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Artist Information:
Christian Culver
Atlanta,, GA
United States
Tel: 678-665-1022
Member Since: Feb 2001
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Artist Media:
Drawing Other (1)
Mixed Media (17)
Other (1)
Painting Oil (7)
Pastel (36)
Artist Exhibitions:
International Nagoya Design
Competition, Silver Prize,
Nagoya, Japan, 2000
Gallery Sklo, Atlanta, GA,
Opening May 9th 2003
Mercer University Brown Art
Gallery, 2006
Raymond Lawrence Gallery,
Atlanta, GA, 1999
Carnegie Art Museum, Buffalo,
NY 1998
Allentown Arts Festival,
Buffalo, NY, 1998

Published
Review : Atlanta Journal of
Constitution
Atlanta Business Chronicle ...

Further Information
Artist Galleries:
Raymond Lawerence Gallery,
Tula Arts Center, Atlanta
Gallery Sklo, Tula Arts
Center, Atlanta
Lagerquist Gallery, Atlanta GA
CURRENT...

Further Information
Artist Reviews:
London Art
"Culver's geometric
compositions draw influence
from urban architecture and
the cityscapes that are
created. His spontaneous,
integrated environments map a
timeless journey, allowing the
viewer a mesmerising
experience of colour and
form."

Ms. Johanna Grawunder
Nagoya International Design
Prize - Japan 2000
"This work is very unique for
...

Further Information
Collections:
King & Spalding Law Firm,
Atlanta, GA
Home Builders Association
Wash. DC
Georgian Bank, Atlanta GA
St.Joseph's Hospital, Phoenix
Arizona
Western Asset Management
Corporate, Pasadena CA
Private Residences, in
California, New York, Atlanta,
Chicago
Worthing Southeast Builders
Atlanta Georgia
CNN Omni Hotel, Atlanta
Georgia
Marriott Hotel Downtown,
Philadelphia Pennsylvania
...

Further Information
Commissions:
Home Builders Association,
Wash DC, 2006
King & Spalding Law Firm,
Atlanta, GA
Georgian Bank, Atlanta GA
St.Joseph's Hospital, Phoenix
Arizona
Western Asset Management
Corporate, Pasadena CA
Private Residences, in
California, New York, Atlanta,
Chicago
Worthing Southeast Builders
Atlanta Georgia
Western Asset Management,
Pasadena CA, 2005
Western Asset Management, ...

Further Information

Artist Statement for Christian Culver

Architectural Art

Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active agent - we can look away, turn down the volume. Yet despite this, one has the impression that images are continually passing. What does this way of seeing mean for architecture and objects in general? Do we still consider the subjective aspect rather than the objective? Is architecture continuously being reduced to simply an image or object? Do we still 'see?'

My work combines shape, color, form, and architectural 'citygraphs'. The work literally translates a physical reality into a two-dimensional 'constructed map'. A map as a vehicle for a phenomenological way of 'seeing.'

The coalescence of various ideas, experiences, colors, images, feelings and constructed environments is how our imaginations provide us happiness and, in two dimensions, blend the experience of the 'art' of Art and Architecture."

"The contemporary Metropolis, I believe, is a series of fragmented 'instances' that, when rarely visualized as a whole, become a series of blurred locales referenced only by shape, color and image. A Metropolis is a navigational landscape, a series of adventures for the engaged. My art, I hope, is the two-dimensional journey of such a landscape. It is a completely unique journey for each individual - always taking on new meanings."

Recently won the Silver Prize in the international design competition "Design Do" Nagoya Japan, 2000

Currently working at Cooper Carry Architects in Atlanta Georgia.


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