Paintings For Sale - Price Range: $1000 - $1999

Page 5 of 168
Discover 4,859 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Jose Freitascruz, Grace Auyeung, Michael Schaffer, Rita Levinsohn, Edna Schonblum, Daniel Clarke, Nicholas Down, Jim Lively, Austen Pinkerton, Tom Lund-lack, Shoshannah Brombacher, David Larkins, Richard Lazzara, Marino Chanlatte, Michael Fornadley, Marsha Bowers, Francisco Landazabal, Azhar Shemdin, Sangeetha Bansal are exhibiting their affordable original art. You can buy artwork online and browse 168 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Grace Auyeung: 'land of rivers 1', 2011 Other Painting, Abstract Landscape. LAND OF RIVERS depicts the main substance, the abundance and beauty of Nature on which human existence rely on. ...
Abstract Landscape - Painting
61 x 79 cm (24.0 x 31.1 inches)
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Grace Auyeung: 'compassion', 2012 Ink Painting, Portrait. A FACE PORTRAYING MOTHER THERESA, S COMPASSIONATE EXPRESSION WITH DOLEFUL EYES...
, 2012
Portrait - Painting
26 x 36 cm (10.2 x 14.2 inches)
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Michael Schaffer: 'Waterfall One', 2009 Ink Painting, Abstract. Beautiful blues cascading into a cosmic waterfall. ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Rita Levinsohn: 'last look', 2018 Acrylic Painting, Animals. These animals are facing possible extinction...
, 2018
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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Daniel Clarke: 'pamplin grove ca', 2018 Acrylic Painting, Landscape. The redwood is the glory of the Coast Range. It extends along the western slope, in a nearly continuous belt about ten miles wide, from beyond the Oregon boundary to the south of Santa Cruz, a distance of nearly four hundred miles, and in massive, sustained grandeur and closeness of ...
Landscape - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Nicholas Down: 'northern shadows', 2018 Acrylic Painting, Abstract Landscape. Acrylic Medium and Charcoal on Gesso Board...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Jim Lively: 'the white album and friends', 2018 Acrylic Painting, Landscape. contemporary, viny, album...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Austen Pinkerton: 'figure on path with sunset', 1978 Acrylic Painting, Landscape. landscape sunset solitude...
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women.  Miriam, Mosessister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise.  All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Rita Levinsohn: 'searching for the light', 2017 Acrylic Painting, Abstract Figurative. This is a painting of various figures, humans, animals, reptiles searching for understanding....
Abstract Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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David Larkins: 'the dolomites sappada italy', 2018 Acrylic Painting, Mountains. Hiking in the Dolomites last August with friends, I was overwhelmed with their immense majestic beautyWe came upon a lone burro hiking back down the trail, who knows what she was doing up there, but I had to paint her ...
Mountains - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Richard Lazzara: 'pausing in time', 2016 Acrylic Painting, Abstract.
Abstract - Painting
38 x 66 inches (96.5 x 167.6 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75 x 51 cm (29.5 x 20.1 inches)
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Edna Schonblum: 'waiting', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
80 x 70 cm (31.5 x 27.6 inches)
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Marino Chanlatte: 'ocean 63', 2017 Acrylic Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born on an island the ocean has always been ...
, 2017
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Fornadley: 'The first born', 2017 Oil Painting, Figurative.
Figurative - Painting
55 x 38 inches (139.7 x 96.5 cm)
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Edna Schonblum: 'shadows 6', 2017 Oil Painting, Urban.
, 2017
Urban - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Marsha Bowers: 'parrot with magnolias', 2017 Oil Painting, Birds. Oil on canvas, Parrot withMagnolias...
Birds - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'the angel', 2006 Oil Painting, Religious. The Angel is inspired on the Gospel of Luke account of the Annunciation, when the angel Gabriel appeared to Mary and announced her divine selection to be the mother of Jesus.This painting is framed and ready to hang, the dimensions with frame are: 36  vertical by 41. 5  horizontal. ...
, 2006
Religious - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Francisco Landazabal: 'beetle', 2017 Acrylic Painting, Automotive. Beetle, old car, old city, blue tones...
, 2017
Automotive - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Azhar Shemdin: 'Fresh', 2017 Acrylic Painting, Abstract Landscape. Liquid acrylic on stretched canvas...
, 2017
Abstract Landscape - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Sangeetha Bansal: 'bath', 2016 Oil Painting, Fantasy.  Original oil painting of an apsara celestial dancer, about to take a bath. Her handmaidens are helping her prepare for it. Its a very regal piece of art with shades of black and white and color. Its set against the backdrop of a starry night.apsara, bath, handmaidens, night, lamps...
, 2016
Fantasy - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Daniel Clarke: 'after the spring rain', 2017 Acrylic Painting, Landscape. After a cool spring rain near Palm Springs the California landscape looks so inviting full of flowers desert joy and impressionism blissfulness...
Landscape - Painting
36 x 18 inches (91.4 x 45.7 cm)
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(Page 5 of 168) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR