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  Contemporary Art News: October 13, 2008   

Call for Artists: Open Exhibition of Visual+ Art
Limerick City Gallery of Art - Limerick, IE Ireland

  e v+ a exhibition of visual+ art Irelands pre eminent annual exhibition of contemporary art is about to enter its 33rd year and the e v+ a Committee is delighted to announce OPEN e v+ a 2009 Co Curators Angelika Nollert, Director of the New Museum for Art and Design in Nurenberg, and Yilmaz Dziewior, Director of the Kunstverein in Hamburg.Final Submission Date: 5pm on 28th November 2008 SUBMISSIONS MADE DIRECTLY, IN IRELAND: Artists may submit their work or proposals and documentation directly, with the completed application form and entry fee enclosed, at the specified collection points and on the dates and at the times indicated on the above schedule. Please note: the cooperation of the various drop centres depends on work being submitted and collected only on the dates and at the times specified. The centres will not and cannot be expected to handle artists work before or after these dates and times. Artists themselves must arrange for the timely delivery of their submissions to and from these centres. Read Indepth Article

BOHDAN STEHLIK / UNA SZEEMANN: WHITE NIGHTS DARK DREAMS
CACT - centro d'arte contemporanea ticino - Bellinzona, CH Switzerland

  The series of 68 black and white photographs of various dimensions entitled DARK MOVIES (2007) in room 1 opens the personal show of BOHDAN STEHLIK and UNA SZEEMANN (1973, 1975) at the CACT - Centre of Contemporary Art in Canton Ticino. Hung randomly in the first room, like an accumulation of crazily dancing still shots, this work comprises a veritable introduction to the exhibition‚s theme, but also the exemplary, successful genesis of the work done by this artistic duo since they got together in about 2006. DARK MOVIES actually provides the interpretative key that automatically opens the doors to all the rooms in the exhibition, a key around which Stehlik and Szeemann decided to develop a joint effort that questions artistic languages from a point of view both of theme and of semiology. Read Indepth Article

For Artist Hyacinthe Kuller-Baron, Life Comes Full Circle
Baron Gallery - Wonder Valley, CA USA United States of America

  In the future Ed and Hyacinthe Baron will exhibit only on important virtual art gallery web sites on the world-wide-web. absolutearts.com, barongallery.com, barongalleries.com, artnet.com, saatchigallery.com. In the past the artist and her manager husband of 39 years maintained art galleries nationwide. Hyacinthe always enjoyed meeting collectors visiting her galleries on Madison Avenue, NYC, Palm Desert and Beverly Hills, CA. They received the maximum number of visitors, as many as 500 at one time, who can physically attend a gallery opening and possibly 1000 over a month. The limitations of attendance are a built in along with the lease, rent, advertising and other business expenses. Read Indepth Article

Suki Chan: Interval
Chinese Arts Centre - Manchester, UK United Kingdom

  Interval n. 1. a period between two events or times, or the space between two end points 2. the difference in pitch between two notes. "Interval" is a film installation project by interdisciplinary artist Suki Chan exploring our transient relationships with buildings and the nature of our inhabitation of space and time. With particular reference to two contrasting types of architecture from British and Chinese history and culture, the work uses light, moving image, electronics and sound with mixed media installation to create a sensual experience inviting the viewer to meditate on their relationship to their environment. Read Indepth Article

Migrant Dreams and Signs: Raffaele Nastro and Nello Caruso
Il Ramo d'Oro - Naples, IT Italy

  Il Ramo d'Oro in Naples, Italy presents "Migrant Dreams and Signs: Raffaele Nastro and Nello Caruso" from October 11 through 26, 2008. Two very different artists for history and personality show points of arrival and current interests surprisingly similar in this double solo exhibition. Il Ramo d'Oro promotes their artists with a Gallery Portfolio at absolutearts.com. The gallery is a not for profit art gallery active in Naples, Italy, since the 2000. It has arranged in its exhibition space many artistic, social and cultural events cooperating with regional, national and international institutions. Its activity is characterized by the attention to foreign artists and for the effort to promote Italian artists abroad. Read Indepth Article


News from absolutearts.com Artists & Galleries: Sign up for a Portfolio

Yucel Donmez: Millennium Stamp 2
Details of Architecture:Photographs of Urban Artifacts by Ellen Fisch
The Voice of Art in a Battle for Freedom: International Artists Create Book in Support of Key Political Figure
Gen Next III: Annual Gallery Show
Dennis Jones ...just the tip...
L’Image Mystique/Les Vues Sacrees (Sacred Image/Sacred Views)
ASHES TO ART(r) | scattered
Ar(t)chitectural Attitude to Include Work by Tony Baker
Marble Sculptures by American Artist Andrew Wielawski
Andalusian International Artists Group to Show
Freedom and Art: Artists Thoughts on Freedom
Jose Freitas Cruz to Participate in 1st Montijo International Plastic Arts Biennial
Variety of Digital Art 2008 Features Karin Kuhlmann
The Accessibility of Contemporary Art - New Book by Michael Corbin Helps “Everyday Joes” Become Art Collectors
Ilana Raviv Receives Women of the Year Award
A Wizard of Colours in the Istanbul Metro: Yucel Donmez
Synthia Saint James Receives Woman of the Year 2008 Award


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DERIVATIVISM - sandwiching oils between digital buns
Pygoya, USA

There is a difference in my creative art process between "copy" and "replication." Let me explain. As artist I start off with digital tools, use oil paints as an intermediate step, then end up with a digital derived final product. So how does this compare and differ from the commonplace procedure of reproducing paintings by copyists? I'll try to clarify so here goes- I started off in painting and sculpture, earning a master's degree in Studio Art (Northern Illinois University, 1975). This developed an affinity as well as artistic sensitivity for the expressive powers of the paint medium. But with the introduction of the personal computer (PC graphics) in the 80s, I decided to emerge along with it as digital artist. I abandoned my paint tubes and brushes. In the beginning I was a purist, never scanning or importing photographs (of course back then there was no digital camera). I took pride in starting with clusters of pixels on an otherwise blank monitor screen. But times have changed and my attitude and approach has evolved along with the medium. My work now is truly "multi-media" or as they said before, "mixed media." I am now free to use whatever resources are available to make innovative imagery.
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This Week in the Arts:


MEMORIA: Photographs by Sabrina Maltese - Ryerson Gallery


Dusty Boynton: Recent Work - Denise Bibro Fine Art


Yucel Donmez: Millennium Stamp 2 - Tatbiki Art Gallery


Amar Kanwar, The Torn First Pages - Haus der Kunst


Call for Artists: 2009 MASTER ARTISTS-IN-RESIDENCE PROGRAM - Atlantic Center for the Arts


Michael Pettit: A Two Part Solo Exhibit - AVA - Association for Visual Arts


WACK! Art and the Feminist Revolution - Vancouver Art Gallery


-EMERGENTISM- Group Exhibition of Frank Vigneron, Au HoiLam, Li TinLun, Wai PongYu, Yan LingXiao, Liu Deng, Lee KangWook - Edge Gallery


Details of Architecture:Photographs of Urban Artifacts by Ellen Fisch - Karpeles Manuscript Library Museum


Call for Artists: Proposals for CAPE 09 - CAPE Africa Platform


  Artists To Watch:

Emiliano Baiocchi - Italy
Laurie Vaughn - USA
Cecil Herring - USA
Sandro Dalakishvili - Georgia
Barry Masteller - USA
Trisha Lambi - Australia
Malcolm Tuffnell - USA
Monica Zacharias - Brazil

Watch Artists' Videos:
Maria Parmo, Argentina
"Solo Exhibition"




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David Vanorbeek

"abstract Elegance ", Steel Sculpture, 2007
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Samiran Sarkar

"Rainy day ", Watercolor, 2008
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Jean Claude

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Eliecer Marchante

"hunting ", , 2008
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