Undecided Medium Art

Page 7 of 23
John Peter Glover, Lisa Counts, Alexandre Nodopaka, James Simpson, Sonja Svete, James Melbourne, Giovan Beck, Peter Kulik, Suzanne Gegna, Philip Winestone, Pejman Shojaeion, Ahmed Alkarkhi, Ross Jonnes offering original Undecided artworks.


Contemporary Art / Undecided / Previous / Next
John Peter Glover: 'Triple Ion Modules', 2001 Other, Visionary. One of my more
Visionary - Other
40 x 25 inches (101.6 x 63.5 cm)
John Peter Glover: 'St Elmos Fire', 2001 Other, Visionary. More of a visionary landscape of sorts, this composition utilizes my drawings that are layered along with a couple of my digital photos. ...
Visionary - Other
36 x 30 inches (91.4 x 76.2 cm)
John Peter Glover: 'Glory Holes', 2001 Other, Visionary. This piece makes reference to the open hearth term
Visionary - Other
46 x 36 inches (116.8 x 91.4 cm)
John Peter Glover: 'Aurora with Spheres', 2001 Other, Visionary. This is one of my more
Visionary - Other
46 x 30 inches (116.8 x 76.2 cm)
John Peter Glover: 'Homage to the Smith', 2001 Other, Visionary. One of the Artist' s
Visionary - Other
31 x 25 inches (78.7 x 63.5 cm)
John Peter Glover: 'Interstellar Spore', 2001 Other, Visionary. This print is one of the artist' s
Visionary - Other
52 x 35 inches (132.1 x 88.9 cm)
John Peter Glover: 'Aquatic Comp I', 2001 Other, Visionary. One of Artist' sPhenomenon Print Series...
Visionary - Other
36 x 45 inches (91.4 x 114.3 cm)
Lisa Counts: 'untitled', 2002 Other, Other.
, 2002
Other - Other
0 x 0 inches (0.0 x 0.0 cm)
Lisa Counts: 'asian-fairy bluefird', 2003 Other, Birds.
Birds - Other
4 x 6 inches (10.2 x 15.2 cm)
Alexandre Nodopaka: 'Delicate Fusion', 2003 Other, Culture.
Culture - Other
1 x 1 feet (0.30 x 0.30 m)
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James Simpson: 'Coyote Blues', 2003 Other, Western. Sandpainting, using Black Tourmaline, Turquoise, and local Sand...
Western - Other
10 x 16 inches (25.4 x 40.6 cm)
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James Simpson: 'Blue Moon Mesa', 2003 Other, Western. Sandpainting, Black Tourmaline, Turquoise, local sand...
Western - Other
18 x 20 inches (45.7 x 50.8 cm)
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James Simpson: 'Blue Horizon', 2003 Other, Western. Sandpainting, Black Tourmaline, Turquoise, Lepidolite....
Western - Other
16 x 8 inches (40.6 x 20.3 cm)
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Sonja Svete: 'JOY 05 - SOMEWHERE BETWEEN', 2002 Other, Figurative. Pastel on paper;Series' Joy' - 5....
Figurative - Other
26 x 20 inches (66.0 x 50.8 cm)
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James Melbourne: 'woman2', 2000 Other, Figurative.
, 2000
Figurative - Other
1658 x 1519 cm (652.8 x 598.0 inches)
James Melbourne: 'woman1', 2000 Other, Figurative.
, 2000
Figurative - Other
1500 x 1978 cm (590.5 x 778.7 inches)
Giovan Beck: 'portrait', 2002 Other, Portrait. Freehand Airbrushing on paper....
, 2002
Portrait - Other
50 x 70 cm (19.7 x 27.6 inches)
Peter Kulik: 'inside forest', 1995 , Wildlife.
Wildlife -
11 x 9 inches (27.9 x 22.9 cm)
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Suzanne Gegna: 'MYTH AND EGGS', 2001 , Portrait. SHE IS A MYTHOLOGICAL CREATURE AND FLOATS THROUGH THE SKY WITH HER NEST AND EGGS. . . . . SHE IS CONTENT AND ENJOYING THE RIDE. ...
Portrait -
9 x 12 inches (22.9 x 30.5 cm)
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Suzanne Gegna: 'CHICKENWITHLOTS OF YELLOW', 1998 Other, Animals. THIS CHICKEN IS GOING FOR A WALK. ITS NOT THE ONE THAT CAME OUT OF THE EGG IN THE BLUE CHAIR. . . . . . ...
Animals - Other
9 x 12 inches (22.9 x 30.5 cm)
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Philip Winestone: 'Untitled', 2001 , undecided.
, 2001
undecided -
0 x 0 inches (0.0 x 0.0 cm)
Philip Winestone: 'Untitled', 2001 , undecided.
, 2001
undecided -
0 x 0 inches (0.0 x 0.0 cm)
James Melbourne: 'woman5', 2000 Other, Figurative.
, 2000
Figurative - Other
1564 x 1876 cm (615.7 x 738.6 inches)
Pejman Shojaeion: 'Face', 2001 , Portrait. Face Of Face...
, 2001
Portrait -
50 x 70 inches (127.0 x 177.8 cm)
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Ahmed Alkarkhi: 'colorful wall', 2019 Other, Abstract. Colorful wall...
Abstract - Other
14 x 14 inches (35.6 x 35.6 cm)
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Ross Jonnes: 'best electric chainsaw updated', 2020 Other, Abstract. A fantastic device for almost any out of doors job is the chainsaw. Whether or not you re utilizing an electrical chainsaw for minor pruning or storm particles removing, or a industrial grade noticed for felling giant bushes, just a few easy objects may also help you lengthen the lifetime ...
Abstract - Other
17.8 x 14.6 inches (45.2 x 37.1 cm)
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Ross Jonnes: 'best chainsaw chain updated', 2020 Other, Abstract. Chainsaws are very highly effective instruments that may accomplish a number of work in a brief period of time. This similar energy that permits them to rapidly accomplish their duties, nevertheless, additionally makes them harmful to work with. In case you are available in the market for a sequence noticed ...
Abstract - Other
6.3 x 2.1 feet (1.92 x 0.64 m)
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Ross Jonnes: 'best portable tablesaw updated', 2020 Other, Abstract. The issue with standard desk saws is that they trigger the extra accidents than every other carpentry instruments. Many individuals consider that this is because of carpenters unhealthy behavior of not placing the noticed guard again to its place instantly after use. On the 2007 IBS Truthful in Orlando, Florida, ...
Abstract - Other
2.1 x 8.4 feet (0.64 x 2.56 m)
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Ross Jonnes: 'best chainsaw chap updated', 2020 Other, Abstract. Spend some times and please take a look at the reviews of the onlychainsaw that we recommend wich is the best sufts your requirement...
Abstract - Other
11.4 x 15.6 cm (4.5 x 6.1 inches)
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Ross Jonnes: 'best small chainsaw', 2019 Other, Other. The fast ache and trauma of an incident are apparent, however it s the long- term Penalties that actually damage.  Critical accidents may end up in lifelong incapacity and short- term or generally everlasting lack of revenue.  The place the accidents are deadly, household and pals additionally need to take ...
Other - Other
15.3 x 14.8 inches (38.9 x 37.6 cm)
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(Page 7 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    John Peter Glover - At its foundation, my work uses a linear element as the basis for the composition. The intended result is to suggest or convey the essence of an object(s) in a vague manner often wrapped in an expressive emotional context. Based on a vast supply of my own drawings as a primary resource, I compound and refine the images until I'm satisfied that I have the right combination. Often, this is a matter of using layer upon layer of a building process within the image area. The subject or theme is certainly contemporary. I consider it to be more sensual than it is political, yet expressive, somewhat akin to the expressionistic style of the mid-twentieth century moderns. The work is also more surreal than representational. I work both with traditional mediums (acrylic on canvas) as well as with digital tools. Regardless of the medium the central concept or message is never a "slave" to the medium. The images will assume a varied appearance or "complexion" depending the medium . Although I find that the digital work in general is not always understood in terms of it's archival integrity, I can assure my buyers that my work is always ...

    Alexandre Nodopaka - 1. To portray ideas in a fresh style, but most important I was Born for Art, I Live for Art and will die for Art. 2. Abstraction in art is the greatest spiritual meditation & an ideal cerebral masturbation. 3. Photography killed representational art some 150 years ago. The computer killed abstract art. Today, thousands abstracts can be created in a day, they may be worth a thousand words but not a penny! 1. Pour peindre des idees dans un style frais, mais plus important je suis ne pour l'Art, je vis pour l'art et mourrai pour l'art. 2. L'abstraction dans l'art est la plus grande meditation spirituelle & une masturbation cerebrale ideale. 3. La photographie a tue l'art figuratif il y a quelques 150 annees et l'ordinateur a tue l'art abstrait. Aujourd'hui, des milliers d'art abstrait peuvent etre crees dans un jour... ils peuvent valoir mille mots mais pas un centime! 1. Para retratar las ideas en un estilo fresco, pero mas importantes de que era nacido para Art, vivo para Art y morire por Art. 2. El caracter abstracto en el ...

    James Simpson - Howdy! Sandpainting is an Ancient Art known across the Globe. My introduction to the Art was through contact with the Dine` of the Southwest United States. I met Joe Ben Jr. in Northern New Mexico in 1984 and was Honored to assist him in searching for pigments to complete a group of Sandpaintings for the Indian Fair in Santa Fe. Along the way, i picked up the essentials of Sandpainting and found my niche in this very traditional Art. My Paintings do not reflect the Way of the Navajo, but do use Southwest Themes and utilise various Gems and Minerals which are collected by Hand....

    Sonja Svete - The form as a dwelling of human spirit. Primary medium: soft pastels on paper. Figurative-abstract transactions made in very controlled manner. Colors are very personal, drawing is cleaned of all unfunctional details. My first pastel series was born during last year of studying fine arts like the fastest way to catch the idea of form for latter printmaking. These were static human figures captured in circle form, representing complex emotions. I named that Series'Mater Magna' because of the obvious archetypes this forms represented. With time they lost that symbolic meaning and eventually become just abstract body fragments, with my interest more focused on the correlation between shapes and colours. With time that evolved in this last Series I named'Joie de Vivre' or just'Joy' (of Life). In the same technique and manner, these stylized figures are liberated of their symbolic meanings or complex psychological heritage. They now exist in the space of colors - they attend to just be in it and be it at the same time. Here all my previous endeavors evolved in unrecognizable, abstract forms expanding in space. Finally, feeling of the human spirit being set free. Secondary medium: acrylic painted reliefs in cardboard or ...

    James Melbourne - James Melbourne Art is all about Illusion.The painting itself is artificial. My work is an expression of A reality of the concrete world that exists outside the art object itself.What interests me is the seperation between the real and the unreal.the objective and the nonobjective.I began my career as an abstact artist.I enjoy the painterly qualities of Abstactionismn I also like the use accident and chance. The paint itself expresses my experiences in life ...

    Peter Kulik - Before you start read my profile, I must anounce that I am already back in Europe . I moved back so my contact changed .Here is my new tel. number - it's cellphone and new adress is : Peter Kulik , Palackeho 4445 , 430 01 Chomutov , Czech republic I was born at 1969 in Czech republic .At 1975 I started study painting art at Art school , in the same time i studied martial arts at Sport school ,both at Chomutov, Czech republic During my studies at high school a graduated in all of levels of painting art and continued study at different schools and seminars of painting art and martial art . High school Masaryk University of Veterinary Medicine Brno, Czech republic /1987 - 1993 / ,/student of veterinary medicine,also worked at university like instructor of martial arts From 1987 - 1992 amateur theatre /actor / 1990 - 1994 - actor at professional musical theatre Cantus Nova - publishing my poetry and stories in Community of writers and poets "Spona" Brno !993 - 1995 - worked like psychologist at GC System /computer and software company / ,where I was working at - psychological profiles of employees ,coworkers - seminars about business and behavior psychology - accepting and recommending new employees - building new strategy of business using ...

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

    Philip Winestone - The image is EVERYTHING - so words should never be needed to define it or what it says. The photographs, drawings and monotypes of Philip Winestone are thoroughly minimalist and non-contextual, relying only on the play of light on the subject and the strength of the subject itself to communicate their respective messages....