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Artist: C: CARRACCI
Alphabetical Artist Index:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
AnnibaleChrist of Caprarola, 1597
AnnibaleMadonna della Soadella, 16th century
AgostinoThe Mystic Marriage of St. Catherine, after the painting by Veronese for the church of S. Caterina, Venice, 1582
AgostinoHoly Family with Sts. John the Baptist, Catherine, and Anthony Abbot, after the painting by Veronese in San Francesco della Vigna, Venice, 1582
AgostinoEcce Homo, after a painting by Correggio (National Gallery, London), 1587
AgostinoSt. Francis Receiving the Stigmata, 1586
AgostinoThe Madonna Appearing to St. Jerome, after a painting by Tintoretto (Accademia, Venice), 1588
AgostinoPortrait of Titian, after a painting by Titian in the Staatliche Museum, Berlin, 1587
AgostinoMercury and the Three Graces, after Tintoretto"s painting in the Palazzo Ducale, Venice, 1589
AgostinoMars Driven Away from Peace and Abundance by Minerva, after Tintoretto, 1589
AgostinoThe Harmony of the Spheres, after Bernardo Buontalenti, 1589 - 1592
AgostinoMadonna and Child Seated on a Crescent Moon, after Jacopo Ligozzi, 1589
AgostinoSaint Jerome, after Francesco Vanni, circa 1595
AgostinoSt. Francis Consoled by the Musical Angel, after Francesco Vanni, 1595
AgostinoVenus Punishing Profane Love, from the Lascivie, circa 1590 - 1595
AgostinoVenus or Galatea Supported by Dolphins, circa 1590 - 1595
AgostinoAndromeda (or, Hesion), circa 1590 - 1595
AgostinoAndromeda, circa 1590 - 1595
AgostinoOmnia Vincit Amor, 1599
AgostinoPietý, after an etching by Annibale Carracci, Christ of Caprarola, 1598
AgostinoThe Holy Family, 1597
AnnibaleThe Holy Family, 1590
AgostinoA Headpiece in the Form of a Fan, circa 1589 - 1595
AgostinoHoly Family with SS. Catherine and Anthony Abbot, after the altarpiece by Veronese for S. Francesco della Vigna, Venice, 1582
LudovicoThe Holy Family Under an Arch, 1585 - 1590
AnnibalePietý (the Christ of Caprarola), 1597
AnnibaleStanding Figure, 16th - 17th century
AnnibaleLute Player, late 16th century
AnnibaleSaint Jerome in the Wilderness, circa 1591
AnnibaleThe Holy Family with St. John the Baptist, 1590
AnnibaleGanymede and eagle, 16th - 17th century
AgostinoTobias and the Angel, after the drawing by Raffaellino da Reggio now in the Uffizi, 1581
AnnibaleSusanna and the Elders, circa 1590 - 1595
AgostinoApollo and the Python, after Bernardo Buontalenti"s stage design for the third intermezzo of the festivities for the marriage of Ferdinando I de" Medici and Christine of Lorraine, circa 1589
AgostinoThe Three Graces, 1590 - 1600
AgostinoSatyr Whipping a Nymph, 1590 - 1600
Francesco Brizio, The Virgin and Child in a Landscape, after Agostino1595
Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca
Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
Giuseppe Maria Mitelli, Polyphemus pursuing Aeneas" Fleet, plate12 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino
Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca
Giuseppe Maria Mitelli, Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico,
Giuseppe Maria Mitelli, Aeneas and his Companions Combat the Harpies, plate 10 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino
Giuseppe Maria Mitelli, The Trojans Sacrifice Bulls to Neptune, plate 9 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
Giuseppe Maria Mitelli, Aeneas offers a Sacrifice to Apollo, plate 8 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
Giuseppe Maria Mitelli, Aeneas and his Family Fleeing Troy, plate 6 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
Giuseppe Maria Mitelli, The Shadow of Creusa Appears to Aeneas, plate 7 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
Giuseppe Maria Mitelli, Venus leading Aeneas out of the Flames, plate 4 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
Giuseppe Maria Mitelli, The Greeks dragging Cassandra out of the Temple, plate 3 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostin
Giuseppe Maria Mitelli, The Trojans Taking Sinon Prisoner, plate 1 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
Giuseppe Maria Mitelli, The Wooden Horse entering Troy, plate 2 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663
Francesco Villamena, Bacchus Given Wine, after Annibale17th century
Flaminio Torri, Madonna and Child in Glory with St. Francis and St. Jerome, after the painting by LudovicoThe Madonna degli Scalzi in the Pinacoteca Nazionale, Bologna, 17th century
Flaminio Torri, Cupid and Pan, after Agostinocirca 1660
Guido Reni, St. Roche Distributing Alms, after the painting by Annibale Carracci in Dresden, circa 1602
Guido Reni, St. Roche Distributing Alms, after the painting by Annibale Carracci in Dresden, circa 1602
Guido Reni, The Holy Family with St. Claire, after Annibale17th century
Fr. Paria, The Communion of St. Jerome, after Agostino17th century
Carlo Maratti, Christ and the Samaritan Woman at the Well, after a painting by Annibale Carracci in the SzÈpm¸vÈszeti M·zeum, Budapest, 1649
Giovanni Francesco Grimaldi, Two Men on a Hillock, after Annibale17th century
Giovanni Francesco Grimaldi, Landscape with Three Men Playing with Dice, after Annibale17th century
Giovanni Francesco Grimaldi, Landscape with a Brick Factory, after Annibale17th century
Giacomo Maria Giovannini, St. Sebastian, after Lodovico17 - 18th century
Giovanni Battista Galestruzzi, Mercury Bringing the Golden Apple to Paris, after Annibale Carracci"s panel in the Farnese Gallery, 17th century
Cesare Fantetti, Charity, after a copy by Trudon after Annibale17 - 18th century
Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century
Carlo Cesio (or Carlo Cesius), The Triumph of Galatea, pl.9 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Aurora Abducting Cephalus, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Perseus Turning His Enemies to Stone with the Head of Medusa, pl.12 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Salmacis and Hermaphrodite; Cupid and Pan, pl. 14 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Bacchus and Ariadne, pl. 13 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Leander Swimming Across the Hellespont to Hero; Pan Pursuing Syrinx, pl. 17 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Moderation, after Annibale Carracci from the Farnese Gallery Panels, 17th century
Carlo Cesio (or Carlo Cesius), Fortitude, after Annibale Carracci from the Farnese Gallery Panels, 17th century
Carlo Cesio (or Carlo Cesius), Charity, after Annibale Carracci from the Farnese Gallery Panels, 17th century
Carlo Cesio (or Carlo Cesius), Hercules Liberating Prometheus, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Minerva Teaching Prometheus to Animate the Statue, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Mercury Giving a Lyre to Apollo, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Juno Showing Diana Callisto as a Bear, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Arion Carried to Safety on a Dolphin, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), The Fall of Icarus, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Hercules Fighting the Dragon, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), Diana Discovering the Pregnancy of Callisto, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
Carlo Cesio (or Carlo Cesius), A Girl With A Unicorn, from the Farnese Gallery Panels after Annibale17th century
Carlo Cesio (or Carlo Cesius), Diana and Pan, after Annibalepl.4 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Polyphemus Throwing a Rock at His Rival, Acis,after Annibalepl. 8 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Ganymede Abducted by Jupiter"s Eagle, after Annibalepl.20 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Mercury Bringing the Golden Apple to Paris, after Annibalepl.3 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Apollo and Hyacinthus, after Annibalepl.21 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Dedication for the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Frontispiece for the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
Carlo Cesio (or Carlo Cesius), Polyphemus and Galatea,after Annibalepl.7 from the series The Farnese Gallery, 1675
Carlo Cesio (or Carlo Cesius), Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
AnnibaleLandscape, 17th century
AnnibaleFemale Satyr, early 17th century
AnnibaleBaptism, 17th century
AnnibaleRecto:Bacchanalian Figures
Agostinocopy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph, 17th century
Annibalecopy in reverse after the etching by Annibale Carracci, the Madonna della Scodella, early 17th century
AgostinoCopy of the engraving by Agostino Carracci, Orpheus and Euridice, 17th century
Agostinocopy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins, circa 17th century
AgostinoSt. Jerome, circa 1602
AnnibaleThe Crowning with Thorns, 1606
AnnibaleAdoration of the Shepherds, circa 1606
AnnibaleChrist Crowned with Thorns, 1606
AnnibaleMadonna and Child With SS. Elizabeth and John the Baptist, 1606
AgostinoSt Jerome, 1602
LudovicoMadonna and Child with St. John, circa 1602 - 1604
AnnibaleSt. Francis in Prayer, from the book Scuola Perfecta, 17th century
Pietro Aquila, Hercules Deciding between Virtus and Voluptas, after AnnibaleDedication Page from the series Galeriae Farnesianae Icones Romae..., 17th century
Pietro Aquila, Prudence and Justice with Two Victories, pl. 13 from the series Galeriae Farnesianae Icones Romae in Aedibus... after the frescoes by Annibale Carracci in the Farnese Palace, 17th century
Pietro Aquila, Perseus Beheading Medusa, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
Pietro Aquila, Palladis and the Sirens, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
Pietro Aquila, Circe and Ulysses, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
Pietro Aquila, Amphimomus and Anapus, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
Pietro Aquila, Atlantus, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
Guido Reni, Christ and the Samaritan Woman, after Annibale Carracci"s overdoor painting in the Palazzo Sampieri, Bologna (now in the Pinacoteca Nazionale, Bologna), 1595
AnnibaleLa Nativite (The Nativity )...tenth plate of the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2, 16th - 17th century
AnnibaleConcart Sur L"eau (concert on the water)...forty second plate in the book... Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2, 16th - 17th century
FrancescoMystic Marriage of Saint Catherine, 16th - 17th century
The Lamentation, ca. 1582 Ludovico Carracci (Italian, Bolognese, 1555-1619)Oil on canvas; 37 1/2 x 68
Two Children Teasing a Cat, ca. 1590 Attributed to Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on
The Burial of Christ, 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on copper; 17 1/4 x
The Coronation of the Virgin, after 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on canvas; 46
After AnnibaleItalian (Bolognese), 1560-1609 Landscape with Fortified Buildings and Moat late 16th–early 17th
Follower of Carracci Landscape with two figures early 17th-mid 17th century Pen and brown and
Jean-Honoré Fragonard, French, 1732-1806 After LodovicoItalian, 1555-1619 Ornamental Panels with Caryatids from the
Giacomo Maria Giovannini, Italian, 1667 –1717 After LodovicoItalian, 1555-1619 Recto: Two Caryatid Groups
Follower of LodovicoItalian, 1555-1619 Saint Raimondo da Pennaforte late 16th–early 17th century Pen
Anonyme ; CARRACCI Agostino (d"après)Préc. auteurBologne, 1557 ; Parme, 1602EcoleItalieDomainepeintureType d"objettableauAurore et CéphaleReprésentationscène mythologique (Aurore
After AgostinoItalian, 1557-1602 The Holy Family with St. Claire 18th century Red chalk
CARRACCI Annibale (atelier)Préc. auteurBologne, 1560 ; Rome, 1609EcoleItalie, BologneDomainepeintureAmour répendant des fleursReprésentationfigure mythologique (putto, dans
CARRACCI Annibale (atelier)Préc. auteurBologne, 1560 ; Rome, 1609EcoleItalie, BologneDomainepeintureAmour répendant des fleursReprésentationfigure mythologique (putto, dans
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Annibale Carracci
Details of Putti from Diana & Endymion..
Our Price: 31.00
Annibale Carracci
Nude Study of a Young Man
Our Price: 13.00
Annibale Carracci
Five Amorini Playing with a Goat
Our Price: 22.00
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