Paintings For Sale - Price Range: $500 - $599

Page 14 of 51
Discover 1,479 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Leo De Freyne, Dana Zivanovits, Satu Laurel, Maria Teresa Fernandes, Marc Awodey, Yulia Korneva, Richard Wynne, Florine Justine, Sue Jacobsen, Sven Froekjaer Jensen, Leyla Munteanu, Jeanie Merila are exhibiting their affordable original art. You can buy artwork online and browse 51 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Dana Zivanovits: 'RED ANGEL', 2000 Oil Painting, Visionary.   Oil on streched canvas with a thickly painted, rich surface. A signed Zivanovit' s original....
, 2000
Visionary - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Satu Laurel: 'New Begining', 2006 Oil Painting, Figurative.   sold...
Figurative - Painting
55 x 50 cm (21.7 x 19.7 inches)
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Maria Teresa Fernandes: 'falling petals', 1971 Oil Painting, Floral.  a different depht for each petal is a big challenge  ( unfinished floor ) ...
Floral - Painting
18 x 22 inches (45.7 x 55.9 cm)
Dana Zivanovits: 'NIGHT MARE', 1986 Acrylic Painting, Fantasy.  Acrylic on streched canvas- a signed and dated Zivanovits original. ...
, 1986
Fantasy - Painting
28 x 36 inches (71.1 x 91.4 cm)
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Marc Awodey: 'war monument', 2006 Other Painting, Abstract Figurative.
Abstract Figurative - Painting
26 x 32 inches (66.0 x 81.3 cm)
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Dana Zivanovits: 'WILD HORSE', 2002 Oil Painting, Animals.  Oil on linen mounted on panel with a thickly painted rich surface. A signed Zivanovits original. Please feel free to email for detail photos. ...
, 2002
Animals - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Dana Zivanovits: 'SUSANNA AND THE ELDERS', 2000 Oil Painting, Judaic.  Susanna is spied upon by the elders. Rich surface with many layers of paint and work. Oil on canvas mounted on thin sheet of masonite- so very permanent. ...
Judaic - Painting
41 x 27 inches (104.1 x 68.6 cm)
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Dana Zivanovits: 'CARNIVAL', 2001 Oil Painting, Circus.  Very spontaneous study in oil for a carnival goer. Oil on canvas mounted on masonite- very sturdy and permanent- will ship well. ...
, 2001
Circus - Painting
21 x 30 inches (53.3 x 76.2 cm)
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Dana Zivanovits: 'MINERS DAUGHTER', 2003 Oil Painting, People.  Daughter waiting for her father to come out of the mine on a December day. Oil on oil primed masonite. ...
People - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Yulia Korneva: 'The antic corner', 2006 Oil Painting, Landscape. This picture was painted for the art competition in Frossasco ( Italy) where it has got the 2nd prize in award
Landscape - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Yulia Korneva: 'Mystery', 2004 Oil Painting, Landscape. This lanscape was painted for the exhibition of Cedas association in Fiano ( Italy) and it has got the 1st prize in avord
, 2004
Landscape - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Richard Wynne: 'Harbor Morn', 2006 Other Painting, Seascape. An early misty morning in the harbour. Nothing is clear or defined. Seemingly a magic land awaiting the sun. ...
Seascape - Painting
52 x 35 cm (20.5 x 13.8 inches)
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Maria Teresa Fernandes: 'papaya and coffee pot', 1967 Oil Painting, Country Life. volumes and colours to attract more...
Country Life - Painting
22 x 13 inches (55.9 x 33.0 cm)
Florine Justine: 'Paris', 2006 Acrylic Painting, Abstract.
, 2006
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Florine Justine: 'Offrande', 2006 Acrylic Painting, Abstract.
, 2006
Abstract - Painting
34 x 36 inches (86.4 x 91.4 cm)
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Florine Justine: 'Abondance', 2006 Acrylic Painting, Abstract.
, 2006
Abstract - Painting
24 x 19 inches (61.0 x 48.3 cm)
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Sue Jacobsen: 'A Shady Place for Fish to Lurk', 1998 Oil Painting, nature. A likely place to drop a fishing line, or pleasant place to watch the stream' scolors and reflections. ...
nature - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Maria Teresa Fernandes: 'Bottles and bowl', 1969 Oil Painting, Theater. wavy and round objects required extra effort to reach audience ( small graze upper middle) ...
Theater - Painting
16 x 20 inches (40.6 x 50.8 cm)
Sven Froekjaer Jensen: 'African Savannah', 2003 Oil Painting, Landscape. Quadratic painting in clear and light colors. ...
Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Leyla Munteanu: 'Little boy', 2004 Oil Painting, Portrait.
, 2004
Portrait - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jeanie Merila: 'Ubud House and Rice Field', 2002 Acrylic Painting, Landscape.
Landscape - Painting
60 x 50 cm (23.6 x 19.7 inches)
Jeanie Merila: 'Geria Land Before the Wall', 2004 Acrylic Painting, Landscape.
Landscape - Painting
60 x 50 cm (23.6 x 19.7 inches)
Jeanie Merila: 'Geria Land Before the Wall', 2004 Acrylic Painting, Landscape.
Landscape - Painting
60 x 50 cm (23.6 x 19.7 inches)
Jeanie Merila: 'Venice Museum Garden', 2002 Acrylic Painting, Landscape.
Landscape - Painting
35 x 50 cm (13.8 x 19.7 inches)
Jeanie Merila: 'Gondola and Venice Gate', 2002 Acrylic Painting, Landscape.
Landscape - Painting
25 x 35 cm (9.8 x 13.8 inches)
Jeanie Merila: 'Venice Well and Staircase', 2002 Acrylic Painting, Landscape.
Landscape - Painting
50 x 35 cm (19.7 x 13.8 inches)
Jeanie Merila: 'Venice Bridge', 2004 Acrylic Painting, Landscape.
Landscape - Painting
30 x 40 cm (11.8 x 15.7 inches)
Jeanie Merila: 'Ubud Banana Tree in the Afternoon', 2002 Acrylic Painting, Landscape.
Landscape - Painting
60 x 50 cm (23.6 x 19.7 inches)
Jeanie Merila: 'Burano Windo with Lamp', 2002 Acrylic Painting, Landscape.
Landscape - Painting
35 x 50 inches (88.9 x 127.0 cm)
Jeanie Merila: 'Ubud Rice Padi and Shrine', 2003 Acrylic Painting, Landscape. Reflection in a Ubud, Bali rice padi with a Hindu shrine in the foreground. ...
Landscape - Painting
60 x 50 cm (23.6 x 19.7 inches)
(Page 14 of 51) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Leo De Freyne - Here is a quotation from the philosopher Arthur Schopenhauer (translation R J Holingdale): "We shall do best to think of life as a'desengano', as a process of disillusionment: since this is, clearly enough, what everything that happens to us is calculated to produce." ...

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

    Satu Laurel - Sublime and the search of beauty are the main starting points of my paintings. Traditional techniques serve that idea. There is also a hint of mystical, unanswered questions and secrets. Paintings are driven from psychology and unaware, hidden thoughts. Christian themes like Creation and human-God relationship interests me. Contradictions and paradoxes are fascinating. Ugly can be seen as beautiful and old gives a birth to a young. Letting go from the usual gives freedom to see more than the present moment....

    Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

    Marc Awodey - "My statement IS the work." Awodey received his MFA from Cranbrook Academy of Art in 1984. Hundreds of his works are in private collections around the USA. Awodey lives in Burlington, Vermont- one of the most active arts enclaves in in North America. He teaches fine arts at Burlington College and The Community College of Vermont, is an award winning art critic, and has published 3 books of poetry. Resume and slides are available on request. Awodey's vision is unique, and his work may be considered investment quality. Click on "send the artist an email" for further information. "I do not try to be profound. My only concern is to make pictures that work - I can't worry about critical relevance, or what a viewer might discover in a piece. Such are not for me to know. I am a figurative painter who is, nevertheless, more focused on formal issues than narrative content. Narratives are egocentric, and I am an artist of the Id. Textures, color, and line are the Id. I establish a dialog with each canvas, and let it develop on its own terms - so my pictures are very simple and direct. The anatomy of the picture...

    Yulia Korneva - When after the midnight the lights and shadows are mixed up in sleepless eyes it is time for me to create the instant pictures of the world between the dream, nightmare and reality. My name is Yulia A. Korneva and everything I create is my way to express what I saw and feel. Even the portraits for me are a way to see something more then a photo made with pencil or oil colours. I find very interesting the posthumous or revival portraits when sometimes I have to assemble the expression, colours and background from different photographs. I was born to Moscow (URSS) in 1981, my grandfather was a painter. I started drawing to surprise my classmates and soon I could not imagine my life without creating something. My first work was the illustration for book of poems "August" (Indipendent publisher; Moscow; Russia) written by Nadezda Korneva in 2000. My first personal exhibition took place in 2004 in Turin, Italy. Now I artist, mother and I also make another job for living, but I hope to have one day more time to dedicate to creation....

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Florine Justine - "Artists create Art to communicate ideas, thoughts or feelings. There are a variety of methods: Literature, painting, photography, sculpting and so. I choose to express myself in " Fine Art" as a painter. -Fine Art- " I try to catch colors to give to the Reality, Brightness, Contrast and Life". I work on Oil or/and Acrylic techniques, on Canvas and in many genres (Still life, Landscapes, Flowers, Portraits, Animals, Abstracts ). Painting imposed itself to me and complete my communication needs. I paint by passion for Life, and Colors. If you want to know more about my Art, I invite you to consult my Painting Gallery. ...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Sven Froekjaer Jensen - To build a bridge between different worlds of expression, to span the abyss between the diversity of human minds, to reach out for the sublime, that is my challenge. Therefore I have to maneuver in a battlefield between old techniques and the new expressions of our time. That means to work in two directions all the time, one way from the old masters of the 19th century especially the drawing skills of the so called Copenhagen school with a very profound technical base, and the other way a freedom of expression, that is the only highway to the description of our time and the dreams and goals of present life. One could express it in another way saying, that I make modern myths in my fabulating paintings. But on the other hand the technical skills acquired from the drawing exercises are a necessity for getting the freedom that makes the fabulations possible. By creating the nonverbal myths on my canvasses I hope to reach the onlooker in a way that brings our minds together so we can walk the paths of understanding - dreaming the very old dreams of humanity. Therefore I work very intensely with drawings of the human and...

    Leyla Munteanu - ARTIST'S STATEMENT Leyla Munteanu I have always felt a special connection with textural surfaces and the human figure. The beauty and strength in human features was a preferred subject in my work. Now I am focusing on the nostalgic. My love for the human figure has evolved into an interest in what they leave behind. Human marks left on objects and surfaces over time become more important than representation of the people who made the marks. I find my inspiration in immediate surroundings, and I hope that my work will lead the viewer to see the beauty that I see. First impressions are everything. Most often my depictions of those experiences are simply my way of saying "you should see what I saw!" Each piece has special meaning to me, which will not necessarily be the same meaning the viewer may attach to it. Art tells us something about ourselves and my work is the world as I see it, a world that brings back memories. I grew up in Bucharest Romania, a town marked by a long history; every place was worn by time or human nature. I'm still amazed by my memories of these places. All ...

    Jeanie Merila - Art surrounds my life like a blanket, filling my senses with joy and giving me a place to weep with color. Sometimes art is a mirror of my life, but other times it is what remains after life filters through my vision. My art is about color and light. The way light bounces off buildings in the afternoon sun, shadows flickering like transforming clouds. The colors vibrate next to each other, the patterns of leaves and bricks create harmony. The wavering reflections in windows, puddles and canals continue to fascinate me - sky and water become one. I have painted flowers over and over for 20 years, yet the pure hues continue to blend and dance in my watercolors like newborns. The silence of the ocean as I swim below the surface inspires me. The waves above leave twisting shadows on the progressing, swirling sand. The rainbow fish darting among the coral remind me of insects hovering around thriving buds as I gaze into the mystery of the deep azure, waiting for the turtle, manta or shark. The breath of my soul is often revealed through the mystical depths of the ocean or the burst of color on a fragrant bloom. ...