Artists Describing Their Art:
Artur Pashkov - Artur Pashkov is an artist originally from Russia. He arrived to New York in 2001 to explore the land of the opportunity in his career and passion. Here, Artur Pashkov wants to pursue a goal of a successful artist that can reach an audience by expressing his feelings and emotions through his Art. Artur graduated with BFA from Pace University in 2007. Fine Art is Artur's gateway to share with other people his way of seeing everything around him. In this way some people can perceive through his representations and visions the world in different perspective and color.It's not easy for Artur to describe his creativity, because it's a process that he's not fully aware of. His visions are like dreams, and are not easily understood or explained. Every time he takes a brush in hand, his visions are coming from nowhere, and he does not know where they will take him. Some of Artur's paintings appear to come from another world, crazy and even scary. Artur Pashkov is a painter practically from birth, when other kids wanted a bike or a plane Artur wanted to paint. Over the last few years Artur Pashkov ...
Elohim Sanchez - I started painting in 2004, just before my film-making studies at the University of Montreal. Although guided by plain curiosity in the beginning, painting quickly transformed into an intriguing new field of artistic possibilities. To this day I have more ideas than time to work on them, but I try to be disciplined and paint on a daily basis. So far my work has been characterized by an extensive use of colored lines that define planes, surfaces and volumes. These lines and brushstrokes are to me like force fields that give form to the material world we live in. By drawing them I feel as if I took part in the creation of physical objects, as if I participated in the construction of the physical world. In that sense my paintings feel very close to sculpture. I don't copy what I see, I make my own the forms of the world. I infuse them with intention, direction, energy, personality and color, and I delight in the conflicts, contrasts and surprises that arise from the many parts of the painting, as if shapes strove to define themselves, as if they wanted to find the perfect place and the perfect ...
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Susan Cantor-Uccelleti - My Statement as an artist and what art means to me and effects my life aEURoeArt Heals Body and SoulaEUR Abstract Expressionism gives me the freedom to express my inner feelings and also how I see the world around me through color and movement. My paintings are my life on canvas which I hope to be able to share so others can see the beauty and the wonders around us. This gives me purpose to go on, to be able to create is to live. Painting has always been part of life, in my early years I painted what I was able to see, but now I paint my emotions. My life, as everyone, has had its ups and downs. Each of my paintings represent my moods and situations around me. When you first look at my art, you will see colors, but as you back up and study each painting, you will see something different. Each piece of my artwork has some part of me which I gratefully want to pass on to you. My work is all original, there are no copies or prints, each one of a kind. When I paint, I think colors, movement and balance, ...
Paul Cairns - Most of the time my work is rooted in an exploration of structure, by nature and the landscapes of Northern Ireland where I grew up or Essex where I now live. Structurally the handling of the materials is very physical with the stretchers frequently becoming more sculptural or sculptures becoming painterly. Painting can sometimes be seen as passively hanging on the wall out of the way so to counter this viewpoint many of my works inhabit the space much more, from heavy relief to working fully in the round. Nature and landscape is never far away from my thoughts and being part of nature is what has enabled us to develop a sense of culture, so when I paint what may at first look like a conventional portrait, you will soon see that the sitter is a part of the landscape; they have had a hand in forming each other. ...
Setyo Mardiyantoro - Setyo Mardiyatoro was born in Java, Indonesia the 13/04/64 and got a degree in Agricultural technology at the National University of Jember, Indonesia in 1990. In'91 he came to Italy to follow his real vocation which is artistic. At present he lives in Naples where he works as a painter. In his work there is all the history of his experience which has matured in two completely different worlds similar only for their richness and variety of traditional cultures and the production of works of art. The remembrance and the nostalgia for an exuberant nature can be seen in the Italian landscapes which admiration covers with a golden light and which are enriched with stylized birds, the symbol of sentiments and thoughts which they have recalled up. Images of oriental fairy tales, mythological scenes and animals confront one another with the enigmatic faces of western women in thoughtful attitudes. In his first works he is inspired by the technique of Indonesian Batik, where the "tik" is the drop of wax used to leave a point uncolored. In his contact with traditional western art he has found that pointillism is particularly near in it's results to this ...
Amy Wetterlin - I strive to exalt the human spirit through capturing composition, structures (organic and non)and repeating patterns. The patterns and forms create an abstract while maintaining balance and movement of life force. Life either moves or is stagnant...it's up to you. Thanks for looking! Cheers Amy...
Jean-Luc Lacroix - Jean-Luc Lacroix offers to older tools, utensils or other items the chance of a life more beautiful, a contemplative retreat. His talent in the art of recovery and his imagination in the creative reconstruction are without limits. A chair or a console in the sculptured design gives the tray of a pedal assembly the elegance of lace, a fifth wheel as a small pedestal table makes it a beautiful set to pulleys and cranks... But the effect of his work would be incomplete if it did not emphasize the humor that runs through each part: a phantasmagoric bestiary or realistic vain brightenes his work, as well as suggestive names like aEURoeHangover seweraEUR, aEURoeUrlubaEUR or aEURoeBrutusaEUR. Abroad (paintings & sculptures): - represented by Jacques Boulan (Art Editor): Japan. Sweden. Norway. Germany. France. - USA. Belgium. Luxemburg. Spain. United Kingdom. From 2009 to 2010 - Luxemburg, City Bank 1998 - Geneve (Gallery ) 2001 - Rotary Club "Recup Art", Charleroi (Belgium) 2008 - Gallery San Pedro, California / Chattanooga, Tennessee 2004 - "Don Quichotte", Logrono, Spain 2004 - Casa delle Culture, Cosenza (87100) Italy 2006 - "Rot Mail Art Project" in Stuttgart, Brazil, Chicago, Hungaria, Yeshkar (Russia), Canada, Spain Personal exhibitions in France - Exhibition at "Savour Club" Paris 16 (near "Maison de la ...
Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...
Jan Chlpka - Jan Chlpka - naive imaginism The painter from Hlozany (Vojvodina, Serbia) Jan Chlpka (1965) belongs to our best and most original painters of naive art today. To poetics of inset imaginism tied him his increased imagination. As a result such an orientation we can find a reduced space of painting without any unnecessary details and expressed expressive stylization of shapes. He also uses colors in accordance with inter and not mimetic meaning. The most frequent themes of his painting creation are animals, which is natural while his occupation is veterinary surgeon. Here we can notice other rare component of painter's creation - humor. Vladimir Valentik, art historian...
Jan Chlpka -
John E Metcalfe - My focus is to depict light in new and unique ways. With each painting I create, I explore the fundamental elements of light and how the viewer actually sees and interprets colors. I intuitively seek to mix unconventional color combinations and techniques that provide just enough information to form that image. I often reduce the subject to the elements necessary to depict light and infuse motion. As a lifelong resident of Florida, I have always been fascinated by the play of tropical light on the land, the water, and the vegetation. It is my muse and a constant source of inspiration. The light in my paintings is not solely conveyed through the interaction of color. It is also a result of how the depth, angle, and buildup of the brush strokes capture and reflect light and shadow on each canvas. I love to create textural expressions of light and movement, surface tension and perspective. The vision for each of my works is to bring a little more joy into the vieweraEURtms life and to provide new ways of seeing the elements of light. jem...