Paintings For Sale - Price Range: $4000 - $4999

Artists Describing Their Art:

Steve Miller - I have drawn and painted ever since I can remember. Pencil was always my favorite. I spent many hours as a child with a pencil and a piece of typing paper. In my late teens, I began to airbrush images on vans, motorcycle tanks, and T-Shirts. Later, I began creating illustrations for publications, and then on to creating graphics and animation on the computer for various companies/clients. Making a living seems to consume most of my time, but when things get slow or I find I have some extra time on my hands, the canvas seems to have an irresistible pull. One day a friend of mine, mentioned that he was going out and painting small plein air paintings. I told him I'd like to go along sometime. We set a time in the late spring a few years back and I borrowed an easel and we hit the Texas countryside. We painted 3 small paintings throughout the day and I loved it. It was such a relief to get away from the computer screen and play with color. Now I take my easel with me when ever I travel and paint every chance I get. Since ...

Stephen Fessler - Artist's Statement: Visionism All my images are born accidentally. I tack my studio dropcloths onto the wall once they've become sufficiently splattered with paint, and search the surface for suggestions. I'll discover an image within a tangle of marks, and paint to free it, an archaeologist unearthing an artifact. This process leads to related discoveries, and the more I find, the better I understand the space they inhabit, and a painting is underway. In this way does the painting gradually reveal its content and mood. Everything I like of the art I've seen, Eastern and Western, ancient and modern, sacred and profane, ends up in my work. It must be that, as I gaze at my randomly stained surfaces, these remembered images give clues as to what to look for. The larger canvases are free-hanging, fitted with grommets and intended to be tacked directly to the wall like a tapestry or banner. Smaller works on canvas are mounted and stretched so as to preserve their irregular edges. Stephen Fessler Artists' Statement: Directed Perception My mode of seeing changes when something has caught my attention. My "directed perception" chooses what I will see while obscuring everything...

Matei Enric - My art is a combination between easel and wall painting. More pieces which are assembled together, creating a full image, a piece of work. Space, as usual, circumscribes the work, the wall ( the vital space around the picture ) is inserted in the piece of work, becoming in this way an element ( having plastic valences) of the composition. The piece of work, in whose substance is also integrated the wall where it is placed, remindes of the wall painting , having a better comunication with the environment unbeing isolated from it by a frame or a closed shape ( square, rectangle etc). The base of my painting consists of the plastic rhythm ( the whole composition relying on the arrangement of similar elements) and the use of different ways of the elements materialization ( brush-up ) ....

Selin Melek Aktan - God created world from fire and water.Then looked at the earth,he thought it was looking very empty and made human. TO HAVE A MORE FUN He put the colours on his palette and painted world with them. HE GAVE US THIS EARTH AS A PRESENT Human liked his present and they started to dance GOD LOOKED AT HIS ART He enjoyed what he did. I am a very independent person and probably my paintings are too. I don't paint because of the trend, or mode, I paint because something or somebody fascinates me. It could be nature, a face, a story, an event, colors (especially, I adore strong colors ), a song, an object, my feelings, my thoughts, my dreams: never ending possibilities of improbability. I definitely love beauty. I am trying to express my personal sense of beauty and truth in my paintings.So every painting is different. There is not only one style in which I like to work .I traveled to the four corners of the earth, and each place I visited added to my desire for unique artistic expression.Wherever I went, I found new influences directing my brush strokes or guiding my hands ...

David Fedeli - "I believe that as an artist, it is not my purpose to dictate what the viewer sees on the canvas, but rather to pose a question that causes them to seek an answer within themselves. Each individual brings their own life experiences into the decision, and for each of them the meaning is truly unique. My passion lies in reaching that inner self, and drawing it into, and out of, my art. My goal is to create a moment that touches their soul."...

Leon Aarts - What is Art? Art is the thrilling spark that beats death - thats all. Brett Whiteley Why does one paint? The most fundamental reason one paints is in order to see. Whiteley Who is an artist? I am an individual who is also an artist-look at what I am doing. Alan Pearson. What is the definition of Art? Discovery is the definition of Art. Pearson. What is'good' art? There are no rules about investment. Sharks can be good. Artist's dung can be good. Oil on canvas can be good. There's a squad of conservators out there to look after anything an artist decides is art. Charles Saatchi (Art Collector) Can one explain what one's art is about? Painting is a language which cannot be replaced by another language. I don't know what to say about what I paint, really. Balthus The position of the artist is humble. He is essentially a channel. Mondrian It is particularly colouring of the soul which literary technicians have not so far found to be chemically analysable, and consequently,it has NO name.Expressionism is today in the AIR. I choose to be an artist. Leonardus Aarts...

Giovanni Miucci - Giovanni Miucci bekennt sich innerhalb seiner Malerei zu realistischen Bildwelten. Hierbei treten in den klein- wie grossformatigen Arbeiten die Figur und der Bildraum in eine geordnete Wechselbeziehung zur Wirklichkeit. Figurativer Realismus wird umgeben von einer verzerrten Wirklichkeit des Bildraumes, der gegenstandslos, abstrakt erscheint. Diese Bilddarstellungen rekrutieren aus seiner alltaglichen Wahrnehmung: der Mensch, seine intime Umgebung, spezifische Landschaften und sozialer wie urbaner Raum werden bildhaft thematisiert. In der einzelnen Bildorganisation ergibt sich daraus ein Situations- und Handlungsbild, dass in seiner Deutung stark durch die Figur als Akteur gelenkt wird: Korperhaltung, Bewegung, Blick und Gesichtsausdruck psychologisieren die Bildaussage. Figurationen verweisen dabei auf klassisch-typisierte Genres kunsthistorischer- und kunstgeschichtlicher menschlicher Darstellungsmuster. ...

Robert Nizamov - Born and trained in Russia, Robert Nizamov explores a variety of approaches to painting, from representational still lifes to more abstract landscapes that in many ways recall Impressionism and its analogous movements. Above all, Nizamov strives for the painterly painting, a re-dedication to the medium of paint and brushstroke, based neither on the current market nor modern trends, but born from the sacred act of putting brush to canvas. What results is an approach to painting that is as versatile and varied as the subjects Nizamov chooses to portray. Colors work to create mood: alternately muted and subdued, calm and relaxed, bright and vibrant. Likewise, composition is skillfully employed to set the tone for each painting, at times balanced and serene, other times creating a sense of disparity and tension. Perhaps the hallmark of Nizamov's work, however, is the movement conveyed in each individual brushstroke, masterfully created in the specific way he applies the paint, infusing his images with light and adding a depth and richness to his work.

Ian Sheldon - Light and sense of place are key elements that inspire Ian Sheldon to paint. His subject is consequently varied, from the open spaces of his native prairie land, to the abandoned buildings of pioneer homesteads in the North American west, or the dramatic architecture of the cities where he has lived. Ian was born in Edmonton in 1971, and was brought up in South Africa, Singapore and England. While studying for his first degree (BA Hons) at Cambridge University, England, Ian began to paint the historical architecture of the city. Since 1994 galleries have exhibited this work, and in 1998, Cambridge Contemporary Art, the city's leading commercial gallery, accepted his watercolours. The City of Oxford, sharing a similar architectural heritage, has become a recent focus, and his work has been shown by Objet d'Art in Woodstock, England since 1996. Ian makes frequent trips to Britain to pursue his architectural passion. Ian is a self-taught artist, who believes that his true understanding of artistic self-expression will come best through his experimentation with various media over time. He believes that as he ages, the wisdom that he gains with experience will be powerfully reflected in his paintings. Ian ...

Dune Tencer - I have been told that I need to find a style, a theme, or a signature look to my art. Well I have. I love painting the landscapes of America's Southwest and my home state of Texas. I love painting the texture, color and size. Now that being said I find painting abstract and inks very freeing, relaxing and the inks are just down right fun. On occasion the canvas has a mind of its own and a painting just wants out. A good example of this can be found in the Geisha. My daughter challenged me to paint a really big painting. I had a roll of canvas, 8 feet long and 4 feet wide. Overwhelmed by the size I threw on some black paint and some red paint, spread it around. I then hung it from the ceiling of the studio and stepped back. There she was all I had to do was the finishing embellishment and 45 minutes later there stood the "GEISHA". This is not the sort of thing that happens often but what fun when it does. I hope you enjoy seeing my art as much as I do making it. Thank you. ...

Nicole Peña - In many of my paintings I depict entranced individuals who are seduced into a musical and psychic celebration. A song lives within the space of my canvas enrapturing participants to sway to its vibrations and experience its sensual essence. In one painting a frenzied conga compels hips to gyrate and eyes to close while in another a gentle psalm inspires as it soothes the soul. In these works, rhythm liberates the body and frees the spirit by compelling the participants to combine sensual movements with soulful meditations....

Osvaldo Herrera Graham - About Art In order to begin, it is very difficult to define the art, I believe that the artists we express ourselves better through our works than with words. I can explain what it interests to me of a work, which would come being my particular form to see the art of the painting. I think that all great work has a mystery, something inexplicable. Using material ordinary, the artist obtains something totally extraordinary. In art, the sum of the parts is not equal to the whole. In my work I give priority to the color, and although I have tried to work with the pure color, always I return to the streamlined forms that maintain it, but they do not contain it I think that each picture is a new adventure, with its own rules to follow, and that the painter is only an average one to make it. At the end, I only paint. Osvaldo E. Herrera Graham ...