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Artist Information:
Connie Noyes
Paducah, KY
United States
Member Since: Jan 2003
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Artist Exhibitions:
SOLO SHOWS & FEATURED
EXHIBITIONS

2004
Wax Drawings, Paul Sunderholm
Gallery, San Francisco, CA
Introductions, O Gallery,
Paducah, KY
2003
Edges: Between Chaos and
Stillness, Hang Gallery, San
Francisco, CA
2001
Hang Gallery, Featured Artist,
Palo Alto, CA
“Coming Around Again”, Weigand
Gallery, Belmont, CA
1992
Connie Noyes, “New Works”,
Touchstone ...

Further Information
Artist Galleries:
Stephen Kelly Gallery, 750 N.
Franklin St., Chicago, IL
SFMOMA Artists Gallery,
Building A, Fort Mason, San
Francisco, CA
Soho Myriad, 1250B Menlo
Drive, Atlanta, GA

...

Further Information
Artist Reviews:
Coming Soon!
Collections:

Emaar International, Dubai,
United Arab Emirates
Museum of Contemporary
Photography, Chicago, IL, USA
Art Institute of Chicago,
Chicago, IL, USA
Greenville County Museum,
Greenville, SC, USA
Virginia Museum, Richmond, VA,
USA
Virginia Intermont College,
Bristol, VA, USA
Paducah Bank, Paducah USA
Numerous private collections
...

Further Information
Commissions:
Coming Soon!

Artist Statement for Connie Noyes

The Wax Drawings lie in the core reality of struggle and chaos from which I work to extract a sense of elegance and hope.


With a background in psychology, I understand that in order to affect change I must first work though chaos – to attempt to see the underlying connections that exist between seemingly random events. Trust and a profound connection to the process, the act of painting or drawing itself, is what activates my work.

The Wax Drawings begin with a gesture, which is then preserved under a layer of wax. Working in the moment, layers of wax are built up with time and subtracted with heat. In the process, the simple interaction of gravity and gesture seem to create a moving picture.

To look at them individually, within the various groupings, the differences may appear subtle. Yet each has its own physicality and unique way of interacting with the elements and materials at play on the page. I am intrigued by how kinetic the work can appear in one moment and quiet the next - as if the physical energy has been quieted in the process of being created.



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