|
|
|
|
Artist Statement:
The purpose of this portfolio is to introduce myself as a dance-exercise, technical basis teacher and choreographer.Over the years, I have developed a one-of-the-kind dance program, working on every muscles group, but also emphasizing specific breathing methods and involving body energies.
My work is very ...
Further Information
| |
Artist Exhibitions:
Ballet learning with Igor Fosca, Boris Nikish Tonin(Rome).
Jazz learning with Amadao, Molly Molloy, Andre Delaroche.
Bar on the floor learning with R.Bestonzo(opera de Paris), Nenuphar Fletas(prima solist in opera di Buenos Aires)and Gilles Guillaume from opera de Paris.
Exhibitions: Jazz and French Cancan dancer...
Further Information
|
|
Artist Galleries:
Espace St Cyprien in Toulouse is a big cultural center where I did a workshop during 2days, ending by a broadcast interview to explain my work on november the 13th of 2001.
AAC is a school dance where I was teaching my creativity: 4 bis Cite Veron Paris 75018 near ...
Further Information
|
|
Artist Reviews:
my creativity can be seen in others websites:
www.danceart.com
www.yahoo.com search agnidance
www.msn.com search agnidance
www.google.com search agnidance
www.tiscali.co.uk search agnidance ...
Further Information
|
|
|
|
Commissions:
If you are interested to my special work we can discuss the price: it's not a problem. Workshops can be shorter or longer, it's up to you....
Further Information
|
|
|
Collections for Michele Niels:
|
|
|
I am ending my portfolio giving you some more explanations about my teaching:I had very good teachers but I was never satisfied : something was missing. I always was looking for a new method all along the years, even when I was learning dance. After a carcrash, I decided to dig it deeply this material.The mainkind is a good position of your articulations and a physical building: it's important to start by making your backbone supple( working out solaris plexus, vertebras:lombaires and sacrum) supporting by a deep breath. More your backbone becomes supple, more your hips begin to open. As you are getting stronger, the exercises become harder, that's why several levels are necessary. After a lot of exercises we practice the splits, but instead of proceeding by the pubis, we did it by the knees which gives you a huge strength to the inside of the legs and which work out the "endehors du bas de jambe". My pictures show you this type of work: first and second level, the splits are taken very high, the third level:the dancers are lying on their bas de jambes making strong the muscles of their whole legs, which is necessary for the batteries.My work concerns a lot of people, including dancers. Till now I was teaching in a school of dance near the Moulin Rouge, the heart of Montmartre which was the kingdom of painters like Van Gogh, Toulouse Lautrec and so.Now I do some workshops in France, or Belgium or England and no matter how long is the workshop.If you want to have one,let me know by email
Michele
|
|