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Artist Exhibitions:
-summer 2008 Amsterdam :
Encaustic workhops and pigment
workshops.
Master classes.
-2007 Bilkent University .
Curator Attila Gulu. November
15th to dec 11th
-2007-2008. International Art
for Fashion. FCA, Atlanta:
President John Powell, Critic:
Jerry Cullum. Starts December
5th 2007.
-2007 Residency at The
Contemporary Art Centre:
CAT'ART . Ste Colombe...
Further Information
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Artist Galleries:
GALERIE GORA
tel: (514)879-9694 fax
:(514)879 0164
address: 279 Sherbrooke
west, suite <205,
Montreal, Quebec, Canada.
H3X 1Y2
www.gallerygora.com
email: art@gallerygora.com
Trevisan Arte
Corso Porta Reno, 17
44100 Ferrara/Italy
Tel Studio: 0425.81362
info@trevisanarte.com
www.trevisanarte.com
Walter Wickiser Gallery...
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Artist Reviews:
March 2008: "Waxed Poetics" by
New York young promising
writer Erica Cardwell.
published by London
progressive journal.
www.omnivorous.net
November 20006: NY Arts
Magazine produces a book on
500 contemporary painters.
June 2000: Martin FranK:
"Piccolo Spoletto", The Post
and Courier
March 1999: Sparr, Mindy:
"Art abounds in our ...
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Collections:
Museum of Las Americas, Miami,
FL
The Leila Wallace Collection:
The Reader's Digest,
Pleasantville, NY
French Consulate, Atlanta
German Consulate, Atlanta
Banque Nationale de Paris,
Basel, Switzerland
Compagnie Havraise
Peninsulaire de Navigation,
Paris, France Stockholm,
Sweden
Private collections in various
parts of the worlds:
UK: London, Scotland.
USA: New ...
Further Information
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Commissions:
Kathy and Alan Wisne, Florida
& Michigan USA
Wayne and Marti Huizenga, Fort
Lauderdale, Fl USA
Banque Nationale de Paris,
Basel, Switzerland
........
Further Information
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Artist Statement for Bridget Busutil
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Bridget Busutil,google22976108fdd647b3.html
Powered by View my page on Peacemaker Institute
ARTIST STATEMENT.
Art is a way of Life
My life is about Art and reflects the multicultural diversity in which I was raised.
I favour projects that mix Arts and multiculturalism and are interdisciplinary.
I think that as an artist my world is not limited to an aesthetical dimension.
Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection.
Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of �the other� with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer.
When I paint or teach students to draw a line�, I am aware of reaching out for a world without frontiers.
Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing.
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