute (in shell effigy form) Unknown culture Ecuador, A.D. 100-1200 Earthenware: brown on cream
George LoringAmerican, 1814-1889 View of the Ducal Palace and Grand Canal and Church
George LoringAmerican, 1814-1889 View on the Italian Coast near Naples 1866 Oil on
orphic designs in brown and burnt siena painted onto an off-white slip ground. The interior
John William Casilear, American, 1811-1893 White Mountain Notch August 4, 1851 Graphite on light
Thomas Cole, American (born in England), 1801-1848 White Pine 1821-48 Pen and brown ink, brush
Jean-François Millet, French, 1814-1875 Woman Churning Butter 1855-56 Etching in brown ink on laid paper
Maurice Brazil Prendergast, American (born in Canada), 1858-1924 Woman in Brown Coat about 1910-13 Oil
Asher Brown Durand, American, 1796-1886 Woodland Interior about 1855 Oil on canvas 60.96 x 46.35
Theodore van Rysselberghe, Belgian, 1862-1926 Young Girl Reclining 1889 Black and brown cryaon on cream
De Grachshus LaMont, American (born in Scotland?), about 1837-1851 Young Woman in Brown with Rose
Jean Jacques Henner, French, 1829-1905 Young Woman with Brown Hair Oil on panel 46.7 x
BROWN John LewisPréc. auteurBordeaux, 1829 ; Paris, 1890EcoleFranceDomainesculptureType d"objetfigurineCheval et cavalierReprésentationfigure (équestre, homme)Datation2e moitié 19e
BROWN John LewisPréc. auteurBordeaux, 1829 ; Paris, 1890EcoleFranceDomainesculptureType d"objetfigurineCheval et cavalierReprésentationfigure (équestre, homme)Datation2e moitié 19e
Flowers for the Living 1992 Russell Smoky Brown mixed media 27 x 31 in. Smithsonian
La Grazia modeled ca. 1844/cast ca. 1850 Henry Kirke Brown bronze 18 7/8 x 9
Laura Brown 1859 Anne Whitney marble 12 5/8 x 11 x 6 in. (32.0 x
Mr. JosephAneurism of the Innominate Artery, from the Photographic Catalogue of the Surgical
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John George Brown
Music Lesson 1870
Our Price: 26.00
John George Brown
Berry Boy
Our Price: 12.00
John George Brown
Picnic Party in the Woods
Our Price: 26.00
W.H. Brown
Bareback Riders
Our Price: 14.00
Ford Madox Brown
The Last of England
Our Price: 9.00
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