Paintings For Sale - Price Range: $10000 - $100000

Page 11 of 48
Discover 1,371 original painting artworks for sale between $10000 - $100000. Contemporary emerging artists: Jose Cardoso, Izya Shlosberg, Malcolm Moran, T. Smith, Thomas Jewusiak, Jan Skorb, Dzevdet Nikocevic, Neil Maizels, Donald Davenport, Tim Ezell, Pygoya Rodney Chang-phd, Jorge Leanza, Shannon Russell, Carol Griffith, Hongvan Ng, Michael Leyton are exhibiting their affordable original art. You can buy artwork online and browse 48 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Izya Shlosberg: 'Evening for my Son', 2007 Other Painting, Fantasy.
Fantasy - Painting
52 x 72 inches (132.1 x 182.9 cm)
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Malcolm Moran: 'Palm 2', 2000 Oil Painting, Landscape.  Palm from childhood memory in New Orleans.  The area was destroyed in Hurricane Katrina ...
, 2000
Landscape - Painting
4 x 4 feet (1.22 x 1.22 m)
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T. Smith: 'Tomb of the Unknown Widow', 2006 Oil Painting, Political.
Political - Painting
40 x 30 inches (101.6 x 76.2 cm)
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T. Smith: 'In Vitro', 2006 Oil Painting, Children.
, 2006
Children - Painting
36 x 48 inches (91.4 x 121.9 cm)
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T. Smith: 'Yin Yang', 2006 Oil Painting, Philosophy.
, 2006
Philosophy - Painting
30 x 48 inches (76.2 x 121.9 cm)
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Thomas Jewusiak: 'Morris Canal at Waterloo', 2007 Oil Painting, Americana.
Americana - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Thomas Jewusiak: 'Catskill Falls', 2007 Oil Painting, Landscape.
Landscape - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Thomas Jewusiak: 'Beach Woods', 2007 Oil Painting, Beach.
Beach - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Jan Skorb: 'Flowers in the water', 2006 Acrylic Painting, Abstract.
Abstract - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Thomas Jewusiak: 'Beach Woods 2', 2006 Oil Painting, Landscape.  This scene was inspired by the many wooded beaches that once existed on the Atlantic coast of Florida. Available also as a unique oil embellished archival giclee on canvas limitededition, signed and numbered ...
Landscape - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Dzevdet Nikocevic: 'Spiritua l Touch', 1998 Oil Painting, Abstract.
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Dzevdet Nikocevic: 'Spiritua l Touch 3', 1999 Oil Painting, Abstract.
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Dzevdet Nikocevic: 'SPIRITUAL TOUCH 1', 2000 Oil Painting, Abstract.
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Neil Maizels: 'tropical sheep grazing in heaven', 2006 Other Painting, Undecided.
Undecided - Painting
52 x 48 inches (132.1 x 121.9 cm)
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Donald Davenport: 'Mary', 2006 Acrylic Painting, Religious. This is a 30
, 2006
Religious - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Tim Ezell: 'Silver Ring', 2006 Oil Painting, Figurative. This is a rather large oil on canvas and is already framed. It is one of my favorite paintings....
Figurative - Painting
60 x 78 inches (152.4 x 198.1 cm)
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Pygoya Rodney Chang-phd: 'Desert Storm', 1990 Oil Painting, War. Carrying on the tradition of the image of the American flag in American painting, such as that by Jasper Johns ( 1954- 55) .  This one captures the artist' s influence of the Persian Gulf War, filtering in imagery and sounds from CNN Television coverage as the artist worked in his art ...
War - Painting
96 x 69 inches (243.8 x 175.3 cm)
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Jorge Leanza: 'Majectic Mountain', 2006 Oil Painting, Landscape. the perfect romance of natures. . . ....
Landscape - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Pygoya Rodney Chang-phd: 'Assembly', 1988 Oil Painting, History. Pixelism is the artistic intent to create manually made paintings replicating the dot pattern comprising the computer image.  Although creating images is quicker and easier for the computer artist, executing the replication in real paint with real brushes CREATES WORK.  The first piece, probably to be completed in a full ...
, 1988
History - Painting
111 x 69 inches (281.9 x 175.3 cm)
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Pygoya Rodney Chang-phd: 'Low Resolution Oil Painting', 1989 Oil Painting, Culture. A major piece in Rodney Chang' s series on
Culture - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'Homage to John Lennon', 1989 Oil Painting, Portrait. The Beatles was Rodney Chang' s favorite band.  Here John Lennon' s famous spectacles are rendered in the artist' s self- proclaimed Pixelism style.  Note the  skull- like smile on the lenses. Oil painted squares to represent the pixelated appearance of low resolution PCs of the 80s - such as the ...
Portrait - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'New Pacific Network', 1993 Oil Painting, Communication. Large oil on canvas depiciting the new Pacific age of high tech communication and culture. Designed by Rodney Chang, MA, Ph. D. , using the Apple computer, vintage 1990 software....
Communication - Painting
48 x 96 inches (121.9 x 243.8 cm)
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Pygoya Rodney Chang-phd: 'Geisha', 1990 Oil Painting, Culture. Large oil on canvas by Rodney Pygoya Chang; designed with IBM with Lumena software in late 80s; render to oil on canvas; has been in a solo exhibition at the Las Vegas Art Museum, NV....
, 1990
Culture - Painting
96 x 60 inches (243.8 x 152.4 cm)
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Shannon Russell: 'FIRST', 2006 Oil Painting, Figurative. BOYS FIRST TIME...
, 2006
Figurative - Painting
48 x 48 inches (121.9 x 121.9 cm)
Carol Griffith: 'Parade Series Local Theater', 1996 Oil Painting, Americana. Thise is one painting of 8 paintings that create the parade of the Parade Series, 376
Americana - Painting
60 x 46 inches (152.4 x 116.8 cm)
Carol Griffith: 'Parade Series part 2', 1996 Oil Painting, Figurative. These are the second 4 of 8 paintings that create the parade of the Parade Series, 376
Figurative - Painting
188 x 46 inches (477.5 x 116.8 cm)
Carol Griffith: 'Parade Series  part 1', 1996 Oil Painting, Figurative. These are the first 4 of 8 paintings that create the parade of the Parade Series, 376
Figurative - Painting
188 x 46 inches (477.5 x 116.8 cm)
Hongvan Ng: 'Peace Possibilities Treasure', 2005 Acrylic Painting, Healing. Love and Compassion_ Peace Possibilities...
Healing - Painting
60 x 72 inches (152.4 x 182.9 cm)
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Michael Leyton: 'Soul Presence', 1991 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
Michael Leyton: 'Profound Night', 2005 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
(Page 11 of 48) - MORE ARTWORKS
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  • Artists Describing Their Art:

    T. Smith - Hunting PLC has announced the finalists for their prestigious annual competition, The Hunting Art Prize 2009, which awards $50,000 to one distinguished artist. Included as one of the 134 finalists was T. Smith's oil painting "A Palace and a Prison".The Hunting Art Prize is the most generous annual art prize in the U.S., intended to help the reputations, raise the profiles, and support the careers of distinguished artists. In April, a second panel of jurors will make their decision. On May 2, the prize will be awarded, and the art will be exhibited at a gala held at the Decorative Center in Houston. Legal Disclaimer The following website contains adult content. If you are under 18 years of age, offended by adult material in art, or if it is illegal in your community or country to view adult material, please leave now. By proceeding you agree to be exposed to these materials. Continuing means that you understand and accept responsibility for your own actions, thus releasing the owner of this web site from any and all liability. All material on this web site is copyrighted. This copyrighted material cannot be reproduced or posted without written permission ...

    Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...

    Jan Skorb - I think that it is an expression of soul searching and times of reflection.Sometimes leaving my thoughts and go where I've never been before.I'm fascinated by the world of the human heart and soul.Searching for gates that need to be opened,with a key,or without it.Sometimes one can open them easily,because they were opened,but one has to reach them first.That's why I'm always on my way....

    Dzevdet Nikocevic - DZEVDET NIKOCEVIC Born on 09.26.1961 in Gusinje,Montenegro.Finished the Academy of Fine Arts in Sarajevo in the year 1988.From 1988 trough 1992 he has been working as a Fine Arts Profesor in all of the following prestigious institutions 1.Senior High-School of Architecture "Marko Radevic"; in the course study of Design. 2. Senior High-School of Engineering "Ivan Uskokovic"3. Senior High-School of Electrical Engineering 4. Senior High-School of Music Arts "Vasa Pavic"He became a member of the Montenegrian Association of Esteemed Artists(ULUCG) in 1990.In 1993 he is titled as an Independent Artist. In 1994 he became the President of the Counsel of the Gallery of ART(ULUCG). In 1997 he became a member of the Association of Esteemed Artists of Bosnia-Herzegovina.In 1998 he went in for a professional examination in Sarajevo.He is a member of the traditional exhibition titled "The Youth for the Loved City." From 2002 through 2004 he has worked as the Art Manager/Coordinator for the Center of Culture in Plav (Montenegro) for the manifestation titled "Days of Culture in Plav."In 2002 he enrolled in the Post-Diplomatic Studies.In 2000 he ...

    Donald Davenport - An Artist /Educator/Publisher/Producer/Artificer Born in a northern suburb of Detroit, Michigan. The mechanical, artistic and creative ability of Donald J. Davenport was first recognized at the age of five. By the age of 13 he received a "Silver" award at the Tennessee Tech College annual arts exhibit in 1960. By the age of 20 he was already an accomplished commercial and fine artist. Davenport is listed in four separate categories in the Millennium Edition of Marquis Who's Who in America for his diverse achievements in Video & Film Producing, Publishing, Inventing and Educating. Through his mid twenties and early thirties, he worked in several diverse fields producing commercial, graphic and fine art for international corporations. His abilities include experimental developing and designing new concept devices, producing instructional visual technical trade curriculum programs for Video Educational Art Services in the visual arts. Davenport founded The Gemini School of Art and Design in 1981. His multiple careers continued to develop with publishing technical trade manuals for instruction in the visual arts and producing visual art programs by which he received an International "SILVER" award from among 27 competing countries at the Television International Film Festivals, New York, 1994 for ...

    Pygoya Rodney Chang-Phd - Rodney Chang, better known as the Internet's Pygoya, Webist, was the first digital artist to exhibit in Honolulu, back in 1985. He has exhibited around the world, including Paris, New York City, Chicago, Las Vegas, the U.S.S.R., England, Vienna, Budapest, Frankfurt, Australia, Seoul, Japan, China and India. His 1988 solo show at Shangahi Art Museum was China's historic first computer art exhibition. He organized India's first ever international digital art exhibition (1999). In the 1980s and 1990s he promoted his concept of Pixelism, or the conversion of pixels into paint, by hand and on canvas, to mirror (as art history) the digital quality of crude early low resolution monitor imaging. He also co-founded Webism, the art movement to create and exhibit art online for the sake of the global cyber-culture and audience. In the 1980's Dr. Rodney Chang gained national notoriety as NBC's Real People Show's "Disco Doc" - filmed dancing in his Honolulu dental clinic's discotheque reception area, complete with staff DJ. He danced on syndicated TV (NBC "Real People Show") around the world. The artist is also recognized in Who's Who in America and Ripley's ...

    Jorge Leanza - We human beings never perceive any object twice with the same value, strengths or reflections, thereby my art can be changed or can change the viewer's perspective reflection. No one person will ever experience one of my images twice in the same way. Paintings are extensions of our livings experiences and should have the ability to change as often as ourselves. "They seem to assume my own vibrations, and they take a part of me along with them" Leanza ...

    Shannon Russell - Artist Statement I use color like a knife. Segmenting dissecting redefine, constantly searching for what makes a shape or look. What makes something that defines a figure or portrait. What subjects look like? Most of my work is based off of celebrities and figures in the press. All of my subjects come with certain preconceived notions attached and I search these out through the use of color, texture or light. I work in oil paint, specifically for it tonal quality. The pure pigment used with and archival medium, applied to a snow-white ground, achieves a certain level of light penetration that makes my work seem like stain glass in full sunlight. That theme of light penetrating seems to travel throughout my work. Whether I am painting objects or like my most recent work concentrating on figure and portraits. I use light to define the color and to make a skeletal structure to break open the emotional connections of subjects and viewers. If you examine someone and see the colors that dance across their skin as light passes over and through it, you will understand where my painting is coming from. It is just a moment a glance into that ...

    Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...

    Hongvan Ng - A VISION COMES FROM A POINT WHERE THE IDEAS START. Painting is a powerful language in which I express myself and communicate. The message within each painting is an illustrated element or aspect of my life. I paint the moments that capture me, the beautiful and the painful for the exquisiteness of any moment can make me cry, and then I paint. Sketching and drawing are tools of my vocabulary with which I discover and reveal my thoughts and feelings, and when I forget that I am making art, when I am purely communicating, I am free. ...

    Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...