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Artist Exhibitions:
Roberto Silva, Born in Brazil-São Paulo City
Education: artes plásticas e licenciatura -1979-82 (FAAP) Armando Alvares Penteado - Sao Paulo – SP/Brazil
SOLO EXHIBITIONS:
2005: Exhibition at BACI-Brazilian-American Cultural Institute
Washington-DC-USA
2003: Digital pictures Exhibition, sponsored by the Brazilian branch of the OKI
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Artist Galleries:
The art gallery Londonart in London
http:www.londonart.co.uk...
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Artist Reviews:
Pictorial poetry
Roberto Silva's pictorial poetry employs geometric figures to build vibrant compositions. This is achieved not only by the combination of shapes but also by the way colors are used. The result, instead of being a mass of cold matter, is an artwork that reflects the artist's ...
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Collections:
Works in private collections including Brasilian states, San Francisco, Boston, Italy, France and Portugal.
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Commissions:
Coming Soon!
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Artist Statement for Roberto Silva
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Concrete painting
The structural composition of the drawing is in the limit of the line, the line that has origin in the geometric figure of the circle, "because every straight line is a limit of a circle." That pictorial architecture is configured in delimited plans where color has an echo and representation. Color sets the tone of the musicality in the painting. It is applied within the dynamics of alternate rhythms with incessant beating of the brush on the canvas. The predominant texture resulting of that echoed action also reveals a subtle depth as a consequence of the transparency of the oil paint. This constant dialogue with the line, form and the light on canvas, gives dimension to the abstract idea materializing it in a concrete element, which is the concrete painting.
Roberto Silva
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Pintura Concreta
A composição estrutural do desenho está no limite da linha, a linha que tem origem na figura do circulo, “pois toda reta é um limite do circulo”. Essa arquitetura pictórica configura-se em planos delimitados onde a cor tem eco e representação. A cor registra o tom da musicalidade na pintura. Insere-se nela uma dinâmica de ritmos alternados com incessantes batidas do pincel sobre a tela. A textura predominante resultado dessa ação repercutida, também revela uma sutil profundidade em conseqüência da transparência da tinta óleo. Este diálogo constante com a linha, forma e luz sobre o suporte, dimensiona a idéia abstrata materializando-a em elemento concreto, a pintura concreta.
Roberto Silva
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