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Artist Information:
Roberto Silva
Sao Paulo,
Brazil
Member Since: Aug 2001
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Artist Exhibitions:
Roberto Silva, Born in
Brazil-São Paulo City
Education: artes plásticas e
licenciatura -1979-82 (FAAP)
Armando Alvares Penteado - Sao
Paulo – SP/Brazil

SOLO EXHIBITIONS:
2005: Exhibition at
BACI-Brazilian-American
Cultural Institute
Washington-DC-USA
2003: Digital pictures
Exhibition, sponsored by the
Brazilian branch of the OKI
...

Further Information
Artist Galleries:
The art gallery Londonart in
London
http:www.londonart.co.uk...

Further Information
Artist Reviews:
Pictorial poetry

Roberto Silva's pictorial
poetry employs geometric
figures to build vibrant
compositions. This is achieved
not only by the combination of
shapes but also by the way
colors are used. The result,
instead of being a mass of
cold matter, is an artwork
that reflects the artist's ...

Further Information
Collections:
Works in private collections
including Brasilian states,
San Francisco, Boston, Italy,
France and Portugal.

...

Further Information
Commissions:
Coming Soon!

Artist Statement for Roberto Silva

Concrete painting

The structural composition of the drawing is in the limit of the line, the line that has origin in the geometric figure of the circle, "because every straight line is a limit of a circle." That pictorial architecture is configured in delimited plans where color has an echo and representation. Color sets the tone of the musicality in the painting. It is applied within the dynamics of alternate rhythms with incessant beating of the brush on the canvas. The predominant texture resulting of that echoed action also reveals a subtle depth as a consequence of the transparency of the oil paint. This constant dialogue with the line, form and the light on canvas, gives dimension to the abstract idea materializing it in a concrete element, which is the concrete painting.

Roberto Silva

_______________________________________

Pintura Concreta

A composição estrutural do desenho está no limite da linha, a linha que tem origem na figura do circulo, “pois toda reta é um limite do circulo”. Essa arquitetura pictórica configura-se em planos delimitados onde a cor tem eco e representação. A cor registra o tom da musicalidade na pintura. Insere-se nela uma dinâmica de ritmos alternados com incessantes batidas do pincel sobre a tela. A textura predominante resultado dessa ação repercutida, também revela uma sutil profundidade em conseqüência da transparência da tinta óleo. Este diálogo constante com a linha, forma e luz sobre o suporte, dimensiona a idéia abstrata materializando-a em elemento concreto, a pintura concreta.

Roberto Silva



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