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Ana Maria Hidalgo's Main Portfolio Page
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Artist Information:
Ana Maria Hidalgo
San pedro de la Paz,
Chile
Member Since: Apr 2002

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Artist Exhibitions:
1995 Instituto Chileno
Británico, Concepción, Chile.

“Annotations”, Corporación
Cultural de Valdivia,
Valdivia, Chile.

2001 “ Inner landscapes”,
Bussiness School of
Management, Concepción, Chile.

2002 Galerie Maria
Schönenberger-Kyrimis, Zürich,
Switzerland.
Galeria Montecatini,
Concepción-Chile.
"Alto Bio Bio", Galeria
Pencopolitana de Arte,
Concepción, Chile
"...

Further Information

Artist Galleries:
Sala Blanco
Concepcion - Chile...

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Artist Statement for Ana Maria Hidalgo

These paintings I have submitted belong to the sequence of paintings I have called “Sensorial Hearts”.

This sequence is being shown at the present time in Chile. I am showing 13 large paintings done in acrylic on canvas.

The subject has to do with the world of human feelings, symbolized by the shape of a heart, which is represented figuratively only once in while on the work of art.

Human feelings as subject matter constitute an excellent excuse for developing innumerable contents that finally conform the creative act.

Color plays an important role in the making of the work of art. Its construction begins with deep ochre, from whom several figures emerge, concluding strokes of pure and lively color, that finish the work of art, ending in the creation of an complete body.

The creation of primogenial signs that relate to ancestral human expression and human origin is one of the objectives of this work. This paintings also have to do with the creation of space and vital cosmos where the observer can recreate himself looking for shapes that originate upon his own subjectivity.

On the other side, the exhibition also includes the presentation of some poems written by the artist. These poems verse on the same thematic, (human feelings) but do not explain the paintings, nor represent them. These poems “travel” through parallel ways, that never really get touched.

“I feel a strong need to work doing creative objects because of a certain anguish and anxiety I feel on time passing by and not leaving anything tangible to prove its pass. Though my creations I want to leave in evidence that I have lived.”


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