Artists Describing Their Art:
Edward Tabachnik - Edward Tabachnik Through all my works you will find that my attitude toward color and light combines tradition of impressionism with various surrealistic situations. Working on illustrations for Kafka's novels, I was looking for a symbolic image of a mystical town. I found it in Gaudi's "Sagrada Familia". Almost on each of my paintings you can see my "signature"- flying phantasmagoria tower, which has become for me a living entity, procreating itself, connecting The Past with The Future. Fascinated with the theory of Black Holes and the origin of The World is also reflected in many paintings in the form of "Singularity", through which Time passes, connecting The Past with The Future. I was always attracted to mystery of Kabbalah, and to other Jewish teachings. Many of my works are related to these themes. After seeing the destroyed Synagogue in Berlin, I've "recreated" it in my painting, and also dedicated a number of my works to Jewish History. In my works I try to blend my fantasy with sometimes well known, sometimes created architectural details. My schooling was both - in architecture and painting. My love for architecture can be seen through many of my works. There is ...
Stephen Fessler - Artist's Statement: Visionism All my images are born accidentally. I tack my studio dropcloths onto the wall once they've become sufficiently splattered with paint, and search the surface for suggestions. I'll discover an image within a tangle of marks, and paint to free it, an archaeologist unearthing an artifact. This process leads to related discoveries, and the more I find, the better I understand the space they inhabit, and a painting is underway. In this way does the painting gradually reveal its content and mood. Everything I like of the art I've seen, Eastern and Western, ancient and modern, sacred and profane, ends up in my work. It must be that, as I gaze at my randomly stained surfaces, these remembered images give clues as to what to look for. The larger canvases are free-hanging, fitted with grommets and intended to be tacked directly to the wall like a tapestry or banner. Smaller works on canvas are mounted and stretched so as to preserve their irregular edges. Stephen Fessler Artists' Statement: Directed Perception My mode of seeing changes when something has caught my attention. My "directed perception" chooses what I will see while obscuring everything...
Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....
Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...
Ian Sheldon - Light and sense of place are key elements that inspire Ian Sheldon to paint. His subject is consequently varied, from the open spaces of his native prairie land, to the abandoned buildings of pioneer homesteads in the North American west, or the dramatic architecture of the cities where he has lived. Ian was born in Edmonton in 1971, and was brought up in South Africa, Singapore and England. While studying for his first degree (BA Hons) at Cambridge University, England, Ian began to paint the historical architecture of the city. Since 1994 galleries have exhibited this work, and in 1998, Cambridge Contemporary Art, the city's leading commercial gallery, accepted his watercolours. The City of Oxford, sharing a similar architectural heritage, has become a recent focus, and his work has been shown by Objet d'Art in Woodstock, England since 1996. Ian makes frequent trips to Britain to pursue his architectural passion. Ian is a self-taught artist, who believes that his true understanding of artistic self-expression will come best through his experimentation with various media over time. He believes that as he ages, the wisdom that he gains with experience will be powerfully reflected in his paintings. Ian ...
Christophe Bourely - LIE/LAY SERIES Despite their aggression toward nature and each other human beings are fragile animals. In this series, I explore poses in which figures could either be at rest, exercising, meditating or simply be dead. The lack of background emphasizes the abstract quality of the figures and the uncertainty of the situation. Are these figures lying or have they been laid? Lie or lay? It will be up to the viewer to decide. ...
Vladimir Simanovsky - The artistic world of Vladimir Simanovsky is motivated by live but predominantly by music. From his earliest childhood, when he intensely devoted himself to drowing and playing the piano, a tone of colourful vibrations of inner creative imagination has woken up in him. After having finished Secondary Artistic-Industrial School, which provided its graduates with the ABS of creave artistc resources, he carried on with studies at the Faculty of Architecture of the Technical University in Bratislava, which raised his rational human thinking. The creative career of Vladimir Simanovsky has been extended by a new dimention, a dimention of space. In the late of 80s he moved to Canada, where he intensily attended to artistic creation. In 1996 he come back to Slovakia,Bratislava. By rational but also subconscious comparing of the human criterion with architectural, constructive with spiritual, real with irreal, he has appealed to painter`s means of expression with a feeling that through them he can most brilliantly express his visual, rational and subconscious statuses he has systematically saved in his live. Linear compositions are,by turbit painting area`s shaped into fine blocks underlined by gentle scale of warm colour tones,sharpen tention among particular colour...
Anna Maria Grill-R. - STATEMENT Meine malerischen und SW-fotografischen Arbeiten leben von Licht und Schatten im Raum, vom Kontrast zwischen leichten, luftigen und schweren, erdhaften Farben, von rSumlicher Tiefe und gegenstSndlicher NShe. Neben urbanen und zeitkritischen Themen gehsren Wachstum und VergSnglichkeit zu meinen bevorzugten Themen . ...
Armand Cabrera - My goal as an artist is to convey the joy and awe I feel when witnessing the beauty of the world we inhabit. I have been drawing and painting for as long as I can remember. I paint everyday because it is what I love to do. Painting is the most fulfilling work I've ever found. I am dedicated to strive, at all times, to be the best artist I can be and to paint for as long as I am capable. Alla prima painting presents the challenge to record my immediate experience of the land. The subject can be as simple as a willow branch touching a stream or as grand as a sunset in the Rocky Mountains. Painting from life is extremely rewarding to me as an artist. I find it the most honest form of painting. Standing with an easel before the land---that's when all the years of practice come into play--- the discipline to record the fleeting moment on canvas before it disappears forever. Always remember that the land supports us---that we are part of it--- connected to the earth in ways we can't fully understand. We must be ever diligent...
Robert Nizamov - Born and trained in Russia, Robert Nizamov explores a variety of approaches to painting, from representational still lifes to more abstract landscapes that in many ways recall Impressionism and its analogous movements. Above all, Nizamov strives for the painterly painting, a re-dedication to the medium of paint and brushstroke, based neither on the current market nor modern trends, but born from the sacred act of putting brush to canvas. What results is an approach to painting that is as versatile and varied as the subjects Nizamov chooses to portray. Colors work to create mood: alternately muted and subdued, calm and relaxed, bright and vibrant. Likewise, composition is skillfully employed to set the tone for each painting, at times balanced and serene, other times creating a sense of disparity and tension. Perhaps the hallmark of Nizamov's work, however, is the movement conveyed in each individual brushstroke, masterfully created in the specific way he applies the paint, infusing his images with light and adding a depth and richness to his work.
Marty Kalb - Artists important to me Rembrandt,Cezanne and Matisse,because their work got better with age. Klee, because he makes me realize that simple ideas are the most complex and the most rewarding. Kandinsky, because his work was the first to teach me about the levels of meaning in abstraction. Twachtman,because his landscapes are about how to feel about place and process. Church, because his majestic vision is his own creation. Monet, because I see his hand and eye take risks. Hofmann because he controls the mind and frees the spirit. Heartfield and Goya because they do not look away. There are others, but as Hillel said "the rest is commentary" Subjects I return to. Color filled landscape abstractions. Realistic images of local streams, And waterfalls in other places. The Holocaust as the ultimate moral challenge Each is important My paintings explore realistically and abstractly an interest in landscape from my immediate surroundings, distant places of particular natural beauty, seascapes and undersea forms inspired by many visits to the Caribbean and a long standing interest in Asian art. Most of the paintings of realistic waterfalls are of places in Vermont, New York State and Ohio. The abstract waterfalls are inventions, ...
Al Shaikh Aldaw - My artworks are usually a composition of crowded figurative such as dancing , parties ,or downtown's streets searching for movement , also I like working on landscapes . women are my lovely items , using an impressionist style .Moreover I paint abstract and Islamic abstract using Islamic decorative symbol ...
Alexander Sadoyan - My paintings are inspired from the human life in conjunction with landscape of nature's abstract color-forms.With association of color and shapes,I strive to communicate my feelings and convey inner-personal emotions.Memories,experiences are the essence of my esthetical awareness which find visual language of there own inseparable from the future and exists into absolution....