Artist Information:
Aidan Moran
Clinton, CT
United States
Member Since: May 2006
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Artist Statement:
Aidan was raised in the miserable damp Irish climate for twenty-two years before leaving for California in 1989. He arrived just in time to experience a 7.1 earthquake. Despite this shaky start, his photography went down hill from there. After several other serious setbacks including having to hold down a real job he joined a photographic cult in Berkeley to create visual concerts, which involve projecting photographic images to the accompaniment of live music.
About ten years ago Aidan was diagnosed as an incurable bore and has since dedicated his remaining days to photographing meaningless things around him. Despite the fact that both the Whitney and MoMA have shown absolutely no interest in his work he still subjects the unsuspecting public to his work by projecting his images outdoors in downtown areas.
More recently while in humor rehab he teamed up with Tony “Baloney” Juliano to create such shows as the “3 Miserable Bastards” and the “Tater Tot Farmers”. Their latest subversive plan to bring laughter into art galleries, the “Laughter Room Project”, has led to unwarranted phone taps and illegal email strip searches.
For some reason or other he now finds himself living in Clinton, CT.
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Further Information
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Artist Exhibitions:
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Artist Galleries:
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Commissions:
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Aidan Moran's Free Artist Portfolio
Welcome to Aidan Moran's Portfolio. Browse Moran's body of work: Aidan was raised in the miserable damp Irish climate for twenty-two years before leaving for California in 1989. He arrived just in time to experience a 7.1 earthquake. Despite this shaky start, his photography went down hill from there. After several other serious setbacks including having to hold down a real job he joined a photographic cult in Berkeley to create visual concerts, which involve projecting photographic images to the accompaniment of live music.
About ten years ago Aidan was diagnosed as an incurable bore and has since dedicated his remaining days to photographing meaningless things around him. ... | |
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