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Artist: G: GIOVANNI
Alphabetical Artist Index:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Francis Sydney Unwin, SS. Giovanni e Paolo, 19th - 20th century
Giovanni Domenico Tiepolo, La Furlana, no. 31 from the series Divertimento per gli ragazzi (Entertainment for Children), circa 1800
Giovanni Domenico Tiepolo, Punchinello"s Children Begging for Sweets, no. 17 from the series Divertimento per gli ragazzi (Entertainment for Children), circa 1800
Gaetano Cottafavi, Basilica di S. Giovanni in Laterano, third plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837), 19th century
Giovanni Folo, Echo, twenty-third plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)], 1814
Giovanni Folo, Iris, twenty-second plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)], 1814
Paul Troubetskoy, Bust of Giovanni Segantini, circa 1894
Giovanni Boldini, The Misses Muriel and Consuelo Vanderbilt, 19th - 20th century
Giovanni Boldini, Portrait of Mrs. Graham Fair Vanderbilt, 19th - 20th century
Giovanni Boldini, Cafe Scene, circa 1887
Giovanni Segantini, Landscape with Horses and Peasant Boy, 19th century
Giovanni Segantini, Still Life with Vegetables, 1886
Francesco Bartolozzi, A Miracle From The Life Of St. Francis, after Mannozi di San1748
Christian Friedrich Boetius, Portrait of the painter Johannas (Giovanni Battista) Casanova, 18th century
Giovanni Antonio da Brescia, Hercules and Antaeus, after Giovanni Antonio da Brescia"s engraving after Mantegna, circa 18 - 19th century
Giovanni Battista Brustoloni, The Church of SS. Giovanni e Paolo, 18th century
Giovanni Battista Brustoloni, The Piazza and Church of S. Giacomo in Rialto, after Moretti, 18th century
Giovanni Battista Brustoloni, The Rialto Bridge, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Church of the Redeemer, at Night, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Biblioteca Marciana and the Beginning of the Grand Canal, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Doge Offers a Banquet, after Canaletto, 1766
Giovanni Battista Brustoloni, The Cappuccine church of the Servites on the Fondamente Nuova, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Piazza S. Giacomo in Rialto, after Moretti, 18th century
Giovanni Battista Brustoloni, The Piazza S. Marco, 18th century
Giovanni Battista Brustoloni, The Piazza S. Marco, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Gateway to the Armory, 18th century
Giovanni Battista Brustoloni, The Rialto, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Piazza and Church of S. Giacomo in Rialto, after Moretti, 18th century
Giovanni Battista Brustoloni, The Church of S. Pietro in Castello, at Night, after Moretti, 18th century
Giovanni Battista Brustoloni, Wells in the Courtyard of the Ducal Palace, after Canaletto, 18th century
Giovanni Battista Brustoloni, View of the Bank Facing the Ducal Palace, after Canaletto, 18th century
Giovanni Battista Brustoloni, The Bucentaro on Ascension Day, after Canaletto, 18th century
Giovanni Battista Busiri, Classical Landscape, 18th century
Canaletto (Giovanni Antonio Canal), Title plate from the series Vedute, circa 1735 - 1746
Canaletto (Giovanni Antonio Canal), The Market at Dolo, mid 18th century
Canaletto (Giovanni Antonio Canal), Landscape with A Woman at a Well, mid 18th century
Canaletto (Giovanni Antonio Canal), Landscape with Tower and Two Ruined pillars, mid 18th century
Canaletto (Giovanni Antonio Canal), Le Procuratie Niove et S. Zimian V., mid 18th century
Canaletto (Giovanni Antonio Canal), The Terrace, mid 18th century
Canaletto (Giovanni Antonio Canal), The Equestrian Monument, mid 18th century
Canaletto (Giovanni Antonio Canal), Le Preson. V., mid 18th century
Canaletto (Giovanni Antonio Canal), The Market on the Molo, mid 18th century
Canaletto (Giovanni Antonio Canal), The Market on the Molo, mid 18th century
Canaletto (Giovanni Antonio Canal), La Piera del Bando .V., mid 18th century
Canaletto (Giovanni Antonio Canal), Imaginary View of Venice (undivided plate), from the series Vedute, 1741
Canaletto (Giovanni Antonio Canal), Imaginary View of Padua, from the series Vedute, 1742
Canaletto (Giovanni Antonio Canal), Prý della Valle (right half), mid 18th century
Canaletto (Giovanni Antonio Canal), Le Porte del Dolo, from the series Vedute, circa 1735 - 1744
Canaletto (Giovanni Antonio Canal), Ale Porte del Dolo, from the series Vedute, circa 1735 - 1744
Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
Canaletto (Giovanni Antonio Canal), La Torre di Malghera, 18th century
Canaletto (Giovanni Antonio Canal), Landscape With Three Bridges, circa 1744 - 1746
Canaletto (Giovanni Antonio Canal), The Market on the Molo, 18th century
Giovanni Battista Canossa, Pilate and the Pharisees, 1706
Giovanni Jacopo Caraglio, Hercules,after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Proserpina, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Vulcan, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Neptune, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Bacchus, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Saturn, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Ceres, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Mars, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Pluto, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Juno, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Giovanni Jacopo Caraglio, Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
Comte de Caylus (Anne-Claude-Philippe de TubiËres), Le S. Esprit descendant sur les apÙtres (The Holy Spirit Descending on the Apostles), after a drawing by Giovanni Battista Lenardi in the collection of M. Crozat, mid 18th century
Giovanni-Battista Cecchi, Christ in Limbo, after Bronzino, 1777
Giovanni-Battista Cecchi, Title page for series of the Life of St. John the Baptist, after the frescoes in the cloister of the Compagnia dello Scalzo by Andrea del Sarto, 1794
Giovanni Battista Cipriani, Title Page, 18th century
Giovanni Battista Cipriani, Seven Putti Representing the Arts, 1785
Giovanni Battista Cipriani, Bust of John Milton, 1740
Giovanni Battista Cipriani, John Milton, 1740
Giovanni Battista Cipriani, John Milton, 1740
Giovanni Battista Cipriani, John Milton, 18th century
Giovanni Francesco Costa, Veduta verso il Taglio (View beside the Taglio), from the series Delle delizie del fiume Brenta (Some delights of the Brenta river), 1750
Giovanni David, Le Marchand allant ý Rialto, plate 12 from the series Divers Portraits, 1775
Giovanni Antonio Faldoni, Two Nude Shepherds, after Parmigianino, 1724
Giovanni Girolamo Frezza, Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio, 1704
Giovanni Girolamo Frezza, Marble Centaur, 1739
Pietro Ghigi, Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace, 18th - 19th century
Vincenzo Giaconi, Double portrait of Antonio Canova and Giovanni Martino dei Boni, 1796
John Baptist Jackson, The Death of St. Peter Martyr, after the lost altarpiece by Titian for the church of SS. Giovanni e Paolo, Venice., 1739
Giovanni Paolo Lasinio, Meeting of the Ministers etc. After Giangiacomo, 18th - 19th century
Giovanni Pietro Ligarius, The Crucixion of St. Peter, 18th century
Michiel Marieschi, Campo SS. Giovanni e Paolo, pl. 12 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice), 1741
Giovanni Battista Nini, Seaport, 1740
Giovanni Battista Nini, Winter Landscape, 1740
Giovanni Battista Nini, Landscape with a river, 1740
Giovanni Battista Nini, Wind-blown Landscape, 1740
Giovanni Ottavianni, Venus Crowning Mars, after Guercino, 18th century
Giovanni Ottavianni, Four Soldiers Fighting over a Female Prisoner, after Guercino, 18th century
Giovanni Ottavianni, Jacob, 18th - 19th century
Giovanni Ottavianni, Isaac, 18th - 19th century
Ignacio Pavon, S. Giovanni Evangelista, after Domenichino, 18th - 19th century
Giovanni Antonio Pellegrini, Recto:Sacrifice of Iphigenia
Giovanni Battista Piazzetta, Diana and Endymion, 18th century
Giovanni Domenico Picchianti, Portrait of a Servant Wearing a Cross, after Raphael, 18th century
Giovanni Battista Piranesi, Veduta della Facciata della Basilica di S.Giovanni Laterano (View of the Facade of the Basilica of S. Giovanni Laterano) from the series Veduta di Roma, ca. 1760 - 1775
Giovanni Battista Piranesi, Spaccato interno della Basilica di S. Paolo fuori della Mura (Internal View of the Basilica of S. Paolo fuori delle Mura), from the series Veduta di Roma, ca. 1760 - 1775
Giovanni Battista Piranesi, Veduta della Basilica di Sta. Maria Maggiore con le due Fabbriche laterali di detta Basilica (View of teh Basilica of S. Maria maggior with its two flanking wings) from the series Veduta di Roma, ca. 1760 - 1775
Giovanni Battista Piranesi, Veduta dell"Arco di Benevento nel regno di Napoli, 1778
Giovanni Battista Piranesi, The Drawbridge, pl. VII from the series, Carceri (Prisons), circa 1761
Giovanni Battista Piranesi, The Drawbridge, pl. VII from the series, Carceri (Prisons), 1749 - 1760
Giovanni Battista Piranesi, Vase from the Dalton Collection, plate 66, Vol. II, from the series Vasi, candelabri, cippi, sarcophagi..., 1768
Giovanni Battista Piranesi, Chimneypiece, plate 33, from the series Diverse maniere d"adornare i cammini, 1769
Giovanni Battista Piranesi, Foro Antico Romano, pl. 14 from the series Prima parte di architettura e prospettive, 1743
Giovanni Battista Piranesi, The Round Tower, plate III, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Smoking Fire, plate VI, from the series Carceri, 1749
Giovanni Battista Piranesi, The Giant Wheel, plate IX, from the series Carceri, 1761
Giovanni Battista Piranesi, The Sawhorse, plate XII, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Pier with Chains, plate XVI, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Gothic Arch, plate XIV, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Arch with a Shell Ornament, plate XI, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, Prisoners on a Projecting Platform, plate X, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Giant Wheel, plate IX, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Staircase with Trophies, plate VIII, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Grand Piazza, plate IV, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Pier with a Lamp, plate XV, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, Title Plate, from the Series Carceri, 1749
Giovanni Battista Piranesi, The Pier with Chains, plate XVI, from the series Carceri, 1749
Giovanni Battista Piranesi, The Pier With a Lamp, plate XV, from the series Carceri, 1749
Giovanni Battista Piranesi, The Gothic Arch, plate XIV, from the series Carceri, 1749
Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749
Giovanni Battista Piranesi, The Sawhorse, plate XII, from the series Carceri, 1749
Giovanni Battista Piranesi, The Arch with the Shell Ornament, plate XI, from the series Carceri, 1749
Giovanni Battista Piranesi, Prisoners on a Projecting Platform, plate X, from the series Carceri, 1749
Giovanni Battista Piranesi, The Staircase with Trophies, plate VIII, from the series Carceri, 1749
Giovanni Battista Piranesi, The Lion Bas-Relief, plate V, from the series Carceri, 1761
Giovanni Battista Piranesi, The Grand Piazza, plate IV, from the series Carceri, 1749
Giovanni Battista Piranesi, The Round Tower, plate III, from the series Carceri, 1749
Giovanni Battista Piranesi, The Man on the Rack, plate II, from the series Carceri, 1761
Giovanni Battista Piranesi, Title Page from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, TheTomb of Nero, from the series Grotteschi, 1747 - 1779
Giovanni Battista Piranesi, The Smoking Fire, plate VI, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, Title page from Vedute di Roma (Views of Rome), 1748
Giovanni Battista Piranesi, The Grand Piazza (A Lofty Arch with a Vista to an Arcade), pl. IV from the series Carceri, 1745 - 1750
Giovanni Battista Piranesi, The Skeletons, from the series Grotteschi, circa 1747 - 1749
Giovanni Battista Piranesi, The Triumphal Arch, from the series Grotteschi, circa 1745
Giovanni Battista Piranesi, The Monumental Tablet, from the series Grotteschi, circa 1747 - 1749
Giovanni Battista Piranesi, The Tomb of Nero, from the Grotteschi, circa 1745
Giovanni Battista Piranesi, Studies of Soldiers, 18th century
Giovanni Battista Piranesi, Views of Rome: Interior of Tomb of Santa Costanza , 1756
Giovanni Battista Piranesi, Views of Rome: Pyramid of Caius Cestius , 1755
Giovanni Battista Piranesi, Dedication page, pl. 2, from Antichitý romane de" tempi della repubblica, e de" primi imperatori disegnate ed incise da Giambattista Piranesi architetto veneziano(Roman antiquities from the time of the republic and the fi
Giovanni Battista Piranesi, Veduta degli Avanzi di Fabbrica magnifica sepolcrale co"sue Rovine, 18th century
Giovanni Battista Piranesi, Veduta del Pantheon d"Agrippa (View of the Pantheon of Agrippa) from Veduta di Roma (Views of Rome), 1761
Giovanni Battista Piranesi, The Tomb of the Curatii, from the series Alcune vedute di Archi Trionfali, circa 1765
Giovanni Battista Piranesi, Arco di Galieno, from Antichitý romane dei tempi della repubblica, 1748
Giovanni Battista Piranesi, The Pier with a Lamp, plate XV from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Sawhorse, plate XII from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Giant Wheel, plate IX from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Smoking Fire, pl. VI from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Round Tower, plate III from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, Title Page from the series Carceri, 1749 - 1760
Giovanni Battista Piranesi, The Man on the Rack, plate II from the series Carceri, 1761
Giovanni Battista Piranesi, Interior of the Temple of Neptune at Paestum (Plate XII of the Views of Paestum), 1778
Giovanni Battista Piranesi, Altra veduta interna della Villa di Mecenate in Tivoli (Another view of the Villa of Myceanas in Tivoli) from Vedute di Roma (Views of Rome), 1764
Giovanni Battista Piranesi, Veduta interna della Villa di Mecenate (Interior View of the Villa of Maecenas) from Vedute di Roma (Views of Rome), 1764
Giovanni Battista Piranesi, Veduta del Tempio ottangolare di Minerva Medica (View of the octangular Temple of Minerva Medica) from Vedute di Roma (Views of Rome), 1764
Giovanni Battista Piranesi, Altra Veduta degli avanzi del Pronao del Tempio della Concordia (Another view of the pronapse of the Temple of Peace) from Vedute di Roma (Views of Rome), 1774
Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro in Vaticano (Interior of the Basilica of S. Peter), 18th century
Giovanni Battista Piranesi, Autre vue intÈrieur du College supposÈ des Anfictions..., 18th century
Giovanni Battista Piranesi, Frontispiece to Volume II of Le Antichitý Romane, 1756
Giovanni Battista Piranesi, Veduta del Ponte Rotto (View of the Ponte Rotto) from Le Antichitý Romane (The Antiquities of Rome), 1756
Giovanni Battista Piranesi, Anfiteatro Flavio detto il Colosseo in Roma (Amphitheater of Flavio called the Colosseum in Rome), pl. 12, from Antichitý romane de" tempi della repubblica, e de" primi imperatori disegnate ed incise da Giambattista Piran
Giovanni Battista Piranesi, Veduta di un Eliocamino (View of a Heliocaminus) from Vedute di Roma (Views of Rome), 1777
Giovanni Battista Piranesi, Villa Panfili fuori di Porta S. Pancrazio (The Villa Pamphili outside of the Porta S. Pancrazio) from Vedute di Roma (Views of Rome), 1776
Giovanni Battista Piranesi, The Colosseum, Bird"s-eye view (V. dell" anfiteatro Flavio detto il Colosseo), 1776
Giovanni Battista Piranesi, Veduta della Facciata della Basilica di S. Giovanni Laterano (View of the faÁade of the basilica of St. John Lateran), from Vedute di Roma (Views of Rome), 1775
Giovanni Battista Piranesi, Veduta dell"insigne Basilica Vaticana (View of the renowned Vatican Basilica) from the series Vedute di Roma (Views of Rome), 1775
Giovanni Battista Piranesi, Veduta del Palazzo Farnese (View of the Palazzo Farnese) Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, Veduta del Tempio delle Camene (View of the Temple the Camenae) from the series Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, Veduta della Villa Estense in Tivoli (View of the Villa d"Este in Tivoli) from Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of the Piazza Monte Cavallo) from Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of the Piazza Monte Cavallo) from Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro vicino alla Tribuna (Interior view of the basilica of S. Peter near the tribune) from Vedute di Roma (Views of Rome), 1773
Giovanni Battista Piranesi, The Small Waterfall and Rapids at Tivoli (V. della Cascatelle a Tivoli), 1769
Giovanni Battista Piranesi, Hardrian"s Villa, the Canopus (Avanzi del Tempio del Dio Canopo nella Villa Adriana...), 1768
Giovanni Battista Piranesi, Veduta della Villa del Card. Allessandro Albani (View of the Villa of Cardinal Alessandro Albani) from Vedute di Roma (Views of Rome), 1769
Giovanni Battista Piranesi, Veduta interna della Basilica di S. Giovanni Laterano (View of the Interior of St. John lateran) from Vedute di Roma (Views of Rome), 1768
Giovanni Battista Piranesi, Veduta interna della basilica di S. Maria Maggiore (View of the interior of the Basilica of Santa Maria Maggiore) from Vedute di Roma (Views of Rome), 1768
Giovanni Battista Piranesi, Avanzi del Tempio detto di Apollo (Remains of the Temple of Apollo) from Vedute di Roma (Views of Rome), 1768
Giovanni Battista Piranesi, Veduta interna dell"antico Tempio di Bacco (Interior of the ancient Temple of Bacchus) from Vedute di Roma (Views of Rome), 1767
Giovanni Battista Piranesi, Veduta della Cascata di Tivoli (View of the Tivoli) from Vedute di Roma (Views of Rome), 1766
Giovanni Battista Piranesi, Veduta del sepolcro di Pisone Liciniano su l"antica via Appia (View of the tomb of Pisone Liciniano on the ancient via Appia) from Vedute di Roma (Views of Rome), 1764
Giovanni Battista Piranesi, Tempio antico vulgarmente detto della Salute (Ancient Temple popularly known as Temple of Salus) from Vedute di Roma (Views of Rome), 1763
Giovanni Battista Piranesi, Veduta interna del Tempio della Tosse (Interior view of the Tempio della Tosse), 1764
Giovanni Battista Piranesi, Veduta del Tempio detto della Tosse, 1763
Giovanni Battista Piranesi, Arco di Settimio Severo (Arch of Septimus Severus), from Vedute di Roma (Views of Rome), 1758
Giovanni Battista Piranesi, Avanzi della Villa di Mecenate a Tivoli costruita da travertina a opera incerta (The villa of Maecenas at Tivoli, made of travertine by an unknown person), from Vedute di Roma (Views of Rome), 1763
Giovanni Battista Piranesi, Veduta del Pantheon d"Agrippa (View of the Pantheon of Agrippa) from Vedute di Roma (Views of Rome), 1761
Giovanni Battista Piranesi, Colonna Antonina (Column of Marcus Aurelius), from Vedute di Roma (Views of Rome), 1758
Giovanni Battista Piranesi, Veduta del Tempio di Antonino e Faustina (The Temple of Antoninus and Faustina) from Vedute di Roma (Views of Rome), 1758
Giovanni Battista Piranesi, Veduta del Tempio di Bacco (View of the Temple of Bacchus) from Vedute di Roma (Views of Rome), 1758
Giovanni Battista Piranesi, Veduta degli avanzi del Tablino della Casa Aurea di Nerone (View of the remains of the Tablinium of the Golden House of Nero) from Vedute di Roma (Views of Rome), 1757
Giovanni Battista Piranesi, Veduta del Tempio di Cibele(View of the Temple of Cibele) from Vedute di Roma (Views of Rome), 1758
Giovanni Battista Piranesi, Veduta interna del sepolcro di S. Costanza (Interior view of the tomb of Santa Costanza) from Vedute di Roma (Views of Rome), 1756
Giovanni Battista Piranesi, Veduta del Sepolcro di Cajo Cestio, (View of the tomb of Caius) from Vedute di Roma (Views of Rome), 1755
Giovanni Battista Piranesi, Veduta del Mausoleo d"Elio Adriano, ora chiamato Castello S. Angelo (View of Hadrian"s Tomb, today called the Castle Sant"Angelo) from Vedute di Roma (Views of Rome), 1754
Giovanni Battista Piranesi, Veduta del Palazzo Odescalchi (View of the Palazzo Odescalchi) from Vedute di Roma (Views of Rome), 1753
Giovanni Battista Piranesi, Veduta nella Via del Corso, del palazzo dell"Accademia istituita da Luigi XIV, Re di Francia (View of the Corso from the Academy begun by Louis XIV, King of France) from Vedute di Roma (Views of Rome), 1752
Giovanni Battista Piranesi, Veduta della Gran Curia Innocenziana (View of the Curia Innocenziana, Palazzo di Montecitorio) from Vedute di Roma, 1752
Giovanni Battista Piranesi, Veduta del Palazzo fabbricato sul Quirinale per le Segretarie de Brevi e della Sacra Consulta (View of the Palace built on the Quirinal for the Papal Secretaries) from Vedute di Roma (Views of Rome), 1749
Giovanni Battista Piranesi, Veduta del Castello dell"Acqua Paola sul Monte Aureo (View of the Fontana Paola on the Janiculum Hill) from Vedute di Roma (Views of Rome), 1751
Giovanni Battista Piranesi, Veduta del Castello dell"Acqua Felice (View of The Fontana dell"Acqua Felice) from Vedute di Roma (Views of Rome), 1751
Giovanni Battista Piranesi, Veduta di Piazza Navona sopra le rovine del Circo Agonale (The Piazza Navona above the ruins of the circus Agonale), from the Vedute di Roma (Views of Rome), 1751
Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of Piazza Monte Cavallo), from Vedute di Roma (Views of Rome), 1750
Giovanni Battista Piranesi, Veduta.della Basilica di S. Sebastiano fuori delle mura di Roma, su la via Appia (View of the Basilica of S. Sebastian outside the walls of Rome, on the Via Appia) from Vedute di Roma (Views of Rome), 1750
Giovanni Battista Piranesi, Veduta della Facciata di dietro della Basilica di S. Maria Maggiore( View of the rear faÁade of Sant Maria Maggiore) from Vedute di Roma (Views of Rome), circa 1749
Giovanni Battista Piranesi, Spaccato interno della Basilica di S. Paolo fuori delle Mura (Interior space of the Basilica of St. Paul outside the walls), from the Veduta di Roma (Views of Rome), 1749
Giovanni Battista Piranesi, Veduta dell" Esterno della Gran basilica di S. Pietro in Vaticano (St. Peter"s, from the Piazza della Sagrestia), from Vedute di Roma (Views of Rome), 1748
Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro in Vaticano (Interior view of the Basilica of S. Peter in the Vatican) from Vedute di Roma (Views of Rome), 1748
Giovanni Battista Piranesi, Frontispiece with Statue of Minerva, from vol. II of Vedute di Roma (Views of Rome), circa 1748
Giovanni Battista Piranesi, Title page from Vedute di Roma (Views of Rome), 1748
Giovanni Battista Piranesi, The Tomb of the Metelli, plate XV from Volume III , Antichitý Romana, 1756
Giovanni Battista Piranesi, The Villa d*Este at Tivoli from Vedute di Romana, circa 1773
Giovanni Battista Piranesi, Piramide di C.Cestio, 18th century
Giovanni Battista Piranesi, Veduta del Sepolchro di Pisone, 18th century
Giovanni Battista Piranesi, Title Page to the second edition of the series, Carceri (Prisons), circa 1745 - 1750
Giovanni Battista Piranesi, A View of Paul"s Fountain on Mount Gianicilo near Rome, 18th century
Giovanni Battista Piranesi, Outside View of the Pantheon or Rotunda, 18th century
Giovanni Battista Piranesi, The Campo Vaccino, 18th century
Giovanni Battista Piranesi, St. Peter"s Church, 18th century
Giovanni Battista Piranesi, Outside View of the Colosseum, 18th century
Giovanni Battista Piranesi, The Colosseum, 18th century
Giovanni Battista Piranesi, Veduta interna del Colosseo (Interior view of the Colosseum) from Vedute di Roma (Views of Rome), 1788
Giovanni Battista Piranesi, Veduta interna del Panteon vulgarmente detto la Rotunda (Interior of the Pantheon commonly called the Rotunda) from Vedute di Roma (Views of Rome), 1768
Giovanni Marco Pitteri, St. Philip, after a chalk drawing by Giovanni Battista Piazzetta, 1742
Giovanni Marco Pitteri, S. Antonius Patavinus (St. Anthony of Padua), 18th century
Giovanni Marco Pitteri, Portrait of Marco Pitteri, after Piazzetta, 18th century
Giovanni Marco Pitteri, S. Antonius Monachorum in Oriente Patriarcha, 18th century
Francesco (Felice) Polanzani, Portrait of Giovanni Battista Piranesi, from the series Le Antichitý di Roma (The Antiquities of Rome), 1750
Ladislaus Rupp, Veduta Interna della Basilica di S. Giovanni..., 18th - 19th century
Ladislaus Rupp, Veduta Esterna della Basilica di S. Giovanni..., 18th - 19th century
Andrea Le Jeune Scacciati, The Flagellation (?), after Giovanni Battista Paggi, from the series Disegni originali d"eccelenti pittori..., 18th century
Giovanni Domenico Tiepolo, Rest on the Flight into Egypt, 1753
Giovanni Domenico Tiepolo, Christ"s face is wiped by St. Veronica, Station 6 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Battista Tiepolo, The Adoration of the Magi, published with prints from the series Scherzi di Fantasia (Playful Fantasies), circa 1740
Giovanni Battista Tiepolo, Seated youth leaning against an urn, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, A Woman with her Arms in Chains and Four Other Figures, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, The Rider Standing Beside his Horse, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, A Woman with her Hands on a Vase, a Soldier and a Slave, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, The Astrologer and the Young Soldier, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, Death Giving an Audience, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, Standing Philosopher, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, A Nymph with a Small Satyr and Two Goats, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, Two Soldiers and Two Women, from the series Vari Capricci, 1785
Giovanni Battista Tiepolo, Three Soldiers and a Boy, from the series Vari Capricci, 1785
Giovanni Domenico Tiepolo, The Entombment, Station 14 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, The Deposition, Station 13 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, The Crucifixion, Station 12 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ is nailed to the Cross, Station 11 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ is stripped of his garments, Station 10 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ falls beneath the cross the third time, Station 9 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ consoles the weeping women, Station 8 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ falls beneath the cross for the second time, Station 7 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ is helped by Simon of Cyrene, Station 5 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ meets his mother, Station 4 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ falls beneath the cross for the first time, Station 3 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ receives the cross, Station 2 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Christ is condemned to death, Station 1 from the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Dedication Page, for the series Via Crucis (Stations of the Cross), 1749
Giovanni Domenico Tiepolo, Young Moor, from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
Giovanni Domenico Tiepolo, Dedication Page from Book Two of Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
Giovanni Domenico Tiepolo, Title Page from Book Two of Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, 1770
Giovanni Battista Tiepolo, Cherub, circa 1740 - 1745
Giovanni Battista Tiepolo, Adoration of the Magi, circa 1753
Giovanni Domenico Tiepolo, Old Man with a Hat on his Forehead, from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
Giovanni Domenico Tiepolo, Old Man With A Beard from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
Giovanni Domenico Tiepolo, Joseph Adoring the Child, from the series IdÈe Pittoresche sopra la fugga in Egitto...(Picturesque Ideas on the Flight into Egypt...), 1752
Giovanni Domenico Tiepolo, Mercury Appearing to Aeneas in a Dream; after the fresco by Giovanni Battista Tiepolo in the Villa Valmarana, Vicenza, circa 1750
Giovanni Domenico Tiepolo, A Man Seated and a Woman Carrying a Vase, after G.B.Tiepolo., 18th century
Giovanni Domenico Tiepolo, Two Old Men, after G.B. Tiepolo, 18th century
Giovanni Domenico Tiepolo, The Holy Family Under a Palm Tree, from the series IdÈe Pittoresche sopra la fugga in Egitto...(Picturesque Ideas on the Flight into Egypt...), 1753
Giovanni Domenico Tiepolo, Venice Receiving the Homage of Neptune, after Giovanni Battista Tiepolo"s painting for the Ducal Palace in Venice, 18th - 19th century
Giovanni Battista Tiepolo, Half-dressed Nymph with Two Children, Surrounded by Four Men, from the series Scherzi di Fantasia (Playful Fantasies), circa 1735 - 1758
Giovanni Battista Tiepolo, Magician with Four Figures Near a Smoking Altar, from the series Scherzi di Fantasia (Playful Fantasies), circa 1735 - 1758
Giovanni Domenico Tiepolo, Title Page, from the series of etchings by Giovanni Battista Tiepolo, Vari Capricci, 1785
Giovanni Battista Tiepolo, Woman Resting her Hands on a Vase, circa early 18th century
Giovanni Battista Tiepolo, The Standing Philosopher, circa 1747
Giovanni Battista Tiepolo, Woman with arms enchained, circa 1743
Giovanni Battista Tiepolo, Two Magicians and Two Boys, circa 1757
Giovanni Battista Tiepolo, Scherzi: Shepherd with two Magicians, circa 1757
Giovanni Domenico Tiepolo, The Final Station of the Cross - the Entombment, 1749
Giovanni Domenico Tiepolo, St.Jerome Emiliani Distributing Food, circa mid 18th century
Giovanni Domenico Tiepolo, The Flight into Egypt ( - the episode of the falling idols), 1753
Giovanni Domenico Tiepolo, St.John the Baptist Preaching in the Wilderness, circa mid 18th century
Giovanni Domenico Tiepolo, St.Anthony Abbot with the Virgin and St.George, circa 1755
Giovanni Domenico Tiepolo, Armida Finds Rinaldo Asleep, circa 1770
Giovanni Domenico Tiepolo, Portrait of the Artist"s Father, Giovanni Battista Tiepolo, circa 1775
Giovanni Domenico Tiepolo, Self-Portrait, circa 1775
Giovanni Domenico Tiepolo, Glory Crowning Virtue, 18th century
Giovanni Domenico Tiepolo, Joseph Adoring the Child, while Two Angels Sing, from the series Flight into Egypt, 1752
Giovanni Vendramini, Cries of London: Knives, Scissars and Razors to Grind, 18th - 19th century
Giovanni Vendramini, Cries of London: Strawberrys Scarlet Strawberrys, 18th - 19th century
Giovanni Vendramini, Cries of London: Hot Spice Gingerbread Smoking Hot, 18th - 19th century
Giovanni Vendramini, Cries of London: Old chairs to mend, 18th - 19th century
Giovanni Vendramini, Cries of London: Fresh Gathered Peas Young Hastings, 18th - 19th century
Giovanni Vitalba, Death of a Saint, after Guercino, 18th century
Giovanni Vitalba, The Guardian Angel, after Guercino, 18th century
Giovanni Vitalba, A woman leaning her head on her left hand, after Guercino, 18th century
Giovanni Vitalba, An old man leaning on his elbow, after Guercino, 18th century
George Vivian, From the Gardens of S.S. Giovanni E Paolo, 18th - 19th century
George Vivian, The Walls of Rome and Porta San18th - 19th century
Giovanni Volpato , L"Astrologio, after a painting by Francesco Maggiotto, late 18th century
Giovanni Volpato , Modestia et Vanitas (Modesty and Vanity), after Leonardo da Vinci, 18th century
Giovanni Volpato , One of a Series of fourteen studies after frescoes, Statues and Architecture of the Galleria Farnese in Rome, 18th - 19th century
Giovanni Volpato , Saint Leo the Pope and Attila, after the fresco by Raphael in the Vatican Stanze, 18th century
Giovanni Volpato , The School of Athens, after the fresco by Raphael in the Vatican Stanze, 18th century
Giovanni Battista Volpato, Il Fornajo(the Baker), after F. Maggiotto, 18th century
Giovanni Volpato , Il Pentalajo (The Potseller), after F. Maggiotto, 18th century
Giovanni Volpato , Modestia et Vanitas (Modesty and Vanity), after Leonardo da Vinci, 18th century
Giovanni Volpato , Descent from the Cross, 18th - 19th century
Francesco Zuccarelli, Women with a Censer, and a Man Addressing Them, after Giovanni di S.18th century
Francesco Zuccarelli, The Return of the Holy Family from Egypt, after Giovanni di S.18th century
Francesco Zuccherelli, Charity, after Giovanni di S. Giovanni (?), 1728
Giovanni Domenico Tiepolo, River Gods, after Giovanni Battista Tiepolo, mid 18th century
Giovanni Domenico Tiepolo, The Triumph of Hercules, after the painting in St. Petersburg, 18th century
Giovanni Domenico Tiepolo, Frontispiece, for the series Via Crucis (Stations of the Cross), 1749
Canaletto (Giovanni Antonio Canal), Recto: View of the Arch of Constantine and Environs, Rome
Giovanni Battista Piazzetta, Bust of a Girl Holding an Apple, 18th century
Giovanni Domenico Tiepolo, Head of an Old Man, circa 1770
Giovanni Battista Tiepolo, Recto: Crucifixion
Giovanni Battista Tiepolo, A Monk, 18th century
Giovanni Domenico Tiepolo, Ascension of a Saint, late 18th century
Giovanni Domenico Tiepolo, Old Man With A Beard from Raccolta di Teste numero trenta, Libro Primo (Collection of Thirty Heads), circa 1770 - 1774
Giovanni Battista Pittoni, Descent from the Cross, circa 1750
Giovanni Battista Tiepolo, The Empire of Flora, circa 1743
Giovanni Battista Pittoni, Frame for "Descent from the Cross", circa 1750
Giovanni Battista Paggi, Male Figure, late 16th century
Giovanni Battista Paggi, Male Figure, late 16th century
Giovanni Battista Paggi, Rape of Europa, late 16th century
Giovanni Battista Naldini, Recto: St. Matthew and the Angel
Giovanni Battista Trotti (Malosso), Angel of the Annunciation, late 16th century
Christoffel Jegher, Bust of a Bearded Man (Doge Giovanni Cornaro), 16th - 17th century
Giovanni Francesco Barbieri (Guercino) , Resurrection of Christ, 16th - 17th century
Giovanni Nanni (Giovanni da Udine), Arabesque, 16th century
Giovanni Nanni (Giovanni da Udine), Sphinx Studies, 16th century
Giorgio Ghisi , The Vision of Ezekiel, after Giovanni Battista Bertani, 1554
Giovanni Battista Franco, Diana Resting With Her Nymphs, 16th century
Giovanni Battista Franco, The Holy Family on their Flight,Resting among the Ruins, 16th century
Giovanni Battista Franco, Moses Drawing Water from the Rock, 16 - 17th century
Giovanni Battista Franco, Roman Warrior Offering His Hand to a Young Woman, from the antique, 16th century
Giovanni Battista Franco, Hercules Killing the Hydra of Lerna, 16th century
Giovanni Battista Franco, The Angel Staying the Arm of Abraham, 16th century
Giovanni Battista Franco, The Saviour carried to the Tomb, 16th century
Giovanni Battista Franco, The Entombment, 16th century
Giovanni Battista Franco, The Flagellation, 16th century
Giovanni Battista Franco, The Deluge, 16th century
Giovanni Battista Franco, Saint John the Baptist, 16th century
Giovanni Battista Franco, Virgin and Child with St. John, 16th century
Giovanni Battista Franco, Christ Among the Doctors, circa 1530 - 1540
Giovanni Battista Franco, The Deluge, 16th century
Giovanni Battista Franco, Moses Drawing Water from the Rock, 16th century
Bernardo Daddi, Three Putti Playing With an Ostrich, from a tapestry design by Raphael (or Giovanni da Udine), 16th century
Giovanni Pietro da Birago, Ornamental Panel: Nereid and Two Children Playing Musical Instruments, from a series of twelve ornamental panels, circa 1505 - 1515
Giovanni Battista de Cavalieri , Martyrdom of St. Catherine, 16th - 17th century
Giovanni Battista de Cavalieri , St. Paul the Apostle, 16th - 17th century
Giovanni Battista de Cavalieri , Moses presenting the tablets of the law to the people, 16th - 17th century
Giovanni Battista de Cavalieri , The Animals Leaving the Ark, after the fresco by Raphael in the Loggia of the Vatican, Rome, 16th century
Giovanni Battista de Cavalieri , The Nativity, reverse copy of the engraving by Giorgio Ghisi (B. 3, L. 14)after the painting by Agnolo Bronzino now in the SzÈpm¸vÈszeti Museum, Budapest (no. 161), 1565
Giovanni Battista de Cavalieri , Martyrdom of St. Peter, after the fresco by Michelangelo in the Capella Paolina, the Vatican, Rome, 16th century
Giovanni Battista Castello, Madonna and Child Under a Tree, 16 - 17th century
Giovanni Battista Catenaro, Apollo Surrounded by Putti, 16th - 17th century
Giovanni Jacopo Caraglio, copy in reverse after Caraglio"s engraving Hercules Killing the Centaur Nessus, after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Cupid and Psyche, a reduced copy of Caraglio"s engraving after Perino del Vaga from The Loves of the Gods, 16th century
Giovanni Jacopo Caraglio, The Adoration of the Shepherds, copy of the engraving by Caraglio after Parmigianino, 16th century
Giovanni Jacopo Caraglio, Mars, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Venus, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Proserpina, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Ariadne, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Marriage of the Virgin, after Parmigianino, 16th century
Giovanni Jacopo Caraglio, Mars, pl. 9 from the series Mythological Gods and Goddesses after Rosso Fiorentino, retouched by Francisco Villamena, 16th century
Giovanni Jacopo Caraglio, The Adoration of the Shepherds, after Parmigianino, 1526
Giovanni Jacopo Caraglio, The Annunciation, after Raphael, 16th century
Giovanni Jacopo Caraglio, Mars and Venus, after Gian Giacomo Caraglio"s engraving after Rosso Fiorentino, 1575
Giovanni Jacopo Caraglio, Hercules Killing the Centaur Nessus, from The Labors of Hercules after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 16 - 17th century
Giovanni Jacopo Caraglio, The Martyrdom of St. Peter and St. Paul, after Parmigianino, 16th century
Giovanni Jacopo Caraglio, The Virgin and Child with St. Elizabeth and the Infant John the Baptist, after Raphael, 16th century
Giovanni Jacopo Caraglio, Diogenes, after Parmigianino, 16th century
Giovanni Jacopo Caraglio, The School of an Ancient Philospoher, after an unknown artist, 16th century
Giovanni Jacopo Caraglio, Hercules Killing the Hydra of Lerna, 16th century
Giovanni Jacopo Caraglio, [Hercules Fighting Centaurs], 16th century
Giovanni Jacopo Caraglio, Pallas, 1526
Giovanni Jacopo Caraglio, Hercules defeating the River God Achelous in the Form of a Bull, after Rosso Fiorentino, 16th century
Giovanni Jacopo Caraglio, Pluto, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
Giovanni Jacopo Caraglio, Opis, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
Giovanni Jacopo Caraglio, Apollo, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
Giovanni Jacopo Caraglio, Mercury, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
Giovanni Jacopo Caraglio, The Annunciation, after the lost painting by Titian, 16th century
Giovanni Jacopo Caraglio, Battle Scene with a Shield and a Lance, 16th century
Giovanni Antonio da Brescia, The Flagellation of Christ, 1509
Giovanni Balducci, Circumcision of Christ, 16th century
Giovanni Balducci, Recto:Figure of a Man
Giovanni Balducci, Angel Musicians, 16th - 17th century
Giovanni Baglione, Judith, 16th - 17th century
Giovanni Baglione, St. Catherine, 16th - 17th century
Giovanni Baglione, Recto: Angel Playing a Lute and Profile of a Child*s Face
Giovanni Baglione, Group of Musicians, 16th - 17th century
Giovanni Francesco Barbieri (Guercino) , Samson and the Honeycomb, circa 1657
Giovanni Francesco Grimaldi, Landscape with Venus and Cupid, circa 1651
Giovanni Battista Gaulli (Il Baciccio), The Adoration of the Lamb (Modello from the apse fresco in Il Gesu, Rome), circa 1680
Giovanni Battista Mercati, Sepulcrum M. Mallorum Chiamato Capo di Bove (Tomb of M. Mallorum Called Head of Bove), pl. 52 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of R
Giovanni Battista Mercati, The Colosseum, pl. 50 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma(Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Fuori del popolo a Mano Manco (Outside the [Porta] del Popolo to the River, pl. 51 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[i.e.Amphitheater of the Coliseum]), pl. 49 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[i.e.Amphitheater of the Coliseum]), pl. 47 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, The Colosseum, pl. 48 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Anfiteatro della Collizeo (Amphitheater of the Coliseum), pl. 46 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 45 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, TheAntonine Baths, pl. 43 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 44 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 42 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Terme Antoniana (Antonine Baths), pl. 40 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]),[ pl. 41] from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Pallazo Maggiore (Palazzo Maggiore), pl. 39 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesso (The Same [i.e. Below the Palazzo Maggiore]), pl. 37 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Palazzo Maggiore, pl. 38 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma(Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Sullo pallazo Maggiore (On the Palazzo Maggiore), pl. 36 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesso (The Same [i.e. the Palazzo Maggiore]), pl. 34 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Piaza che va a Scola greca (Piazza That Goes to the Greek School), pl. 35 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Pallazo Maggiore da Lontano (Palazzo Maggiore from a Distance), pl. 33 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Sotto Santa Sabina (Below S. Sabina), pl. 31 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Ponto resto di Santa Maria (Remains of the Santa Maria Bridge[ Ponte Rotto]), pl. 32 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 16
Giovanni Battista Mercati, A St. Giorgio doux pagatano j Soldati Romani (At S. Giorgio, Where They Paid the Roman Soldiers), pl. 30 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited
Giovanni Battista Mercati, Castelo St. Angelo (Castel Sant*Angelo), pl. 29 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Temple del sole d*Oreliano (Aurelian Temple of the Sun), pl. 27 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Porta di Cavalleggieri (Gate of the Light Cavalry), pl. 28 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Cartille [sic] del Cardinal di Fiorenza Leone XI (Courtyard of the Cardinal of Florence Leo XI), pl. 26 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited P
Giovanni Battista Mercati, Collonna Antonina (Antonine Column), pl. 24 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, The Palazzo Madama, pl. 25 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Colonna Traiana (Trajan*s Column), pl. 23 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Pictio Santa Maria Nova (Depiction of Sant Maria Nuova), pl. 21 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Sotto St. Gioanne epoldo (Below SS. Giovanni e Paolo), pl. 22 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Tempio pace (Temple of Peace), pl. 20 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesso (The Same [i.e. Camp Vaccino]), pl. 18 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Verso la Consolatione (Towards [S. Maria della] Consolatione), pl. 19 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Dalla Saburra a Sta. Maria Magiore[sic] da j Zengari (From Saburra to S. Maria Maggiore from the Zengari), pl. 16 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uni
Giovanni Battista Mercati, Listesso (The Same[(Near the Navicella Fountain]), pl. 15 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Veduta dall*anfiteatro a St Stefano Rotondo (View from the Amphitheater towards S. Stefano Rotondo), pl. 13 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabit
Giovanni Battista Mercati, Presso alla Navicella (Near the Navicella [Fountain], pl. 14 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)e, 1629
Giovanni Battista Mercati, Near St. Peter"s in Chains, pl. 12 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse (The Same[i.e. Baths of Diocletian]), pl. 9 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Listesse Terme (The Same Baths), pl. 10 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Giovanni Battista Mercati, Tempio di Minerva Medica dila da Sta. Bibiana (Temple of Minerva Medica near Sta. Bibiana), pl. 4 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places
Giovanni Battista Mercati, A Santa Agneze (At Santa Agneze), pl. 3 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
Canaletto (Giovanni Antonio Canal), Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]), 17th - 18th century
Canaletto (Giovanni Antonio Canal), Reproduction of the etching, Al Dolo, pl. 4 in the book, Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]), 17th - 18th century
Giovanni Battista Tiepolo, Head of a Young Man, 17th - 18th century
Giovanni Battista della Rovere, Marriage of the Virgin, circa 1600
Giovanni Francesco Barbieri (Guercino) , Kneeling Nun, circa 1630 - 1640
Giovanni Francesco Barbieri (Guercino) , Saint John the Evangelist Meditating the Gospel, circa 1645 - 1650
Giovanni Francesco Barbieri (Guercino) , Horses, study for the ceiling fresco Aurora (1621-1623) in the Casino Ludovisi, Rome, circa 1621
Giovanni Francesco Grimaldi, Landscape, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Christ on the Cross Appearing to St. Bernard of Clairvaux, reverse study for the altarpiece in Santa Maria della Cella, Sampierdarena, circa 1645
Giovanni Benedetto Castiglione (il Grechetto), Recto: Pastoral Landscape
Giovanni Battista Volpato, The Prophet Daniel, after Michelangelo, 17th century
Giovanni Battista Volpato, The Prophet Joel, after Michelangelo, 17th century
Giovanni Battista Volpato, Mansuetudo, after Raphael, 17th - 18th century
Francesco Villamena, A Mendicant (Giovanni Leonardo Geruso) with two Boys, 1600
Giovanni Francesco Venturini, Diana and her Nymphs, after Domenichino, 17 - 18th century
Giovanni Francesco Venturini, Cronos in a Niche, a Scene of Sacrifice and One of Triumph, after drawings by Galestruzzi from paintings by Polidoro da Caravaggio, 17th century
Giovanni Francesco Venturini, Cascades of the River Anio at Tivoli, plate 14 from the series Le fontane del Giardino Estense in Tivoli (Fountains of the Este garden in Tivoli), circa 1684
Giovanni Francesco Venturini, The Catedra Petri of Bernini (The throne of Peter by Bernini), plate 12 from the series Disegni di vari altari e cappelle nelle Chiese di Roma con le loro facciate, fianche, piante e misure (Drawings of altars and chapels in
Giovanni Battista Vanni, Saint Surrounded by Seven Angels, after the painting by Correggio in the dome of the Parma cathedral, 17th century
Giovanni Battista Vanni, The Martyrdom of St. Placid and His Sister St. Flavia, after the painting by Correggio for the Benedictine Church of St. John in Parma, 1638
Giovanni Luigi Valesio, Cupid Punished By Venus, 17th century
Giovanni Battista Tiepolo, The Banquet of Cleopatra, after G.B. Tiepolo"s fresco in the Palazzo Labia, Venice., 17th - 18th century
Giovanni Cesare Testa, The Sacrament Administered to the Dying St. Gerome, after Domenichino, 17th century
Giovanni Cesare Testa, Achilles on the back of the Centaur Chiron, 17th century
Giovanni Lanfranco (Giovanni di Stefano), Jacob Returning to his Father Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Jacob Overhearing the Blessing of Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Jacob"s Dream, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Isaac, and Forbidding Him to Enter Egypt, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Abraham Welcoming the Three Angels, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Lot Leaving the City of Sodom, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Noah Offering a Sacrifice of Thanks to God, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Adam and Eve with Cain and Abel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Eve Offering Adam the Forbidden Fruit, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Noah Building the Ark, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Creation of the Animals, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Moses in a Burning Bush, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Joseph Relating His Dream to His Brothers, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Moses Receiving the Commandments on Mount Sinai, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Moses in the Form of a Column of Clouds, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Golden Calf Adored by the Israelites, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), Joshua Commanding the Sun and the Moon to Stand Still, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Fall of Jericho, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), David Anointed by Samuel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Judgment of Solomon, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), David Returning to Jerusalem After Subjugating Syria, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Baptism of Christ, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Adoration of the Shepherds, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
Giovanni Lanfranco (Giovanni di Stefano), The Adoration of the Magi, from the series after the frescoes by Raphael in the Vatican Loggia, 17th century
Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), The Creation of the Animals, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Eve Offering Adam the Forbidden Fruit, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Adam and Eve With Cain and Abel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Noah Offering a Sacrifice of Thanks to God, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Noah Building the Ark, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Lot Leaving the City of Sodom, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Abraham Welcoming the Three Angels, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Isaac, and Forbidding Him to Enter Egypt, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Jacob"s Dream, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Jacob Overhearing the Blessing of Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Jacob Relating His Dreams to His Brothers, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Lanfranco (Giovanni di Stefano), Jacob Returning to His Father Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
Giovanni Guiseppe Sole, The Sudarium, after Guido Reni, 17th century
Giovanni Andrea Sirani, F. Philip of Ravenna, 17th century
Giovanni Andrea Sirani, Fame, 17th century
Giovanni Andrea Sirani, Judith with the Head of Holofernes, 17th century
Giovanni Andrea Sirani, Apollo and Marsyas, 17th century
Giovanni Andrea Sirani, Worship of the Golden Calf, 17th century
Giovanni Domenico Rossi, Garden of the Illustrious Signore Mattei, 17th century
Giovanni Domenico Rossi, Design and site of the Sumptuous Garden and Palace of the Grand Duke of Toscana, 17th century
Giovanni Domenico Rossi, Garden of Belvedere with the Palace of the Pope in the Vatican, 17th century
Giovanni Domenico Rossi, The Tomb of Urban VIII, after Gianlorenzo Bernini, 17th century
Giovanni Jacopo Rossi (Giovanni Iacomo de Rubeis), The Deeds of Pope Alexander VII, 1655
Giovanni Francesco Romanelli , Female Figure, 17th century
Giovanni Andrea Podestý , Bacchus Meeting Ariadne on Naxos, after the painting by Titian for Alfonso I, Duke of Ferrara, now in the National Gallery, London, mid 17th century
Giovanni Andrea Podestý , Bacchanal with Altar, Faun, and Silenus, 1640
Giovanni Andrea Podestý , Allegory With Cupid and Putti, 1640
Giovanni Andrea Podestý , Bacchus Meeting Ariadne on Naxos, after the painting by Titian for Alfonso, first Duke of Ferrara, circa mid 17th century
Giovanni Andrea Podestý , Statue of Venus with Numerous Putti, after Titian, 1636
Giovanni Andrea Podestý , Bacchanal, 1640
Giovanni Andrea Podestý , Bacchanal With Bacchus and a Sleeping Woman, after Titian, 17th century
Giovanni Andrea Podestý , Statue of Venus with Numerous Putti, after Titian, 1636
Giovanni Battista Piranesi, Anticaglie presso il Ponte Palatino, 17th century
Giovanni Battista Piranesi, Veduta Interna del Panteon d"Agrippa (Interior view of the Pantheon), 17th century
Giovanni Battista Pasqualini, Venus and Adonis with Cupid, 1620
Giovanni Battista Pasqualini, The Mystic Marriage of St. Catherine, after Guercino, 1626
Giovanni Battista Pasqualini, Virgin and Child, after Guercino, 1621
Giovanni Battista Pasqualini, St. Jerome tempted by a Female Demon, after Guercino, 1625
Giovanni Battista Pasqualini, Virgin and Child to Whom an Angel Presents Fruit, after Guercino, 1620
Giovanni Battista Pasqualini, The Betrayal and Arrest of Christ, 1621
Giovanni Battista Pasqualini, David handing letter for Joab to Uriah, after Guercino, 1627
Giovanni Battista Pasqualini, Virgin and Child with St. John the Baptist, after Guercino, 17th century
Giovanni Paolo Pannini, The Inside of the Pantheon at Rome, 17th - 18th century
Giovanni Battista Mercati, [Virgin and Child and Saint?], 1626
Giovanni Battista Mercati, The Beheading of John the Baptist, 1626
Giovanni Battista Mercati, The Baptism of Christ, 1627
Giovanni Andrea Maglioli, Homage to Seneca after the painting by Peter Paul Rubens, 17th century
Lorenzo Loli, The Holy Family, after Giovanni Andrea Sirani, 17th century
Ottavio Leoni, Portrait of Giovanni Baglione, Painter, 1625
Ottavio Leoni, Portrait of Giovanni Ciampoli, 1627
Ottavio Leoni, Portrait of Giovanni Francesco Barbieri, called Guercino, 1623
Giovanni Battista Salvi (il Sassoferrato), Head of a Woman, 17th century
Giovanni Thysidio Guidi, Tobias and the Angel, 1628
Giovanni Francesco Barbieri (Guercino) , The Holy Family With St. John, 17 - 18th century
Giovanni Francesco Grimaldi, copy in reverse of Landscape with a Lute Player, after Titian, 17th century
Giovanni Francesco Grimaldi, The Flight into Egypt, 17th century
Giovanni Francesco Grimaldi, Landscape with a Column Shaft, 17th century
Giovanni Francesco Grimaldi, Landscape with Two Fighting Goats, 17th century
Giovanni Francesco Grimaldi, Landscape with Figures, ca. 1640
Giovanni Francesco Grimaldi, Two Men on a Hillock, after Annibale Carracci, 17th century
Giovanni Francesco Grimaldi, Landscape with Two Men Standing Near a Seated Man, 17th century
Giovanni Francesco Grimaldi, Landscape with the Baptism of Christ in the Jordan, 17th century
Giovanni Francesco Grimaldi, Two Boats, 17th century
Giovanni Francesco Grimaldi, Landscape With a Horseman and Boys Playing Cards, 17th century
Giovanni Francesco Grimaldi, Landscape with Three Men Standing Near a Seated Man, 17th century
Giovanni Francesco Grimaldi, Hercules and Iole in a Garden, 17th century
Giovanni Francesco Grimaldi, Landscape with Three Men Playing with Dice, after Annibale Carracci, 17th century
Giovanni Francesco Grimaldi, Recto:River Scene
Giovanni Francesco Grimaldi, Landscape with a Man Standing Near Two Seated Men, after Titian, 17th century
Giovanni Francesco Grimaldi, Landscape with a Brick Factory, after Annibale Carracci, 17th century
Giovanni Francesco Grimaldi, Landscape with a Lute Player, after Titian, 17th century
Giovanni Francesco Grimaldi, Landscape with Three Men, after Titian, 17th century
Giovanni Francesco Grimaldi, Landscape with Three Boys by a Brook, 17th century
Giovanni Francesco Grimaldi, Landscape with Two Horsemen Entering a Small Fort, 17th century
Giovanni Francesco Grimaldi, The Rest on the Flight into Egypt, 17th century
Giovanni Mannozzi (Giovanni da San Giovanni), Recto:Putto Holding Banner
Giovanni Battista Galestruzzi, Lycurgus and Numa Pompilius Giving the Laws to the Romans, from the series Subjects from Roman History, after Polidoro da Caravaggio, 17th century
Giovanni Battista Galestruzzi, Niobe Adored on the Altar, from the series The History of Niobe after the fresco by Polidoro da Caravaggio for the faÁade of the Palazzo Milesi, Rome, 17th century
Giovanni Battista Galestruzzi, Two Putti Supporting a Cartouche, frontispiece for the series Polidoro Invent: Opere di Polidoro da Caravaggio, 1658
Giovanni Battista Galestruzzi, The Slaughter of Niobe"s Children, from the series The History of Niobe after the fresco by Polidoro da Caravaggio for the faÁade of the Palazzo Milesi, Rome, 17th century
Giovanni Battista Galestruzzi, The Soldiers of Cyrus Tearing Apart the Army of Spardadise, from the series Subjects from Roman History, after Polidoro da Caravaggio, 17th century
Giovanni Battista Galestruzzi, Mercury Bringing the Golden Apple to Paris, after Annibale Carracci"s panel in the Farnese Gallery, 17th century
Giovanni Battista Galestruzzi, The Castration of Uranus, pl. 1 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
Giovanni Battista Galestruzzi, Two Senators Speaking to the Vanquished Kings, pl. 6 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
Giovanni Battista Galestruzzi, The Family of Darius at the Feet of Alexander, pl. 5 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
Giovanni Battista Galestruzzi, Suppliants Taking Gifts to Niobe, after Polidoro da Caravaggio from The History of Niobe, 17th century
Giovanni Battista Galestruzzi, Apollo and Diana Attacking Niobe"s Children, after Polidoro da Caravaggio from The History of Niobe, 17th century
Giovanni Battista Galestruzzi, he Rape of the Sabine Women, after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, from Subjects from Roman History, 17th century
Giovanni Battista Galestruzzi, A Cuirass Between Pairs of Shields and Vases, plate 1 from the series of Antique War Trophies after Polidoro da Caravaggio"s faÁade for the Palazzo Milesi, Rome, circa 1658
Giovanni Battista Galestruzzi, Procession of Suppliants, after Polidoro da Caravaggio from The History of Niobe, 17th century
Giovanni Battista Galestruzzi, Bust of a Woman in a Niche between Two Vases, plate 3 from the series of Antique War Trophies after Polidoro da Caravaggio"s faÁade for the Palazzo Milesi, Rome, circa 1658
Giovanni Girolamo Frezza, [Diana seated underneath a fountain], 17th - 18th century
Giovanni Girolamo Frezza, A Harvesting Scene, 17th - 18th century
Giovanni Girolamo Frezza, A Scene of Winemaking (Proverb, Chapter 3,V.10), 17th - 18th century
Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.14), 17th - 18th century
Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.13), 17th - 18th century
Giovanni Girolamo Frezza, Pope Innocent XII, after Ludovicus David, engraved by Hubertus Vincent, 17th - 18th century
Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.13), 17th - 18th century
Giovanni Andrea de* Ferrari, Ecstasy of St. Mary Magdalen, 17th century
Cesare Fantetti, Frontispiece with a Pedestal supporting the Coat of Arms of Agostino Chigi, a Farnese Prince, dedication page to Giovanni Battists Falda*s Le Fontane di Roma (Fountains of Rome), circa 1675
Giovanni Battista Falda, The Fountain Above the Rustic Fountain at the Villa Aldobrandini, plate 10 from the series Le fontane delle ville di Frascati...(The fountains of the villas of Frascati...), circa 1675
Giovanni Battista Falda, Fontana nella Piazza della Basilica di S. Maria Maggiore (Fountain in the Piazza of the church of Santa Maria Maggiore), pl. 9 from the series Le Fontane di Rome (Fountains of Rome), 1691
Cornelis van Dalen The Elder, Portrait of Giovanni Boccaccio, 17th century
Cornelis van Dalen The Elder, Portrait of Giovanni Boccaccio, 17th century
Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Beheading of Saints, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Procession of Animals and Figures, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Laban Searching Jacob"s Baggage for Rachel"s Idols, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Young Shepherd on horseback, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Copy in reverse of Man With a Long Beard, Wearing a Headdress and Fur Cap, Facing Right, from the series Large Studies of heads in Oriental Headdress, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, circa 1650
Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man Looking to Front with Face in Shadow, 17th century
Giovanni Benedetto Castiglione (il Grechetto), The Festival of Pan, 17th century
Giovanni Benedetto Castiglione (il Grechetto), The Angel Arousing Joseph, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Raising of Lazarus, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man Looking to Front with Face in Shadow, 17th century
Giovanni Benedetto Castiglione (il Grechetto), The Raising of Lazarus, circa 1647 - 1651
Giovanni Benedetto Castiglione (il Grechetto), The Entry Into Noah"s Ark, circa 1650 - 1655
Giovanni Benedetto Castiglione (il Grechetto), Pan Seated Near a Vase, circa 1645
Giovanni Benedetto Castiglione (il Grechetto), Pan (or Marsyas) and Olympus, 1648
Giovanni Benedetto Castiglione (il Grechetto), Nativity with God the Father and Angels, circa 1647
Giovanni Benedetto Castiglione (il Grechetto), Circe With Companions of Ulysses Changed Into Animals, circa 1655
Giovanni Benedetto Castiglione (il Grechetto), The Philosopher Diogenes Searching for an Honest Man, 1645 - 1647
Giovanni Benedetto Castiglione (il Grechetto), Young Herdsman on Horseback, mid 17th century
Giovanni Benedetto Castiglione (il Grechetto), The Genius of Giovanni Benedetto Castiglione, circa 1648
Giovanni Benedetto Castiglione (il Grechetto), The Flight Into Egypt (?), 17th century
Giovanni Benedetto Castiglione (il Grechetto), Discovery of the Bodies of SS. Peter and Paul, 17th century
Giovanni Benedetto Castiglione (il Grechetto), Nativity with God the Father and Angels, circa 1647
Giovanni Benedetto Castiglione (il Grechetto), Recto:Laban Seeking His Idols
Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man With His Head Leaning Forward, Wearing a Skullcap, Facing Right, from the series Large Studies of heads in Oriental Headdress, late 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man With a Moustache, Wearing a Fur Headdress, Facing Left, from the series Large Studies of heads in Oriental Headdress, late 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Plumed Fur Cap and a Scarf, from the series Large Studies of heads in Oriental Headdress, late 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man with a Beard and Mustache, Wearing a Tassled Headdress, Facing Left, from the series Large Studies of heads in Oriental Headdress, late 17th century
Giovanni Benedetto Castiglione (il Grechetto), A Satyr Seated Beside a Statue of Priapus (Satyr Seated at the Foot of a Term), circa 1645
Giovanni Benedetto Castiglione (il Grechetto), Bearded Man Wearing a Cap Ornamented with Fur, Facing Right, from the series, Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Flock of Sheep Surrounding a Laden Donkey, late 17th century
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Old man Wearing a Turban Ornamented with Fur, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Eyes Lowered, Wearing a Cap Ornamented with Plumes, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Old Man Wearing a Turban Ornamented with Fur, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man Wearing Shoulder-Length Headdress, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Eyes Lowered, Wearing a Cap Ornamented with Plumes, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man Wearing a Plumed Turban, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man Wearing a Fur Headdress with a Headband, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Old Man Wearing a Fur Cap, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban and a Tie Fastened Around His Neck, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Lowered,Wearing a Turban, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban and a Tie Fastened Around His Neck, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Leaning Against His Shoulder, Wearing a Plumed Headdress, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Leaning Against His Shoulder, Wearing a Plumed Headdress, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man Sounding a Trumpet, Wearing a Flat Cap, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man, with Head and Eyes Lowered,Wearing a Turban Ornamented with Fur; Other Studies, Lightly Traced, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Man Sounding a Trumpet, Wearing a Flat Cap, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man with a Long Beard, Wearing a Headdress and Fur Cap, Facing Right, from the series Large Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Young Woman Wearing a Plumed Turban, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Portrait of a Man with Beard and Mustache, Wearing a Cap with Large Plume (Portrait of G.L. Bernini?), circa 1645 - 1650
Giovanni Benedetto Castiglione (il Grechetto), Man with a Mustache, Wearing a Fur Headdress, Facing Left, from the series Large Studies of Heads in Oriental Headdress, circa 1645 - 1650
Canaletto (Giovanni Antonio Canal), Piazzetta with Campanile under Construction, 17th - 18th century
Canaletto (Giovanni Antonio Canal), Landscape with Equestrian Statue, 17th - 18th century
Giovanni Lorenzo Bernini, Design for a Church Altar, 17th century
Giovanni Battista Benaschi, The Holy Family with Angels, after the painting by Giovanni Domenico Cerrini, 1652
Sisto Badalocchio, A Bishop Ascending To Heaven Surrounded by Four Angels, from a series after Correggio"s decorations for the cupola of S. Giovanni Evangelista, Parma., circa 1620
Pordenone (Giovanni Antonio de Sacchis), St. Joseph Being Expelled from the Temple, mid 16th century
Giovanni Jacopo Rossi (Giovanni Iacomo de Rubeis), Villa Borghese, 16th - 17th century
Adamo Scultori (Mantovano) , Madonna Nursing the Child, after the engraving by Giovanni Battista Scultori, circa 1560 - 1570
Giovanni Battista Scultori (Mantovano), The Resurrection, after Giulio Romano, 1537
Giovanni Battista Scultori (Mantovano), The River God Po and a Putto, 1538
Giovanni da Siena, Abraham and Melchisedek, 16th century
Giovanni Lanfranco (Giovanni di Stefano), Christ Expelling the Money Changers, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), Horse, 16th - 17th century
Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
Jan van der Straet (Giovanni Stradano), Battlescene in the Life of Joannes de Medici, 16th - 17th century
Jan van der Straet (Giovanni Stradano), A King receiving an envoy near battlefield, 16th - 17th century
Giovanni Battista Zelotti, The Antique Sacrifice, 16th century
Giovanni Battista Paggi, Christ Displaying the Sudarium, circa 1590 - 1599
Giovanni Lanfranco (Giovanni di Stefano), Caryatid, 16th - 17th century
Girolamo Porro, Giovanni Maria Visconti, Secondo Duca , opposite page 5 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacchi
Girolamo Porro, Giovanni Galeazzo Maria Sforza, Visconti Sesto Duca, on verso of page 11 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with] Funerali antichi by
Giovanni Francesco Barbieri (Guercino) , St, JÈrÙme...twenty fifth plate in thebook...[Title in Russian and French] Imperatorskaya Ermitazhnaya Galereya ä GalÈrie ImpÈriale de l"Ermitage (Saint Petersburg: Gohier Desfontaines, 1847), 16th - 17th centu
Giovanni Francesco Barbieri (Guercino) , Martyre De St. Sebastien (The Martyrdom of Saint Sebastian)...forty eighth plate in the book... [Title in Russian and French] Imperatorskaya Ermitazhnaya Galereya ä GalÈrie ImpÈriale de l"Ermitage (Saint Petersb
Giovanni Bologna, Astronomy, 16 - 17th century
Giovanni Battista Carlone, St. Peter, 16th - 17th century
Giovanni Battista Cima, Madonna and Child (The Quincy Shaw Madonna), circa 1504
Giovanni Antonio Fasolo, Family Group Portrait, 16th century
Giovanni Pedrini, or Giovanni Ricci Giampetrino, Saint Catherine, 16th - 17th century
Giovanni Battista Moroni, Portrait of a Gentleman (traditionally called Giulio Gilardi), circa 1550
Giovanni Battista Franco, Abraham and Melchizedek, 15th - 16th century
Giovanni Battista Franco, Fortitude and Justice, 15th - 16th century
Giovanni Battista Franco, Scipio Granting Clemency to the Prisoners, 15th - 16th century
Giovanni Battista Franco, The Ark of the Covenant Placed Before the Philistines in the Temple of Dagon, 15th - 16th century
Giovanni Battista Franco, A General Placing a Helmet on the Head of an Old Man, 15th - 16th century
Giovanni Antonio Boltraffio, Portrait of a Man, 15th - 16th century
Matteo diThe Crucifixion, circa 1490
Matteo diThe Magi Before Herod, circa 1490
Bartolomeo diThe Adoration of the Magi, circa 1490
Giovanni di Marco (Giovanni dal Ponte), Madonna and Child with Angels, circa 1430
Artist: Giovanni Di Marco (Giovanni Dal Ponte) Title: The Resurrection of Christ Date: 15th century
Artist: Canaletto (Giovanni Antonio Canal) Title: Grand Canal from Palazzo Flangini to Palazzo Bembo Date:
Artist: Guercino (Giovanni Francesco Barbieri) Title: Erminia and the Shepherds Date: 1648 - 1649 Medium:
Artist: Giovanni Gioseffo dal Sole Title: Judith with the Head of Holofernes Date: 17th century
Artist: Baciccio (Giovanni Battista Gaulli) Title: Diana the Huntress Date: about 1690 Medium: oil on
Artist: Giovanni Domenico Ferretti Title: St. Philip Neri in Glory Date: 1731 Medium: oil on
Artist: Fra Giovanni artist unknown Title: The Nativity Date: 15th century Medium: tempera on panel
Artist: Il Grechetto (Giovanni Benedetto Castiglione) Title: The Immaculate Conception with Saint Francis and Anthony
Artist: Giovanni Domenico Tiepolo Title: Head of a Philosopher Date: 1750 - 1760 Medium: oil
Artist: attributed to Giovanni Battista Foggini Title: Jewelry Box Date: about 1700 - 1720 Medium:
Artist: Giovanni Giardini da Forli Title: Holy Water Stoup Date: about 1720 Medium: silver, gilt
Artist: Giambattista Tiepolo (Giovanni Battista Tiepolo) Title: The Head of Truth Date: about 1744 Medium:
Artist: Giovanni Battista Foggini Title: Study for a Console Date: 17th century Medium: pen and
Artist: Giovanni Battista Piranesi Title: View of the Flavian Amphiteatre Date: 18th century Medium: etching
Artist: Giovanni Benedetto Castiglione Title: Noah and the Animals Entering the Ark Date: about 1650
Artist: Giovanni Benedetto Castiglione Title: Theseus Finds His Father"s Weapons Date: 1648 Medium: etching Dimensions:
Artist: Giovanni Battista Piranesi Title: The Lion Bas Reliefs, from The Prisons Series Date: 1761
Artist: Giovanni Francesco Grimaldi Title: Landscape with Trees Date: 17th century Medium: pen and ink
Artist: Giovanni Antonio Pellegrini Title: Allegory of America Date: 18th century Medium: pen and ink
Artist: Circle of Giovanni Battista Piazzetta Title: A Boy and a Girl (Lovers) Date: 18th
Artist: Giovanni Domenico Tiepolo Title: Education of the Spanish Infante, Luis of Parma Date: about
Artist: Giovanni Benedetto Castiglione Title: The Raising of Lazarus Date: 17th century Medium: etching Dimensions:
Artist: Pier-Leone Ghezzi Title: Caricature of Giovanni Battista Maini Date: 1749 Medium: pen and brown
Artist: Giovanni Benedetto Castiglione Title: Discovery of the Bodies of Saint Peter and Saint Paul
Artist: Giovanni Battista Piranesi Title: Great Piazza and Basilica of St. Peter"s from the "Le
Artist: Giovanni Battista Piazzetta Title: Male Nude Date: 18th century Medium: black chalk heightened with
Artist: Giovanni Benedetto Castiglione Title: Tobit Burying the Dead Date: about 1647 - 1665 Medium:
Artist: attributed to Il Guercino (Giovanni Francesco Barbieri Guercino) Title: The Holy Family Date: 17th
Artist: Il Guercino (Giovanni Francesco Barbieri Guercino) Title: Two Putti Covering a Cartouche on the
Artist: Giovanni Benedetto Castiglione Title: Feast Before the Altar of the God Terminus Date: about
Artist: Giovanni Baglione Title: Virgin and Child with Saints Date: about 1630 Medium: pen, dark
Artist: Giovanni Benedetto Castiglione Title: Man Wearing a Plumed Fur Cap and Scarf Date: 1640
Artist: Giovanni Battista Pittoni Title: Self Portrait Date: n.d. Medium: balck chalk, pencil, with a
Artist: Giovanni Benedetto Castiglione Title: The Virgin Adoring the Child Date: 1655 Medium: etching Dimensions:
Artist: Giovanni Benedetto Castiglione Title: The Nativity with God the Father and Angels Date: after
Artist: Jean-Honoré Fragonard and after Giovanni-Battista Langetti Title: Saint Jerome in the desert Date: 18th
Artist: Salviati (Francesco de" Rossi ) and Giovanni Stradano and Jan Rost and workshop Title:
Anonyme (attribué) ; PANNINI Giovanni Paolo (?, attribué)Préc. auteurPlaisance, 1692 (vers) ; Rome, 1765EcoleHollande (?)
Bartholomeo Bongo (1914 Henry Wolf Giovanni Battista Moroni copy after wood engraving on paper image:
Youth Playing a Pipe for a Satyr, 1609-1664 Giovanni Benedetto Castiglione ("Il Grechetto") (Italian, b.
Scalinata della Trinità dei Monti, ca. 1756-58 Made by Giovanni Paolo Pannini (Italian, b. Piacenza
The Genius of Castiglione, ca. 1645-47, published 1648 Giovanni Benedetto Castiglione ("Il Grechetto") (Italian, b.
Imaginary View of Venice (undivided plate), 1741 Canaletto (Giovanni Antonio Canal) (Italian, b. Venice 1697
The Round Tower, plate 3 of Carceri, ca. 1749-60 Giovanni Battista Piranesi (Italian, b. Mogliano
David, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
Moses, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
Noah, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
Abraham, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
An Episode from the Life of Saint Giovanni Gualberto Attributed to Niccolò di Pietro Gerini
Madonna and Child with Donors, lunette, ca. 1365 Giovanni da Milano (Giovanni di Jacopo di
Triton, 16th century (1560-70) By Giovanni Bologna (ca. 1529-1608)Italian (Florence); Made in Florence, ItalyBronze; H.
Grand Prince Ferdinando de" Medici (1663-1713), Portrait Bust, 17th century (ca. 1683-85) Giovanni Battista Foggini
The Creation of the World and the Expulsion from Paradise, 1445 Giovanni di Paolo (Italian
The Coronation of the Virgin, ca. 1455 Giovanni di Paolo (Italian [Siena], ca. 1400-1482)Tempera on
Bowl (Scodella), 1508 Workshop of (or painted by?) Giovanni Maria Vasaro (Italian [Castel Durante])Majolica; H.
Trattato dell" arte della pittura, scultura et architetettura, 1585 Author: Giovanni Paolo Lomazzo (Italian, 1538-1600)Milan:
Saint Sebastian Francesco Botticini (Francesco di Giovanni) (Italian, Florentine, born about 1446, died 1497)Tempera and
Madonna and Child Enthroned with Saints and Angels Francesco Botticini (Francesco di Giovanni) (Italian, Florentine,
The Trinity, lunette Bartolomeo di Giovanni (Italian, Florentine, active by 1488, died 1501)Tempera on wood;
Madonna and Child, 1370s Paolo di Giovanni Fei (Italian, Sienese, active by 1369, died 1411)Tempera
The Journey of the Magi, fragment Sassetta (Stefano di Giovanni) (Italian, Sienese, active by 1423,
Madonna and Child with Angels, ca. 1445-50 Sassetta (Stefano di Giovanni) (Italian, Sienese, active by
Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
The Presentation of Christ in the Temple, predella panel, ca. 1440 Giovanni di Paolo (Giovanni
Paradise, predella panel, ca. 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
Madonna and Child with Saints, polyptych, 1454 Giovanni di Paolo (Giovanni di Paolo di Grazia)
Madonna and Child with Two Angels and a Donor, ca. 1445 Giovanni di Paolo (Giovanni
The Adoration of the Magi Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
The Miraculous Communion of Saint Catherine of Siena Giovanni di Paolo (Giovanni di Paolo di
The Mystic Marriage of Saint Catherine of Siena, predella panel Giovanni di Paolo (Giovanni di
Saint Catherine of Siena Exchanging Her Heart with Christ, predella panel Giovanni di Paolo (Giovanni
Saints Catherine of Alexandria, Barbara, Agatha, and Margaret, pilasters of an altarpiece, after 1463
Madonna and Child with Saints Jerome and Mary Magdalen Matteo di Giovanni di Bartolo (Italian,
Madonna and Child and Six Saints, probably 1470s Workshop of Matteo di Giovanni di Bartolo
The Legend of Cloelia, cassone panel, ca. 1480 Guidoccio di Giovanni Cozzarelli (Italian, Sienese, 1450-1516)Tempera
Christ Presented to the People (Ecce Homo) Sodoma (Giovanni Antonio Bazzi) (Italian, Sienese, 1477-1549)Oil on
The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
Portrait of a Young Man, ca. 1470 Antonello da Messina (Antonello di Giovanni d"Antonio) (Italian,
Christ Crowned with Thorns Antonello da Messina (Antonello di Giovanni d"Antonio) (Italian, Sicilian, born about
Madonna Adoring the Sleeping Child, early 1460s Giovanni Bellini (Italian, Venetian, active by 1459, died
Madonna and Child, ca. 1510 Workshop of Giovanni Bellini (Italian, Venetian, active by 1459, died
Madonna and Child, probably late 1480s Giovanni Bellini (Italian, Venetian, active by 1459, died 1516)Oil
Madonna and Child with Saints Giovanni Bellini and Workshop (Italian, Venetian, active by 1459, died
The Circumcision, 1511 Workshop of Giovanni Bellini (Italian, Venetian, active by 1459, died 1516)Oil on
Three Saints: Roch, Anthony Abbot, and Lucy, ca. 1513 Giovanni Battista Cima (Italian, Venetian, born
Madonna and Child with Saints Francis and Clare, ca. 1510 Giovanni Battista Cima (Italian, Venetian,
Bacchus and Ariadne Giovanni Antonio Pellegrini (Italian, Venetian, 1675-1741)Oil on canvas; 46 x 50 1/2
Saint Christopher Carrying the Infant Christ Giovanni Battista Piazzetta (Italian, Venetian, 1682-1754)Oil on canvas; 28
The Holy Family, probably ca. 1735 Giovanni Battista Pittoni (Italian, Venetian, 1687-1767)Oil on canvas; 32
The Triumph of Marius, 1729 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
The Capture of Carthage, 1725-29 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
The Battle of Vercellae, 1725-29 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
The Glorification of the Barbaro Family, ceiling decoration, ca. 1750 Giovanni Battista Tiepolo (Italian, Venetian,
The Investiture of Bishop Harold as Duke of Franconia, sketch, ca. 1751-52 Giovanni Battista Tiepolo
Allegory of the Planets and Continents, sketch, 1752 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on
Saint Thecla Praying for the Plague-Stricken, sketch, 1758-59 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on
The Adoration of the Magi, sketch Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; 23
The Apotheosis of the Spanish Monarchy, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian,
The Apotheosis of the Spanish Monarchy, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian,
The Chariot of Aurora Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; 35 1/2 x
A Female Allegorical Figure, grisaille, ca. 1740-50 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas,
A Female Allegorical Figure, grisaille, 1740-50 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas, gold
Neptune and the Winds, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil
Virtue and Abundance, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi
Metaphysics, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
Arithmetic, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
Geometry, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
Grammar, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
Prudence, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
A Virtue, Possibly Patriotism, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred
Temperance, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
Fortitude, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
Piazza San Marco, possibly late 1720s Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas;
Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
A Dance in the Country, ca. 1755 Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas;
Europe, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
America, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
Asia, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
Africa, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
The Sacrifice of Isaac, mid-1750s Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas; 15 3/8
Virtue and Nobility, ca. 1790-95 Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas; 21 x
The Glorification of the Giustiniani Family, sketch for a ceiling painting, 1784-85 Giovanni Domenico Tiepolo
Girl with Cherries, ca. 1494 Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by
Portrait of a Man Giovanni Agostino da Lodi (Italian, Milanese, active first quarter 16th century)Oil
Diana the Huntress Giampietrino (Gian Pietro Rizzi, or Giovanni Pedrini) (Italian, Milanese, active first half
Saint Matthew and the Angel Giovanni Girolamo Savoldo (Italian, Brescian, active by 1508, died soon
Bartolommeo Bonghi (died 1584), shortly after 1553 Giovanni Battista Moroni (Italian, Lombard, born no later
Portrait of a Man Giovanni Battista Moroni (Italian, Lombard, born no later than 1524, died
Abbess Lucrezia Agliardi Vertova (1490?–?1557) Giovanni Battista Moroni (Italian, Lombard, born no later than 1524,
The Adoration of the Shepherds L"Ortolano (Giovanni Battista Benvenuti) (Italian, Ferrarese, active by 1512, died
The Three Ages of Man Dosso Dossi (Giovanni de Lutero) (Italian, Ferrarese, active by 1512,
Samson Captured by the Philistines Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese, 1591-1666)Oil on canvas; 75
The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650 Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese,
Madonna and Child with Angels Gentile da Fabriano (Gentile di Niccolò di Giovanni di Massio)
The Birth of the Virgin, 1467 Fra Carnevale (Bartolomeo di Giovanni Corradini) (Italian, Marchigian, active
The Sacrifice of Polyxena Giovanni Francesco Romanelli (Italian, Roman, 1610-1662)Oil on canvas; 77 3/4 x
Ancient Rome, 1757 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil on canvas; 67 3/4
Modern Rome, 1757 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil on canvas; 67 3/4
Interior of Saint Peter"s, Rome, after 1754 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil
David at the Cave of Adullam Giovanni Maldura (Italian, Roman, active by 1810, died 1849)Oil
Gossip, 1873 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on wood; 7 x 9 1/2 in. (17.8
The Dispatch-Bearer, ?1879 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on wood; 16 3/4 x 13 1/2
Mrs. Charles Warren-Cram (Ella Brooks Carter, 1846-1896), 1885 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on canvas;
Consuelo Vanderbilt (1876-1964), Duchess of Marlborough, and Her Son, Lord Ivor Spencer-Churchill (1898-1956), 1906
Francesca Ghirardi Lechi Giovanni Battista Gigola (Italian, Brescian, 1767-1841)Ivory; Diameter 2 5/8 in. (66 mm)Bequest
La Verna: Chapel of
Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Aurora Dispersing the Clouds of Night (ceiling from the
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Apotheosis of Aeneas about 1762 Oil on canvas 67.31
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Apotheosis of a Poet Oil on canvas 37.1 x
Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Academic Male Nude Posed Against a Tree early 1750s
Giovanni Domenico Tiepolo, Italian, 1727-1804 A Venetian Banquet late 18th century, about 1791 Pen and
Follower of Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 A Bishop Saint Healing a Cripple (Design
After Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Capriccio of Roman Ruins with a Bas-Relief of
After Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Capriccio of Roman Ruins with a Statue of
Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Cherub 17th century Red
Copied after Giovanni Bellini, Italian (Venetian), about 1430-1516 Christ Carrying the Cross 15th - early
Formerly attributed to Ugo Da Carpi, Italian, about 1480-1520 Designed by Giovanni Antonio de Sachis,
Master of the Boccaccio Illustrations, Netherlandish 1470-1490 Publisher Colard Mansion, Bruges Author Giovanni Boccaccio De
Giovanni Battista Troccoli, American (born in Italy), 1882-1940 Denman Waldo Ross 1934 Oil on fiberboard
Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Expulsion from Paradise 1470s
Giovanni Battista Piranesi, Italian, 1720-1778 Fantastic Monument 1747-50 Pen and brown ink and wash over
Giovanni Domenico Tiepolo, Italian, 1727-1804 Flying Angels and Cherubs with the Instruments of the Passion
Giovanni Domenico Tiepolo, Italian, 1727-1804 Flying Angels with Trumpets Accompanied by Putti mid to late
Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Fountain of Trevi, Rome Oil on canvas 50.2 x
Giovanni Battista Piranesi, Italian, 1720-1778 Fountain-like Monument with Rostral Column about 1755 Pen and brown
Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Girl Seated at a
Style of Giovanni Antonio Canal (called Canaletto), Italian (Venetian), 1697-1768 Grand Canal, Venice Oil on
Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Bearded Man Looking to the Left about
Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Bearded Old Man about 1751-53 Red chalk,
Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Woman Turned Upward to the Right mid
Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Youth Shouting, in Profile to the Right
School of Giovanni Pisano Head of Saint John the Baptist Italian (Siena) Gothic, about 1315-1325
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Or Giovanni Domenico Tiepolo, Italian, 1727-1804 Heads of Two
Attributed to Giovanni Battista Maganza, Italian (Vicenzan), 1509-1586 Healing in the Temple (fragment) Oil on
Attributed to Giovanni Battista Naldini, Italian, about 1537-1591 Holy Family with Saint Anne and the
Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
Matteo da Gualdo (Matteo di Pietro di Giovanni di Ser Bernardo, called Matteo da Gualdo),
Giovanni di Paolo, Italian (Sienese), active about 1420–died in 1482 Madonna of Humility about 1436
Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Male Saint Tempera on
Giovanni Battista Fabricatore, Italian, 1780-1811 Mandoline Italy, (Naples), 1790 Maple, spruce 75.9 x 17.8 x
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
PIRANESI Giovanni Battista, PIRANESE (dit)Préc. auteurMaiano di Mestre, 1720 ; Rome, 1778EcoleItalieDomaineimpriméType d"objetalbum ; illustrationRecueil
Giovanni Battista Piranesi, Italian, 1720-1778 Monumental Facade about 1747-50 Pen and brown ink and wash
Giovanni Domenico Tiepolo, Italian, 1727-1804 Mother and Child Seated in a Landscape mid 18th century
Giovanni Battista Troccoli, American (born in Italy), 1882-1940 Mrs. Edwin Champney (Lady with a Tray)
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Old Man Standing with Arms Folded mid 18th century
Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Pastorale: A Group of Figures Resting in a Landscape
Giovanni Paolo Castelli, Italian (Roman), active about 1687-1703 Peaches and Pears in a Glass Bowl
Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Boy at a Market 1715-18 Oil on canvas
Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Girl Catching a Flea about 1715 Oil on
Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Picture Gallery with Views of Modern Rome 1757 Oil
Giovanni Battista Moroni, Italian (Venetian), 1520-1578 Portrait of a Man and a Boy (Count Alborghetti
Philippe de Champaigne, French, 1602-1674 Portrait of Reverend Prior Giovanni Antonio Philippini 1651 Oil on
Fra Carnevale (Bartolomeo di Giovanni Corradini), Italian (School of the Marches), active in 1445-1484 Presentation
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Recto: The Annunciation Verso: Study of the Lower Half
Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 River Landscape early to mid 17th
Giovanni Costa, Italian, 1826-1903 Ruins in the Roman Campagna Oil on panel 21 x 42.9
After Giovanni Bellini, Italian (Venetian), about 1430-1516 Saint Jerome 16th century Oil on panel 69.2
Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Saint Jerome as Penitent
Pellegrino di Giovanni di Antonio da Perugio, Italian (Perugian), active in 1425-1437 Saint Michael Tempera
Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Saint Vincent Ferrer Tempera
Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
Giovanni Baglione, Italian, 1571-1644 Seated Male Nude about 1600 Drawing: pen and brown ink Sheet:
Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Semiramis Receiving Word of the Revolt
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Study of a Cart Drawn by Oxen (The Transportation
Follower of Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Study of a Right Hand mid to
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 The Annunciation mid 1730"s Pen and brown ink and
Anonyme ; GAULLI Giovanni Battista (d"après), BACICCIO (dit, d"après)EcoleItalie ; Italie (d"après)DomainePeintureType d"objettableauCLEMENT IX, PAPE,
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
Rosso Florentino (Giovanni Battista di Jacopo, called Rosso Fiorentino), Italian (Florentine), 1496-1540 The Dead Christ
Giovanni Domenico Tiepolo, Italian, 1727-1804 The Entry of Christ into Jerusalem (recto); The Flagellation (verso)
Giovanni Benedetto Castiglione, Italian, 1609–about 1665 The Genius of Castiglione 1645-47 Etching and engraving, first
Giovanni Battista Bertucci, Italian (Romagnan), active in 1503–died about 1516 The Holy Family Oil and
Giovanni Battista Franco, Italian, about 1510-1561 The Marriage at Cana (John 2: I-II) Pen and
Francesco Bartolozzi, Italian, 1727-1815 Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 The Martyrdom
Giovanni Domenico Tiepolo, Italian, 1727-1804 The Milliner"s Shop about 1791 Pen and brown ink with
Giovanni Battista Paggi, Italian, 1554-1627 The Taking of Christ Pen and ink over black chalk
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 The Virgin Receiving the Prayers of St. Dominic 1737-39
GAULLI Giovanni Battista, BACICCIO (dit)Préc. auteurGênes, 1639 ; Rome, 1709EcoleItalieDomainepeintureUne bienheureuse abbesse (sainte Gertrude la
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Three Cloud-Borne Cherubs mid 18th century, about 1755 Pen
Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Time Unveiling Truth 1745-50 Oil on canvas 231.1 x
Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Tobit Burying the Dead Etching Platemark 7 7/8 x
SASSOFERRATO IL (dit), SALVI Giovanni BattistaPréc. auteurSassoferrato, 1609 ; Rome, 1685EcoleItalieDomainepeintureAssomption de la ViergeReprésentationscène biblique
Giovanni Battista Piranesi, Italian, 1720-1778 Triumphal Arch about 1747-50 Pen and brown ink and brown
Giovanni Domenico Tiepolo, Italian, 1727-1804 Trumpet-Blowing Angel mid 18th century, about 1750 Red chalk heightened
Giovanni Domenico Tiepolo, Italian, 1727-1804 Two Angels Blowing Trumpets mid 18th century, about 1750 Red
Giovanni Battista Piranesi, Italian, 1720-1778 Two Male Figures 1770s Pen and brown ink on white
PIETRO di Giovanni d"Ambrogio (attribué)Préc. auteurconnu entre 1428 et 1448EcoleItalie ; SienneDomainepeintureLa Vierge et l"Enfant
Giovanni Battista Gabbrielli, Italian, 1716-1771 Violin Italy, (Florence), 1761 Maple, spruce Body Length: 35.1 cm
Giovanni Fattori, Italian, 1825-1908 Woman Carrying Wood on her Head (Boscaiola) 1890s Etching with direct
TIEPOLO Giovanni ; Battista ; TIEPOLO Giambattista (dit)Préc. auteurVenise, 1696 ; Madrid, 1770EcoleItalie, VeniseDomainePeintureLA VIERGE
PIETRO di Giovanni d"AMBROGIOPréc. auteurSienne, 1410 ; Sienne, 1449EcoleItalie, SienneDomainePeintureType d"objetprédelle, élémentLA DECAPITATION DE SAINT
PIETRO di Giovanni d"AMBROGIOPréc. auteurSienne, 1410 ; Sienne, 1449EcoleItalie, SienneDomainePeintureType d"objetprédelle, élémentLA PREDICATION DE SAINT
GIOVANNI DA MODENAPréc. auteurConnu à Bologne de 1398 à 1456EcoleItalie, BologneDomainePeintureLA VIERGE A L"ENFANTReprésentationfigures bibliques
TIEPOLO Giovanni Battista ; TIEPOLO Giambattista (dit)Préc. auteurVenise, 1696 ; Madrid, 1770EcoleItalieDomainepeintureLA VIERGE A L"ENFANTReprésentationscène
STEFANO diSASSETTA (dit)Préc. auteurconnu à Sienne à partir de 1423 ; Sienne, 1450EcoleItalie,
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Giovanni Battista Piranesi
Capitals-1 of 4
Our Price: 17.00
Giovanni Paolo Panini
Figures Amidst a Capriccio of Ruins
Our Price: 31.00
Giovanni Battista Piranesi
Cornice Tempio Di Vesta
Our Price: 76.00
Giovanni Battista Piranesi
Urns on Pedestals I
Our Price: 80.00
Giovanni Battista Piranesi
Classical Urns & Vases
Our Price: 79.00
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