Paintings For Sale - Price Range: $800 - $899

Page 4 of 36
Discover 1,038 original painting artworks for sale between $800 - $899. Contemporary emerging artists: Donna Gallant, Judith Fritchman, Lorrie Williamson, Ron Ogle, Lou Posner, Luise Andersen, Micha Nussinov, Edna Schonblum, Lucille Coleman, Wayne Wilcox, Bessie Papazafiriou, Storm Hammond, Mark Schwing, Karen Cooper, Richard Freer, Claudette Losier, Henry Woody Lindenmeyr are exhibiting their affordable original art. You can buy artwork online and browse 36 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Judith Fritchman: 'Profile of Rebecca', 2004 Oil Painting, Portrait.  Another view of a lovely young woman. ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Lorrie Williamson: 'Growing Up', 2001 Oil Painting, Figurative.  A little girl no longer - - now becoming a woman. ...
, 2001
Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Judith Fritchman: 'Catch Me if You Can', 2007 Oil Painting, Children. Who can resist an exuberant race with the waves?...
Children - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Ron Ogle: 'HORSE SERIES number 10', 1999 Oil Painting, Abstract. Of very great importance for the development of the student is the way in which he listens to others when they speak. He must accustom himself to do this in such a way that, while listening, his inner self is absolutely silent. [ RUDOLF STEINER - KNOWLEDGE OF HIGHER WORLDS AND ITS ...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ron Ogle: 'HORSE SERIES number 9', 1999 Oil Painting, Abstract. Truth waits for eyes unclouded by longing....
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Lou Posner: 'Eggplant and Green Pepper', 2000 Oil Painting, Still Life. Vegetables in motion.  Oil on canvas board.  Custom frame is wood with gold tone. ...
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
Luise Andersen: 'I See You Watching Me', 2004 Oil Painting, Other. Oil Paints. . . With Water. . Had To try those. .  And Enjoy Them. . . .  Same Qualities. .   A forceful. .  Quick Painting. . .  Not More Than Several Days. . .  Rare For Me. .  Just Clicked. . .  Faces. . . Figures. . .  Waiting. .I Have The Urge To Introduce Gold- Leaf In it. . .  I Just Might. . On Top Arch. .  Where The Light Hits. . ...
Other - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Micha Nussinov: 'Movement 2', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood. ...
, 2004
Abstract - Painting
510 x 410 mm ( x )
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Edna Schonblum: 'Jaws', 2005 Oil Painting, nature.
, 2005
nature - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Lucille Coleman: 'Heel Hand Pop', 2004 Oil Painting, Dance. Oil paint is applied in a spontaneous, painterly manner to imitate the energy and movement of the dance.This is one second of a hip- hop dance movement frozen in time but is actually performed very quickly. The effect looks like a surprise when the dancers jump up on their ...
Dance - Painting
38 x 36 inches (96.5 x 91.4 cm)
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Micha Nussinov: 'movement 1', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood....
, 2004
Abstract - Painting
41 x 51 cm (16.1 x 20.1 inches)
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Wayne Wilcox: 'Lake Watercolor Morning', 2004 Oil Painting, Landscape.
Landscape - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Bessie Papazafiriou: 'Winter in Metsovo', 2000 Oil Painting, Landscape.      Winter in Metsovo depicts a wonderful place I discovered in Metsovo, Greece.  I love the way the vegetation pokes its way through the snow to add contrast to the painting.Comments:  Framed...
Landscape - Painting
15 x 13 inches (38.1 x 33.0 cm)
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Storm Hammond: 'Classic Monarchs', 2019 Oil Painting, Visionary.
Visionary - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Storm Hammond: 'Transitions', 2018 Oil Painting, Landscape.
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Doria Monastery', 2018 Oil Painting, Figurative.
Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Storm Hammond: 'Rubens Garden', 1998 Oil Painting, Landscape.
Landscape - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Mark Schwing: 'seekers', 2023 Acrylic Painting, Abstract. Surrealistic landscape with mysterious forms. ...
, 2023
Abstract - Painting
24 x 19 inches (61.0 x 48.3 cm)
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Karen Cooper: 'A Coaster And A Ferris Wheel', 2023 Oil Painting, Other. plein air oil painting on panel...
Other - Painting
16 x 12 inches (40.6 x 30.5 cm)
Mark Schwing: 'lemon cooler', 2023 Acrylic Painting, Surrealism. A surrealistic abstract painting of an optimistic metropolis with an uncertain future. ...
Surrealism - Painting
19 x 24 inches (48.3 x 61.0 cm)
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Richard Freer: 'wild horses', 2021 Oil Painting, Expressionism. Wild horses in th New Forest...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'white pebble stream', 2021 Oil Painting, Expressionism. Stream in New Zealand...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'freshwater stream', 2022 Oil Painting, Expressionism. Clear stream in New Zealand...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'water garden', 2022 Oil Painting, Expressionism. Willow trees in a water garden. ...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'footbridge', 2022 Oil Painting, Expressionism. Scene from a water garden in Dorset. ...
, 2022
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'purple blossom', 2023 Oil Painting, Expressionism. Detail from Peterborough Cathedral. ...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Richard Freer: 'poppies in the garden', 2023 Oil Painting, Expressionism. Poppies with light in a garden. ...
Expressionism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Claudette Losier: 'puzzle of black eyed suzzies', 2009 Oil Painting, Floral. flowers in my garden. ...
Floral - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Henry Woody Lindenmeyr: 'flattop mt', 2022 Oil Painting, Mountains. This is a barn wood, framed, oil on canvas rendering of Flat Top Mt in the middle of the Gunnison valley corridor. The painting was made off the Jack s Cabin cutoff road one fall and has a palette to match the season.  ...
, 2022
Mountains - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Mark Schwing: 'honey', 2022 Acrylic Painting, Surrealism. Honey makes the world go round.acrylic on paper...
, 2022
Surrealism - Painting
19 x 24 inches (48.3 x 61.0 cm)
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(Page 4 of 36) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lorrie Williamson - Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Mark Schwing - Ideally the artist is employed by society at large. The artist helps define culture and culture makes us who we are in whatever time and place we are at. Of course most of us are not living in caves anymore but even then art helped society function; helped the hunter hunt, showed people what to do. Art is still showing people what to do in a way. Whether it is raising awareness by showing what is going on, teaching by example or simply exploring ideas that give people ideas. My art is about ideas as much as anything else but it is a surrealistic and intuitive approach. So what is presented isn't a literal interpretation, it is more like exploring the idea with art. It is really another reality. It mirrors our reality and/or it is influenced by our reality. I can't help but be affected by what is going on around me and I am interested in the transcendental as well. Please visit my website, www.markschwing1.com, for more images....

    Karen Cooper - Karen Cooper karencooperpaintings.com I am a watcher. I watch with my eyes, and capture with a paint brush or a camera. I have been blessed to see the world in ways others have not aEUR" and I am compelled to share with viewers who need to see along with me. While this longing is present, the absolute necessity of the matter, and what drives me forward, is that the painting must be a thing of substance and solidity and interest and beauty. My painteraEURtms eye has a tendency to gravitate toward interesting faces, the street scene, a cafe scene, a weird little architectural structure, and every now and then a vehicle. Oil is my medium of choice. And again, the bottom line and always the focus substance and solidity and interest and beauty. ...

    Richard Freer - Richard FreeraEURtms oeuvre is an intimate and personalized representation of natural and urban landscapes. Also exploring portraiture, the colour palette and forms are distinct, vibrant, and breath-taking. Born in Leicester, UK in 1976, RichardaEURtms natural-scrapes provide scope to a novel vision, almost bordering on complete abstraction. From a close-up view to a generic horizon rendition, Richard practices oil paintings, watercolours, and drawings Graduated in Fine Art in 1999, Richard had attended the School of Creative Arts at the University of Hertfordshire. Later he received a masteraEURtms degree from De Montfort University in 2004. Impressionist in style, Richards oeuvre constructs a junction of departure from the same ideology. The landscapes appear real formally but digress in the realm of colours. RichardaEURtms attention to small details like a stroke of sunlight, or a small twig, or a reflection over sea marks his distinguishing and original style. And, most importantly, the consistency of the method pervades through his practice. Intuitive and emotional, the responses to the natural surroundings in his paintings are solely dependent on the medium and moment. Notably, it unfolds a substantial relationship between the material and immaterial realms. Richard regularly exhibits at international ...

    Claudette Losier - Artistic Statement - Claudette Losier (LosiersArt) "Where Beauty Lies " "The artist knows that even though he has created something beautiful, it can be destroyed. His real and innermost satisfaction is not in the object, but in the subject; that thing within him that penetrates the mystic splendor of Beauty itself." (Ernest Holmes pg 39) One of my bodies of work explores the concept of Paradise as something sought after by modern society. My search centres on gardens--as near as our own backyard and as far away as other continents or the imaginary garden in our consciousness. It has been stated that each garden reflects our longing for spiritual peace--a tie with our primeordal beginnings. It is in the beauty of nature where I find this spiritual peace from a homemade garden to a formal garden, from a tree to the vastness of Grand Canyon, from a rocky coast line to the calmness of a man made pond. In Dr. Wayne Dyer's book "Power of Intention" he quotes from Emily Dickson and John Keats(pg 51): "Beauty is not caused. It is " As you awaken to your divine nature, you'll begin to appreciate beauty in everything you see, ...

    Henry Woody Lindenmeyr - Woodys oil paintings have a refreshing take on landscape painting. Strong, bold, colorful, harmonizing strokes accurately recapitulate his subject in a fantastic manner. It is clear Woody not only has a passion for painting and the mountains, but a deep understanding of them as well. Only with this relationship is the artist able to interpret his subject with such depth and candor. Additionally, Lindenmeyr finds intriguing perspectives that are supported by sturdy composition, and a bold palette. These painterly qualities coalesce on the canvas to create a unique, contemporary work of art. Woody has earned a Fine Arts degree and has managed an art gallery. He has had several shows including a one man exhibit last January. His work hangs in private collections throughout the United States and Australia. Mr. Lindenmeyr resides in Crested Butte, CO with his wife amidst the Rocky Mountains....