Artist Information:
David Rubright
Solon, IA
United States
Member Since: Sep 2000
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Artist Statement:
I started working in the medium of video in the early 1980's as an experimental art form. At the same time, I started a series of drawings on a 'close-up camera view' of the body. Then I used video as a performance medium to express my philosophy and concerns about child development and pedagogy. By the mid 80’s the computer was on the scene and I began creating geometric works using a simple mirroring method, printing it to paper and hand coloring the results (see 'Tufte-esque Multiples'). I looked to traditional anatomical studies almost taking a path as a medical illustrator. Through the experience and studies in video and performance arts, increasingly I became interested in performance and sound. During my studies as a post graduate student in the 90's, one of my pieces layered sounds to create comments on war as a commercial entity. An easy reference from art history to German and Swiss dadaist during and after W.W.I, I spent time remixing commercial television.
I documented fluxous performances in an improvisational group of composers and forced the music academy to watch it. For some, the idea that sound and acting could ...
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Artist Exhibitions:
1993....University of Iowa Musuem of Art, Iowa City, Iowa. Fluxus Music Performance Collaboration/ video documentation with performance event coordinated by Robert Parades, video
1992....University of Iowa Museum of Art, Iowa City, Iowa. MFA Exhibition under Hans Breder "Scream Walking", video
1991....Multimedia Studios, University of Iowa, Iowa City, ...
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David Rubright's Free Artist Portfolio
| Welcome to David Rubright's Portfolio. Browse Rubright's body of work: I started working in the medium of video in the early 1980's as an experimental art form. At the same time, I started a series of drawings on a 'close-up camera view' of the body. Then I used video as a performance medium to express my philosophy and concerns about child development and pedagogy. By the mid 80’s the computer was on the scene and I began creating geometric works using a simple mirroring method, printing it to paper and hand coloring the results (see 'Tufte-esque Multiples'). I looked to traditional anatomical studies almost taking a ... | |
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