Paintings For Sale - Price Range: $3000 - $3999

Page 5 of 55
Discover 1,578 original painting artworks for sale between $3000 - $3999. Contemporary emerging artists: Austen Pinkerton, Tary Socha, Richard Lazzara, Tom Irizarry Studio, Micha Nussinov, Cornelia Macfadyen, Terri Higgins, Philip Hallawell, Daniel Clarke, Jose Luis Lazaro Ferre, Grace Auyeung, Michal Ashkenasi, Tomas Castano, Phillip Flockhart, Sonja Kobrehel, George Katevenis, Chris Gould, Sandro Bisonni, Samiran Sarkar, Malcolm Tuffnell are exhibiting their affordable original art. You can buy artwork online and browse 55 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Tary Socha: 'Light Between the Waves', 1997 Acrylic Painting, Undecided. Abstraction of light shimmering between flowing waves. Acrylic on canvas. ...
Undecided - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Tary Socha: 'Etheral Peaks', 2005 Acrylic Painting, Abstract. Contrasts of positive and negative space and atmosphere and land masses create interesting configurations. This won the First Place Award for Aesthetics and Harmony in a 2005 exhibit. Acrylic on canvas....
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Richard Lazzara: 'spotted swine', 1972 Oil Painting, Abstract. spotted swine 1972 from the folio
Abstract - Painting
46 x 35 inches (116.8 x 88.9 cm)
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Richard Lazzara: 'how to use red ', 1972 Oil Painting, Abstract. how to use red 1972  from the folio
Abstract - Painting
46 x 35 inches (116.8 x 88.9 cm)
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Richard Lazzara: 'bird covered in oil spill', 1972 Oil Painting, Abstract. bird covered in oil spill 1972 from the folio
Abstract - Painting
46 x 35 inches (116.8 x 88.9 cm)
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Richard Lazzara: 'animal spirits ', 1972 Oil Painting, Abstract. animal spirits 1972 from the folio
Abstract - Painting
46 x 35 inches (116.8 x 88.9 cm)
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Tom Irizarry Studio: 'Betroved', 2004 Oil Painting, Visionary. oil on canvas, cinnabar, azurite, cremnitz white...
, 2004
Visionary - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Micha Nussinov: 'Splash', 1992 Acrylic Painting, Abstract.
, 1992
Abstract - Painting
2500 x 810 mm ( x )
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Cornelia Macfadyen: 'The Crowd', 1996 Oil Painting, Abstract. Oil on Canvas with Tissues...
, 1996
Abstract - Painting
34 x 36 inches (86.4 x 91.4 cm)
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Terri Higgins: 'The Fisherman', 2004 Oil Painting, Abstract.
Abstract - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Philip Hallawell: 'Behold the Lilies of the Field III', 2004 Oil Painting, Inspirational. This is the third work of this series. It is painted in oils on canvas, stretched on MDF wood. In this painting, I have brought together both the Mask series and the Lilies series. ...
Inspirational - Painting
40 x 45 cm (15.7 x 17.7 inches)
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Philip Hallawell: 'Solidarity Achilles and Patroklos', 1986 Oil Painting, Mythology. This painting, part of the Iliad series, depicts one of the most moving parts of Homer' s epic, when Achilles enters the battlefield to save the body of his friend Patroklos. ...
Mythology - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Daniel Clarke: 'A Gathering of Multitudes', 2003 Acrylic Painting, Still Life. A Gathering of Multitudes is part of the Artist' s Venice, California series of still life studies...
Still Life - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Jose Luis Lazaro Ferre: 'Tables with Samovar', 2002 Oil Painting, Still Life.
Still Life - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Grace Auyeung: 'Make believe', 2001 Other Painting, Landscape. This painting was done with Chinese ink and color on paper.  It is a dreamscape and the technique is more than one step from the traditional. ...
Landscape - Painting
26 x 53 inches (66.0 x 134.6 cm)
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Michal Ashkenasi: 'MidsummernightDream', 1998 Oil Painting, Inspirational. This is the outcome of a folkloristic festival in the Artist Colony in Sefad, Israel, where the music was in the air and I could see, in my mind, all kinds of dancing images! !...
Inspirational - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Jose Luis Lazaro Ferre: 'Moon and Violin', 2002 Oil Painting, Cats.
Cats - Painting
70 x 80 cm (27.6 x 31.5 inches)
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Tomas Castano: 'toledo panoramic', 2022 Oil Painting, Landscape. I have captured the soul of Toledo at sunset, with warm tones and brushstrokes full of passion. In oil, I use realistic impressionism to capture the vibrant energy of the city. My art brings the essence of an eternal sunset to your home, inspiring every day with its majestic horizon. ...
Landscape - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Tomas Castano: 'rincon de mojacar', 2020 Oil Painting, Architecture. My work is an expression of serenity and authenticity. Painted in oil, I portray a corner that captures the essence of a timeless place, where light plays with textures adding a lively and warm character. The realistic brushstrokes invite introspection and nostalgia for simple but profound moments. When you observe ...
Architecture - Painting
54 x 73 cm (21.3 x 28.7 inches)
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Phillip Flockhart: 'untitled', 1997 Acrylic Painting, Gestalt. Another piece exploring the dissemination of the picture plane . . .  Acrylic on paper Black frame...
, 1997
Gestalt - Painting
19 x 19 inches (48.3 x 48.3 cm)
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Sonja Kobrehel: '1019', 2021 Acrylic Painting, Abstract. Original mixed media painting on wooden panel. ...
, 2021
Abstract - Painting
32 x 47 inches (81.3 x 119.4 cm)
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George Katevenis: 'virgo dream', 2021 Oil Painting, Figurative. Deep diving in a meditation dream in a way of reganerate your sky inside.Mixed media on canvas...
Figurative - Painting
55 x 35 cm (21.7 x 13.8 inches)
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Chris Gould: 'sister1', 2021 Oil Painting, Abstract. the insperation here was my health.a concern forced me to seek another canvas and palet.  ...
, 2021
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Sandro Bisonni: 'roma citta aperta', 2021 Oil Painting, Abstract Figurative. This oil painting of mine on canvas is inspired by Roberto Rossellini s film Roma CittA  Aperta ...
Abstract Figurative - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Samiran Sarkar: 'varanasi night', 2021 Acrylic Painting, Cityscape. Varanasi at Night IV is a beauty of Night light reflection on Ganges river.  One of the spectacular night atmosphere in Varanasi Ghats.  Acrylic on canvas painting. ...
Cityscape - Painting
43 x 30 inches (109.2 x 76.2 cm)
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Samiran Sarkar: 'beauty of evening varanasi', 2020 Acrylic Painting, Cityscape. Beauty of Night Varanasi Ghats is a colorful bright light   spectacular bright lights, lamps reflection on Holy Ganges. One of the beautiful Night Ghats of the Varanasi is the main composition of this painting. ...
Cityscape - Painting
45 x 26 inches (114.3 x 66.0 cm)
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Samiran Sarkar: 'silent night ghats', 2021 Acrylic Painting, Cityscape. Silent Night Ghats at Varanasi is Acrylic on Canvas painting. Beauty of Silent Night Ghats environment of Varanasi. Night Lights , Beauty of Night Architectures , Boats , Temples and Night light reflections on Holy Ganges water river are main composition of this painting. ...
Cityscape - Painting
43 x 30 inches (109.2 x 76.2 cm)
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Malcolm Tuffnell: 'the ballet lesson', 2020 Oil Painting, Dance. a lovely group of girls surround a prima ballerina in a park in a major city, perhaps Chicago. .  Oil on canvas 36 x 48  2020. My major work from the horrific, yet productive, year. ...
Dance - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Malcolm Tuffnell: 'whispers by a river', 2017 Oil Painting, Impressionism. oil 30x40  2017. little girls whispering,  who is he   i don t know . . . a little boy in the distance. . . ...
Impressionism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Pablo Damian Kontos: 'morcilla', 2021 Other Painting, Abstract. This work titled blood sausage refers to a food made from coagulated animal blood, as dense and thick as the black layers of this work. Honor the power of blood, a union linked in family terms, the selection of friends, the choice of a love, the effort for a goal. ...
, 2021
Abstract - Painting
120 x 120 cm (47.2 x 47.2 inches)
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(Page 5 of 55) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Tomas Castano - Tomas Castano was born in Santander (Spain) in 1953. From a young age shows a special inclination towards drawing, but until the age of 17 years he does not take the first brushes and start painting. Self-taught, Tomas carved himself, based on determination and enthusiasm. He has a realistic style, his paintings are very well drawn and he also worries for the composition and perspective of his works. He is a landscape artist but characterized by his architectural work. His work is characterized by a serene and poetic realism, which translates the artist's delight when he paints streets of old quarters, antique buildings and facades with tradition. His paintings catch the magic of the aesthetics of the antiques, and transmit all the warmth and humanization of unprocessed environments by modern life. He has shown his work in group exhibitions in several countries such as Germany, Netherlands, USA, France, Argentina, Japan, Italy, Korea and numerous solo and group exhibitions in Spain. Tomas Castano works represented Cantabria in the Florence Biennale in the 2005 edition. His work is recognized by the distinctive style and ambience that he creates in finishing his series of old taverns. His work is ...

    Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...

    Sonja Kobrehel - My work in visual arts reflects the constant changes and experiences in my personal life. I am guided by my feelings, thoughts, dreams and visions. The sources of my inspiration are many: an appreciation for personalities and the human scale: in particular, I love to look for traces of people who came before and clues about what they did there and why. Journeys are an integral part of my artistic inspiration.The Mediterranean and Adriatic atmosphere that pervades my work comes from the summers I spent on the French and Adriatic coasts.I am always intrigued by the human cultural elements and visual stimulation that I encounter.I find that every place and culture reveals its beauty to me though everyday life. I like to use symbols in my art work and while creating my personal iconography.The symbols are clues to many aspects of my life, but my paintings usually start with a color idea, then evolve into compositions in which color is the primary subject. I work in collage, various media on paper and canvas, mixing everything possible together in a visual format for public display.Much attention is given to the surface texture by adding different materials, ...

    Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...

    Sandro Bisonni - SANDRO BISONNI lives and works at Appignano Mc, a small town of the Marche, Italy. He attended the Art Institute of Macerata, where he graduated in Decorative Painting under the guidance of maestro Riccardo Piccardoni from Urbino, then a degree in Contemporary Philosophy, Philosophical Aesthetics following courses required by the important contemporary philosopher Giorgio Agamben University of Macerata. Since 2008 began exhibiting in major galleries in Manhattan NEW YORK, such as the AGORA GALLERY in Chelsea, and the BROADWAY GALLERY in SoHo where she is attending a major exhibition of Avant-garde with the English Sculptor Jane McAdam Freud and the famous Chilean Painter Freddy Flores Knistoff entitled LURE, curated by Basak Malone. The same year one of his works Angel of New York is published in the American Magazine NYARTS INTERNATIONAL MAGAZINE. Formation of Bisonni philosophical underpinning these subtle concepts. Mainly influenced by the American painter William Congdon, Sandro Bisonni is a vibrant voice and moving. He offers us a surprising approach, which includes in his works is the real imagery. Bisonni does not allow us to hesitate inviting us to enter into the world he creates, unknown, but possible cit.AGORA GALLERY, New York, 2008 In Europe he ...

    Samiran Sarkar - Welcome my Painting Gallery on Varanasi Ghats painting.I am Samiran Sarkar from Kolkata. After completed my Graduation B.V.A from Kolkata Govt. College of Art Craft with 1st class degree , I have participated many National and international Prestigious Exhibitions in India Abroad. I have exhibited 11th Solo Painting Exhibitions in India Abroad.I have awarded many National International Exhibitions. I am experimenting different medium. My present online portfolio Gallery on Varanasi Ghats different moments atmosphere, mood , characters and colors. I have tried to capture different angles at different times , spectacular day and night Varanasi ghats with Acrylic on canvas painting. ...

    Malcolm Tuffnell - Malcolm Tuffnell Is a tremendous talent in contemporary figurative painting.His works exist between a realistic drawn representation of the female figure and an abstract use of impasto and color. He has been exploring the possibilities of oil paint and pastel for over 30 years, with particular attention paid to how color layers interact with eachother; specifically how thin overglazes of a strong color, for example phthalo blue or rose red, can change the character of the paint or pastel underneath them in unexpected ways, producing many new colors while neutralizing others into grays. He has chosen the female form as the subject of his paintings for its beauty,sensuality and historical precedent. He uses the fluidity of oil to express the sensuality of nude skin. Many of his works derive inspiration from the frequent opera and ballet performances he attends, such as Madame Butterfly and The Nutcracker ballet. However, he does not intend to illustrate a story explicitly but instead to suggest a more vague emotional narrative. Education/Accomplishments From 1977-1979 Mr. Tuffnell attended the University of California, Santa Barbara and studied with noted teacher Gary Brown; when there he traveled to Europe, where he was inspired to ...