Clay was actually the material
that made me enter the world
of sculpture , and made me
competely satisfied with its
magic ability to cooperate
with, and its noble power. I
lately prefer metal, working
in monumental dimensions.
But, the main motive remain
the same. The Great Mother-
Goddess of fertility, a
significant neolithic artefact
from the enormeous treasure of
macedonian archeological
heritage- also one of my great
interests.
Her powerful symbolism is
close to everyone, as it is
implemented in everyone’s
conscience from ancient times,
as a vision of fertility-life,
humanity-love-peace, respect
of nature and every positive
power of lIving.
Further more, the goddess is
also a link to my work in
sculpture of woman seen as a
goddess of beauty and
personificated creative nature
with her magic power of birth
giving.

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