Artist Information:
Astrid Stadt
Tourrettes-sur-Loup,
France
Member Since: Feb 2008
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Artist Statement:
Baiko is the Japanese name of
artist Astrid Stadt, Ikebana
master (Sensei) of the Sogetsu
School of Japan. Baiko means
plum blossom, a very revered
flower in Japan. White to rose
in color, the plum blossom
appears in early February, a
harbinger of spring. The
Japanese admire it for its
resilience against the cold of
winter. Baiko is a symbol of
perseverance in the face of
adversity. Astrid received the
name Baiko when the Sogetsu
School awarded her the title
Sensei. All the prints of her
creations are stamped with her
Baiko seal.
Ikebana, the Japanese art of
flower arranging, originated
during the 6th century in
Japan with the introduction of
Buddhism from China. It was
the custom to place floral
offerings in front of altars
to honor the Buddha and the
souls of the dead. Over time,
these floral offerings evolved
into floral arrangements
designed to express the
harmony between man and nature
and between spirit and matter.
By the 13th century, the
practice of Ikebana became a
form of meditation for Zen
Buddhist priests. In 1929, a
radical new approach to
Ikebana was launched by Sofu
Teshigahara, the late founder
of the Sogetsu School.
Teshigahara broke with rigid
...
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Astrid Stadt's Free Artist Portfolio
Welcome to Astrid Stadt's Portfolio.
Baiko is the Japanese name of artist Astrid Stadt, Ikebana master (Sensei) of the Sogetsu School of Japan. Baiko means plum blossom, a very revered flower in Japan. White to rose in color, the plum blossom appears in early February, a harbinger of spring. The Japanese admire it for its resilience against the cold of winter. Baiko is a symbol of perseverance in the face of adversity. Astrid received the name Baiko when the Sogetsu School awarded her the title Sensei. All the prints of her creations are stamped with her Baiko seal.
Ikebana, the Japanese art of flower arranging, originated during the 6th century in Japan with the introduction of Buddhism from China. It was the custom to place floral offerings in front of altars to honor the Buddha and the souls of the dead. Over time, these floral offerings evolved into floral arrangements designed to express the harmony between man and nature and between spirit and matter. By the 13th century, the practice of Ikebana became a form of meditation for Zen Buddhist priests. In 1929, a radical new approach to Ikebana was launched by Sofu Teshigahara, the late founder of the Sogetsu School. Teshigahara broke with rigid ... |
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