Artists Describing Their Art:
William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...
Roberto Trigas - Art has been practiced by humans since thousands of years ago; we have remaining samples of paintings in caves and walls, stone carvings and many objects. The main characteristic of Art as opposed to the manufacture of everyday objects is that, were those have a definite USEFUL purpose, Art doesn`t seem to. I`ll explain.Making a tool to obtain food is an obvious useful activity. Spending a great deal of time and effort in "decorating" that tool doesn`t seem to have an obvious purpose. And yet, humans have been doing so for thousands of years.Why? Probably we shall never know. But there is something inherent in human beings that make us do so.There is magic in creating, in transforming a piece of clay into a "thing" that resembles something else, in spreading paint over a stone wall and making images appear,images that other members of the tribe recognise and relate to. That is why I paint. Because painting appeals to the magic unknown of human nature. In European Art, mainly since the Renaissance (XV c. onwards), Artists strived to attain a representation of the visual reality as close to an optical view as possible; ...
Kathleen Flowers - As a multidisciplinary artist, Flowers' work is currently based on the idea of Design in Nature. Through the art of abstract, her content and inspiration often comes from the beauty found in nature that surrounds her on a day to day basis. The work focus on many themes that are symbolic and personal to her. The paintings are abstract,figurative and non-objective. Her paintings and drawing are filled with serene colors, painted with acrylic and other mediums giving them an aesthetic visual affect while appealing to the senses and are created to evoke a visceral effect from within. ...