Photography For Sale - Price Range: $600 - $699

Page 2 of 5
Discover 132 original photography artworks for sale between $600 - $699. Contemporary emerging artists: Tina West, Bernhard Luettmer, Romanova Nadia, Michael Easton, Corrie Ancone, Ken Smith are exhibiting their affordable original art. You can buy artwork online and browse 5 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Photography / Previous / Next
Tina West: 'Redundant Fundamentalist', 2009 Polaroid Photograph, Still Life.  Archival Pigmented Print scanned from Polaroid type 59 ...
Still Life - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Bernhard Luettmer: 'Schwarzes Wasser I', 2010 Black and White Photograph, Abstract Landscape.                           Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,                          ...
Abstract Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'SCHWARZES WASSER VII', 2010 Black and White Photograph, Abstract Landscape.                         Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,                        ...
Abstract Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'SCHWARZES WASSER VI', 2010 Black and White Photograph, Abstract Landscape.                        Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,                       ...
Abstract Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'SCHWARZES WASSER IV', 2010 Black and White Photograph, Abstract Landscape.                      Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,                     ...
Abstract Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'SCHWARZES WASSER II', 2010 Black and White Photograph, Abstract Landscape.                    Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,                   ...
Abstract Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'Lago II', 2009 Black and White Photograph, Landscape.               Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,              ...
, 2009
Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Bernhard Luettmer: 'Lago I', 2009 Black and White Photograph, Landscape.              Landscape in Tuscany/ Landscape, italy, tuscany, morning, totady, tree,             ...
, 2009
Landscape - Photograph
70 x 100 cm (27.6 x 39.4 inches)
Romanova Nadia: ' ascendence', 2008 Color Photograph, Conceptual. happiness loneliness risque brave unknown future...
Conceptual - Photograph
60 x 90 cm (23.6 x 35.4 inches)
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Michael Easton: 'Sandstone, Hornby Island 2', 1994 Black and White Photograph, Abstract Landscape.
Abstract Landscape - Photograph
16 x 22 inches (40.6 x 55.9 cm)
Michael Easton: 'Sandstone, Hornby Island 1', 2004 Black and White Photograph, Abstract Landscape.
Abstract Landscape - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Summit Lake, West Kootenays', 2008 Black and White Photograph, Landscape.
Landscape - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Predator Ridge, near Vernon', 2008 Black and White Photograph, Landscape.
Landscape - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Blondens Point, Arrow lakes', 2008 Black and White Photograph, Landscape.
Landscape - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Driftwood 3', 2008 Black and White Photograph, Beach.
Beach - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Driftwood 2', 2008 Black and White Photograph, Beach.
Beach - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Driftwood 1', 2008 Black and White Photograph, Beach.
Beach - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Michael Easton: 'Ponderosa Pine Bark 8', 1999 Black and White Photograph, Abstract.
Abstract - Photograph
16 x 22 inches (40.6 x 55.9 cm)
Michael Easton: 'Ponderosa Pine Bark 2', 1999 Black and White Photograph, Abstract.
Abstract - Photograph
16 x 22 inches (40.6 x 55.9 cm)
Corrie Ancone: 'APSARA', 2000 Color Photograph, Abstract Figurative. PHOTOGRAPHIC OVERLAY. . ....
, 2000
Abstract Figurative - Photograph
20 x 30 inches (50.8 x 76.2 cm)
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Ken Smith: 'Revelation', 2002 Other Photography, Still Life. An archival pigment ink print on heavyweight acid- free watercolor paper with deckled edges. Paper size - 30
, 2002
Still Life - Photograph
20 x 23 inches (50.8 x 58.4 cm)
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Ken Smith: 'Seed Bough 2', 2002 Other Photography, Still Life. An archival pigment ink print on  heavyweight acid- free watercolor paper with deckled edges. Paper size - 30
Still Life - Photograph
20 x 20 inches (50.8 x 50.8 cm)
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Ken Smith: 'Pacific Cliffs', 1994 Silver Gelatin Photograph, Landscape. Toned Black & White Silver Gelatin Print, from a 4X5 paper negative. Dry- mounted and window- matted. Edition of 25, signed and numbered. Archival. Mat dimensions - 22
Landscape - Photograph
17 x 15 inches (43.2 x 38.1 cm)
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Ken Smith: 'Moonglow', 1993 Silver Gelatin Photograph, nudes. Toned Black & White Silver Gelatin Print. Dry- mounted and window- matted. Edition of 25, signed and numbered. Archival. Mat dimensions - 22
, 1993
nudes - Photograph
19 x 15 inches (48.3 x 38.1 cm)
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(Page 2 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Tina West - Statement of the artist My still life photographs are sculptural installations, created environments that give new meaning to objects, as their scale is re-addressed through a new place in space and time. All of my still life's feature found objects, including objects that in some manner find me. Together, you and I make each photograph a story. I begin the story with the photograph, but it is your reactions and experiences that complete it. Certainly, I could finish the story as it relates to me, but I am far more interested in the telling of your own story. The photograph is my vision. The story is yours. As an introduction my camera of chose is a 4x5, I consider it a medium large format. The film of choice is Polaroid 59, there is a look and feel that can be found no other way. Now Fuji instant film, as Polaroid is no longer produced. The photographs are scanned and printed as archival pigmented prints. I am a collector of thing or objects. I cannot say what I collect it varies from day to day, or year to year. Ultimately the objects speak to me, or people have given ...

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Michael Easton - My nature photography reflects a personal vision of the spirituality of the land. Photographing nature primarily in British Columbia is a way of life that translates the passion for this land into a shared experience of imagery through the medium of the fine print. The challenge when finding an image in nature that is of particularly interest is to pare down the extraneous bits to the essential elements that is the essence of the emotional/spiritual experience. The textural and design elements of the image are the key to the mind's appreciation of the congruency of nature within an apparent chaotic framework. Black and white aids the mind in this process without the distraction of other colours. My motivation in showing this work is to help people develop a stronger bond with nature and by extension a greater interest and concern for preserving the many unique ecosystems of the world....

Corrie Ancone - Artist statement : "I don't care for the certainty of what's in front of my lens, but the creativity, the fantasy, the invention, that can gush from a thought before or thereafter. Between the certain and the uncertain there is a possible space, as in dreams and fables. Heavily influenced by mythology, nature and the techniques and working styles of the early European Dadaists, Impressionists and Baroque artists, my creativity stems from my lust for finding and exploring sympathies between the human body, the landscape and its textures. Oscillating between transparency and opacity, colours and images collide in my work, creating new visual and emotional images, often painterly and somewhat surreal, which affect perceptions of natural reality. This is sometimes described as 'synthetic realism'." Corrie Ancone ...

Ken Smith - The ongoing theme of my work is the recognition of natural forces, shapes, gestures. When I choose my subjects to work with I feel a sense of belonging to those innate forms I know them as my own destiny. It is satisfying for me to attempt to identify the most basic truths, that are common denominators of life's dynamic both in humans and in the rest of the natural world. My role as an artist is to say, "Look at this it is what I feel is true do you feel it also?" My creative life began as a freelance writer, and a commercial and editorial photographer. Since 1991, I've been concentrating on the fine art side of the work, and for the past eight years I've been working primarily in still life. Most of my work is split-toned black & white silver prints, although I sometimes handcolor the work. Recently my work has evolved towards color, and printing with archival pigment ink on fine papers. This change has imbued me with exciting new possibilities for creative expression and presentation. My work has been exhibited in international venues is in corporate and private collections in the United...