Artist Information:
Andrea Artusi
Cesena,
Italy
Member Since: May 2002
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Artist Statement:
My work is maily directed to
an abstract, non-figurative
painting characterized by a
research connected with the
use of materials as slaked
lime and sand combined with
acrylic colour, mostly in
metal and pearl tones.
In my works I try to achieve
contrasts and transparencies
between shining and mat shades
of colour, starting from
‘wrinkled’ bases or irregular
surfaces in order to obtain a
vague and undefined result by
overlapping materials and
colours.
In the last series entitled
“Crust” there is an explicit
reference to the irregularity
of the earth’s crust, or
rather the moon’s crust, for
the play between metal shining
and darkness and shadows as
well as the alternation of
thickness and depressions
emitting colours in contrast.
In particular, in the latest
production it can be found a
more significant research in
the forms with the picture
breaking up into splinters of
different dimensions to form
both geometrical and casual
compositions.
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Further Information
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Artist Exhibitions:
From 1996 to 2001:
Artistic studies at the art
school ‘Accademia Romagna’ in
Cesena (Italy) directed by the
painter Claudio Lasagni
September 1996:
First place at the
International Art Competition
‘San Giovanni Bono’ –Section:
Watercolour
May 2000:
His first solo show held at
the ‘Padiglione Ex-Arrigoni’
in Cesena (Italy)
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Further Information
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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Andrea Artusi's Free Artist Portfolio
Welcome to Andrea Artusi's Portfolio.
My work is maily directed to an abstract, non-figurative painting characterized by a research connected with the use of materials as slaked lime and sand combined with acrylic colour, mostly in metal and pearl tones.
In my works I try to achieve contrasts and transparencies between shining and mat shades of colour, starting from ‘wrinkled’ bases or irregular surfaces in order to obtain a vague and undefined result by overlapping materials and colours.
In the last series entitled “Crust” there is an explicit reference to the irregularity of the earth’s crust, or rather the moon’s crust, for the play between metal shining and darkness and shadows as well as the alternation of thickness and depressions emitting colours in contrast.
In particular, in the latest production it can be found a more significant research in the forms with the picture breaking up into splinters of different dimensions to form both geometrical and casual compositions.
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