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Chuck Berk's Main Portfolio Page
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Artist Information:
Chuck Berk
Hewitt, NJ
United States
Member Since: Nov 2000

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Photo of Chuck Berk, Artist



biographybiography
guestbookguestbook
Artist Exhibitions:
Curriculum Vitaé (highlights)
~
Art Affiliation:
National Society Of Painters
In Casein & Acrylics, Inc.
(full member since '99)
Award Recipient:
1st Place,
Money•Greed•Crisis Int'l.
(artists.de) Award '09,
(Klinkhammer Gallery,
Düsseldorf, DE)
Judy & Elias Newman Memorial
Award '06
Maria Szeni Memorial Award
'00
(Awards
Judge...Philip Pearlstein)
...

Further Information
Artist Galleries:
Viewpoint Gallery, NYC USA...

Further Information
Artist Reviews:
http://picasaweb.google.com/chu
ckberk/AssetManagement<54162665
28555633570

http://picasaweb.google.com/chu
ckberk/AssetManagement<54174070
77323531586...

Further Information
Collections:
~ National Museum of Racing &
Hall of Fame, Saratoga
Springs, NY, USA
~ Shering-Plough Corporate Art
Gallery, NJ, USA
~ Novosibirsk Museum,
Russia...

Further Information
Commissions:
Coming Soon!

Artist Statement for Chuck Berk

WELCOME...
Here's a small sampling of my work. Please visit my on-line blog...
http://berkart.blogspot.com/
for a more comprehensive portfolio.

I've been concentrating on a theme of the artist & model in the studio. Here you will find genre paintings (in addition to other figurative work) of dedicated artists sharing the fee of a model. It's important for me to capture the intensity, action and emotion... both on and off the podium.

This site will be updated on a regular basis. After viewing my work, please feel free to E-mail your comments. Pricing information is available upon request. Don't forget to sign the "Guest Book" and remember that exhibitions change frequently so bookmark this site and stop back soon.
~ Have a creative day! Chuck

Color-massing Technique © C.Berk:
Color-mass painting is the exact opposite of drawing. Just because artists use brushes, doesn't mean that they’re painting. However, when scrubbing with a brush, from the center moving out, an edge can be created by juxtaposing one color spot next to another. Placing a light against a dark, a cool against a warm, vague next to defined, a contour will emerge.

Without filling in between lines, colors truly interact and the paint develops a visual life of its own...breathing undulating until each color functions to the individual artist’s temperament. Because unwanted “mud” may occur, by bleeding a color’s edge into its complementory color, this technique is not achieved without significant practice.



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