Artist Information:
Lisa Solomon
Oakland, CA
United States
Member Since: May 2005
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Artist Statement:
I am quite intrigued by the notion of hybridization; the fusing of elements that may at first glance appear to be unrelated. I also am drawn to found objects – altering them conceptually so that their meanings and original uses or intents are re-purposed. I like when “wrong” things i.e. tanks made of bright pink felt, sewing onto paper, coagulant herbs or hunted animals on rifle targets, sewing with out thread (the act of mending with out its mending capabilities), the back side of embroidery shown as the front, flowered tanks “fighting” cute clouds or other things in nature are fused together.
I am interested in gender identity – what are the parameters we use to place and name things within a masculine or a feminine sphere? What occurs when triggers and cues are misplaced purposefully confusing our vision?
I wonder about the differences and contrasts between hand made and machine made – How culturally the positions of their desirability have flip flopped. How hand-made feeds into the ideas of work ethic/time spent/work never done. What happens when you pair something that’s obviously manufactured with an element that is obviously hand crafted?
As I labor within the ...
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Artist Exhibitions:
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Artist Galleries:
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Artist Reviews:
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Collections:
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Lisa Solomon's Free Artist Portfolio
| Welcome to Lisa Solomon's Portfolio. Browse Solomon's body of work: I am quite intrigued by the notion of hybridization; the fusing of elements that may at first glance appear to be unrelated. I also am drawn to found objects – altering them conceptually so that their meanings and original uses or intents are re-purposed. I like when “wrong” things i.e. tanks made of bright pink felt, sewing onto paper, coagulant herbs or hunted animals on rifle targets, sewing with out thread (the act of mending with out its mending capabilities), the back side of embroidery shown as the front, flowered tanks “fighting” cute clouds or other things in nature ... | |
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