Paintings For Sale - Price Range: $3000 - $3999

Page 3 of 55
Discover 1,578 original painting artworks for sale between $3000 - $3999. Contemporary emerging artists: Stefan Fiedorowicz, Harry Weisburd, Lou Posner, Franziska Turek, Denise Dalzell, Ron Ogle, Donna Gallant, Jane Mcnichol, Raul Canestro Caballero, C. Mari Pack, Marie-france Busset, Riccardo Rossati, Andrea Mulcahy, Roger Williams, Tom Lund-lack, William Dick, Becky Soria, Dennis Duncan are exhibiting their affordable original art. You can buy artwork online and browse 55 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Harry Weisburd: 'inverness california', 2012 Acrylic Painting, Landscape. Landscape painting of Inverness, California ...
Landscape - Painting
40 x 32 inches (101.6 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Harry Weisburd: 'carmel california', 2010 Acrylic Painting, Landscape. Landscape of Carmel, California...
Landscape - Painting
32 x 40 inches (81.3 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lou Posner: 'The Wabash River Storm Coming In', 2000 Oil Painting, Landscape.  The Wabash River at New Harmony, Indiana.  Referred to in tune titled, Indiana. . . .  when I dream about the moonlight on the Wabash, then I yearn for my Indiana home.  Professionally custom framed in gold.  ...
Landscape - Painting
28 x 10 inches (71.1 x 25.4 cm)
Franziska Turek: 'looking for new spaces', 2016 Other Painting, Abstract.
Abstract - Painting
110 x 110 cm (43.3 x 43.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Denise Dalzell: 'Sunshine Terrace', 2016 Acrylic Painting, Representational. painting, sunshine terrace, illustration, expressionism, pop art, modern, realism, pool slide...
Representational - Painting
43 x 48 inches (109.2 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ron Ogle: 'MUCHA AMETHYST', 2016 Oil Painting, Mandala.
Mandala - Painting
35 x 30 inches (88.9 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Donna Gallant: 'Compassion', 2014 Oil Painting, Floral.             Part of my CLOSE UP series of abstracted views of the inner flower.  Believe it or not this piece is of a hosta flower.  ...
, 2014
Floral - Painting
32 x 24 inches (81.3 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'hades', 2015 Other Painting, Abstract.
, 2015
Abstract - Painting
90 x 70 cm (35.4 x 27.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'up and away', 2000 Other Painting, Abstract.
Abstract - Painting
110 x 77 cm (43.3 x 30.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'ekpyrosis', 2011 Other Painting, Abstract.
, 2011
Abstract - Painting
110 x 110 cm (43.3 x 43.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jane Mcnichol: 'The End of the Day', 2008 Oil Painting, Landscape.  A view over the tree tops as twilight approaches ...
Landscape - Painting
40 x 44 inches (101.6 x 111.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jane Mcnichol: 'The Big Beach', 2012 Oil Painting, Beach.  This is a landscape done by the Atlantic Ocean on the New Jersey coast ...
Beach - Painting
38 x 40 inches (96.5 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Raul Canestro Caballero: 'PESCADORA GALLEGA', 2016 Oil Painting, Surrealism. PINTURA SURREALISTACUBISTA DE ESTILO PROPIO . A
Surrealism - Painting
54 x 65 cm (21.3 x 25.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Raul Canestro Caballero: ' ELEFANTE AMARILLO', 2016 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino de gran calidad. Obra de arte original y exclusiva...
Surrealism - Painting
65 x 81 cm (25.6 x 31.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
C. Mari Pack: 'Depth or Surface', 2015 Acrylic Painting, Abstract.  Original poured large scale poured acrylic painting. Deep earth tones, black, white, tan, crimson. ...
Abstract - Painting
48 x 48 inches (121.9 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LES FEUILLES D AUTOMNE', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
65 x 50 inches (165.1 x 127.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Riccardo Rossati: 'Still Life', 2014 Oil Painting, Figurative.   Still life of Pumpkin.  ...
, 2014
Figurative - Painting
40 x 30 cm (15.7 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrea Mulcahy: 'Woman in Teal', 2013 Acrylic Painting, undecided.
undecided - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Roger Williams: 'RAP BOY', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
54 x 50 inches (137.2 x 127.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Roger Williams: 'LADY GAGA', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Roger Williams: 'DECONSTRUCTED ELLIPSE', 2013 Acrylic Painting, Abstract.
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Roger Williams: 'HUBBEL  AND   THE  WHITE  DRAGONFLY', 2013 Acrylic Painting, Astronomy.
Astronomy - Painting
56 x 68 inches (142.2 x 172.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom Lund-lack: 'Free Spirits', 2013 Oil Painting, Equine. A powerful illustration of freedom. ...
Equine - Painting
100 x 80 cm (39.4 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'SYVER III', 2013 Encaustic Painting, Abstract.                       Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2013
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'SYVER II', 2011 Encaustic Painting, Abstract.                      Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2011
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'SYVER I', 2011 Encaustic Painting, Abstract.            Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2011
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Lou Posner: 'Concrete Urn at TC Steele Memorial', 2001 Oil Painting, Landscape.  Painted outdoors at an Indiana Plein Air Painters paint- out at the T.  C.  Steele Memorial home and studio in Nashville, Indiana. ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Becky Soria: 'Claro y Oscuro Dark and Light', 2012 Other Painting, Abstract Figurative. from the series Signs. Symbols. Sentinels          ...
Abstract Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Dennis Duncan: 'TANGO NEGRO', 2008 Acrylic Painting, Romance.   I began researching the origins of the TANGO around 2006. I have always been fascinated by the sensuality of the TANGO, it is the essence of beauty, color, movement, and grace.As with each new artwork, I have tried to elicit an reaction, using romance combined with sexuality between the...
Romance - Painting
48 x 60 inches (121.9 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Dennis Duncan: 'ASCENSION', 2010 Acrylic Painting, Spiritual.       To ascend or rise to a higher level. . .ASCENSION is a visual interpretation  of my soul if you will. A personal expression of inner peace, rising above my own anxieties .A calm port in this stormy sea we call LIFE.     ...
, 2010
Spiritual - Painting
48 x 60 inches (121.9 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 3 of 55) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Stefan Fiedorowicz - The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive and color is the language that I use to express an emotion. It is the interaction of colour that interests me. Painting does not come easy all the time, the more I paint the more difficult it becomes, or more exactly, the more I get stage fright. Sometimes anxiety can reach a high intensity that I get sick with it. I offer my work so that people can perhaps see some parts of themselves reflected in the work. I donaEURtmt ever stop painting in my mind.When I am lying in bed and cannot sleep I see paint moving across the ceiling and imagine it spilling and pouring as it flows through the cracks and converging in every corner. THESIS INTERVIEW WITH LYRICAL ARTIST STEFAN FIEDOROWICZ Personal Influence 1. Who are the artists both contemporary and historical that you can truly say have been a significant influence on your personal work Describe why for each artist. I would have to say that Kandinsky would be my all time inspirational artist. I have seen many exhibitions ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Denise Dalzell - Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...